Re:Staves as footnotes, and some random layout issues.

Hi Ted, for having the blank space on the bottom, add a \paper - block like this: \paper { ragged-last-bottom = ##f ragged-bottom = ##f } Eliminating the treble clef and shrinking the score snippet is easy, see below. Unfortunately, layout-set-staff-size only affects the notes, but not

Re:Staves as footnotes, and some random layout issues.

Hi Ted, working with real footnotes seems to be possible but extremely tricky. I've got no idea of that. As all this happens on the first page, you could abuse the copyright markup in the \header section. Cheers, Klaus % ---

Re: Can LyricExtender ignore/skip syllables?

% http://lists.gnu.org/archive/html/lilypond-user/2014-12/msg00123.html % Contributed by Klaus Blum \paper { indent = 0 ragged-right = ##f } \header { tagline = ##f } % --- % - The central function % Usage

Re: vertical justification of fret-diagram

Hi Jinsong, if you like to define all fret diagrams as markup, you can place them in an lyric line above the staff: % - \version 2.19.15 fret-ees = \markup { \fret-diagram #s:0.5;6-x;5-x;4-5;3-3;2-4;1-3;c:2-1-2; } \new Lyrics {

Re: define-music-function - unexpected EVENT_FUNCTION

Hi Anders, the \rightHandFinger command can only be used for a single note, not for a whole music expression that could also be a chord or a sequence of notes and rests. Replacing ly:music? by ly:pitch? should do the trick: %

Re: Closing key and two staves on the same line

Hello Kaj, you can put an empty measure in between and interrupt the staff lines via \stopStaff and \startStaff. The huge override section is taken from a snippet, it's needed to have the natural sign before the double bar line. I hope this helps: %

Re: box around notes

Hi David, thanks again. You're my hero: now it works. I've added a few things so far: - thickness property can be used to control frame thickness, can even be set to zero (color property and layer property work by default) - filled property (boolean) controls whether the box is to be filled

Re: box around notes

Hi David, one more big THANK YOU for your fast reply. Yes, it was very helpful. I have updated music-boxer-stencil so that it works again with the boxEngraver. Finally I did some cleanup to my messy code in make-box. Greetings from Germany, Klaus Am 16.01.2015 um 20:30 schrieb David

Re: Peer review

Hi Craig, I've noticed that you've changed the color of the staff lines from black to grey. I think this is a good way to increase readability. However, in some lines of your score, the black bar lines are printed behind the grey staff lines. I think this is because they are located in the same

Re: Temporary font change?

Hi Urs, thanks for your hint. Now it works: % \version 2.19.15 #(define-public (add-notation-font fontnode name music-str brace-str factor) (begin (add-music-fonts fontnode name music-str brace-str

Re: Temporary font change?

Hi Abraham, just discovered that I missed your answer. Thanks a lot for your tailor-made version. Klaus -- View this message in context: http://lilypond.1069038.n5.nabble.com/Temporary-font-change-tp172083p172090.html Sent from the User mailing list archive at Nabble.com.

Temporary font change?

Dear LilyPond fellows, is there a way to temporarily change the notation font? For example, only some notes or one voice in a hand-written look like improviso? I'm trying something like http://lilypond.1069038.n5.nabble.com/file/n172083/Zwischenablage01.png by a code like this: %

Re: box around notes

Hi David, thanks for your work - this is a really great tool. I often work with things like this: http://lsr.di.unimi.it/LSR/Item?id=960 http://lsr.di.unimi.it/LSR/Item?id=960 so what I found in this thread is very interesting for analysis purposes. I started to try some modifications on

Re: Encapsulating tweak and markup in a variable

Salut Jacques, defining your command as a function should do the trick: %--- \version 2.18.2 UN_E = #(define-music-function (parser location) () #{ -\tweak TextScript.self-alignment-X #CENTER -\markup\large\bold\with-color #magenta 1E #})

Re: Encapsulating tweak and markup in a variable

P.S.: You can also pass parameters to that function: % --- \version 2.18.2 F = #(define-music-function (parser location text) (string?) #{ -\tweak TextScript.self-alignment-X #CENTER -\markup\large\bold\with-color #magenta $text #}) {g2 \mf

Re: using variable in \translate #'(10 . 30) \center-align Ignatzek

Hi Marc, maybe this is what you're looking for: % -- \version 2.18.2 \markup \translate #'(10 . 30) \center-align Ignatzek \markup \translate #'(20 . 30) \center-align Ignatzek #(define x-var 10) \markup \translate #(cons x-var 30) \center-align

Re: Uncorrect (?) beams

It seems that you have to apply \autoBeamOff BEFORE a beam group starts. You can manually start/stop beams by using brackets: % -- \version 2.18.2 \relative c'' { c4 b a \autoBeamOff g16[ b] a8 } % -- Cheers, Klaus

Re: many-lyrics separator (slightly OT)

David Nalesnik-2 wrote There is an old thread which describes how to adapt input/regression/ scheme-text-spanner.ly to create intelligent underlining of lyrics: http://www.mail-archive.com/lilypond-user%40gnu.org/msg60732.html Hi David, thanks for pointing to that old thread. It helped me to

Re: Highlight or Cross out measures

Hi Jay, maybe this could help you: % - \version 2.18.2 bgColor = #(define-music-function (parser location y-lower y-upper color) (number? number? color?) #{\stopStaff \override Staff.StaffSymbol $'stencil =

RE: Bar number after volta repeat

Hi Seng, sorry, I didn't notice that. :( 1. All the engravers removed from the \Score context only were added to the normal \Staff context. I forgot to do the same thing with the \RhythmicStaff context. Now it works. For some reason, the first bar is extremely spread. If you use the

RE: Bar number after volta repeat

Klaus Blum wrote For some reason, the first bar is extremely spread. Ah, I didn't notice the \break after the first bar in the bass part: bassMusic = \relative c { \clef bass_8 \key g \major g,1 *\break* b } Remove it and everything works as expected. :) -- View this message in context

Re: Slurred staccato in a tremolo (Menu Jacques)

Hello back, I don't know if I'm doing something wrong, but I didn't see a slur at all, until I added some braces: % --- \version 2.19.15 tongue = #(define-music-function (parser location dots) (integer?) (let ((script (make-music

Re: Slurred staccato in a tremolo

Hi Jacques, there is already a snippet that might help: http://lsr.di.unimi.it/LSR/Item?id=772 http://lsr.di.unimi.it/LSR/Item?id=772 Cheers, Klaus -- View this message in context: http://lilypond.1069038.n5.nabble.com/Slurred-staccato-in-a-tremolo-tp172820p172824.html Sent from the User

Re: Graphical operators in markup

Hi Andrew, there are two snippets dealing with arrows: http://lsr.di.unimi.it/LSR/Item?id=961 http://lsr.di.unimi.it/LSR/Item?id=961 http://lsr.di.unimi.it/LSR/Item?id=962 http://lsr.di.unimi.it/LSR/Item?id=962 Maybe they are useful for you... Cheers, Klaus -- View this message in

Re: Change the Y-offset of a ballon markup

Hi Pierre, the balloon spanner is attached to the center of the balloon text markup only if it does not cover a Y distance, f. ex. \balloonText #'(6 . 0) The only idea I have is to tweak the markup dimensions by \with-dimensions #'(0 . 0) #'(0 . 0) or \with-dimensions #'(0 . 0) #'(0 . 1)

Re: Change the Y-offset of a ballon markup

Ooops, HTML formatting can misunderstand LilyPond code... let's try again: % \version 2.18.2 \new Staff { \new Voice = Up \relative e'' { \voiceOne e8 fis g e fis4. e8 | b dis2 } \new Voice =

Reading a property

Dear LilyPond fellows, how can I read a property? For example, after having applied \override HorizontalBracket.line-thickness = #0.5 is there an easy way to access that value? I know that it will work like this: colorSpan = #(define-music-function (parser location y-lower y-upper color)

Re: How to use \parallelMusic with \lyricmode ?

Matej Kosik wrote doesn't that mean that: Cee syllable has length 2 Eee syllable has length 4 Gee syllable has length 4 ? Hmmm... not really. At the moment when \parallelMusic sorts the whole expression into three variables, the syllables have no length. Thus, your

Re: Two types of glissandi in the same score?

Hi torchflame, could you provide a complete example, even if it doesn't compile? This would help to find a solution. Here's a snippet that might help: http://lsr.di.unimi.it/LSR/Item?id=962 http://lsr.di.unimi.it/LSR/Item?id=962 Cheers, Klaus -- View this message in context:

Re: String Concatenation, and Use of Unicode characters

Hi Michael, for your second issue, this might be helpful: \concat { Alto Sax in E \fontsize #-5 \raise #0.9 \musicglyph #accidentals.flat } Could you provide your source file and also the include files as a download or attachment? I tried to copy-paste from your post, but some signs got messed

Re: How to use \parallelMusic with \lyricmode ?

Hi Matej, the message occurs because the syllables don't have a length like the notes in the two upper voices. Using \lyricmode { Cee2 Eee4 Gee4 } | will supress the message, even if it's not necessary because of the \lyricsto assignment. I'm afraid there is no way to get rid of the

Re: String Concatenation, and Use of Unicode characters

Hi again, for your first issue, try: \bookOutputName #(string-append BaseFileName (alto)) hope this helps, Klaus -- View this message in context: http://lilypond.1069038.n5.nabble.com/String-Concatenation-and-Use-of-Unicode-characters-tp172504p172508.html Sent from the User mailing

RE: Bar number after volta repeat

Hi Seng, ooops, that's true, this really looks strange... It seems you have to move some other engravers as well, because they depend on each other. So, let's apply all the changes from the snippet above. Now the \layout section looks like this: %

Re: Bar number after volta repeat

Hi Seng, if you add the Bar_number_engraver to a staff, you also have to add the Timing_translator: \consists Timing_translator \consists Bar_number_engraver A cleaner solution could be to completely remove those two engravers from the score context and put them into the staff context.

Re: Bar number after volta repeat

I just forgot to mention: There's a crazy snippet where I got this information from: http://lsr.di.unimi.it/LSR/Item?id=872 http://lsr.di.unimi.it/LSR/Item?id=872 It's a showcase for countless possibilities. Cheers, Klaus -- View this message in context:

Re: Force hshift not working in rhythmic staff

Hi, force-hshift is applied by the collision engraver, which is part of many staff types, but not part of a RhythmicStaff. See: http://www.lilypond.org/doc/v2.18/Documentation/internals-big-page#collision_005fengraver

Re: Moving a markup

Hi Ralph, it seems that markup above full measure rests is center-aligned above the rest. If you replace the full measure rest by a normal rest, it should be left-aligned. Regarding the tweaks: They are applied AFTER the position for the markup is calculated, therefore they should work well.

Re: creating pop/vocal lead sheets without the melody line

Hi Ryan, you might find an advantage if you already have defined a melody anyway. You can then replace the normal voice by a NullVoice which doesn't show up in the score. By that, you can re-use a \lyricsto-assignment already made. But LilyPond still treats the material as a musical score. For

Re: [feature request] getting \repeat percent to work in ChordNames

benbigno...@gmx.dehi Kieren, you could also try: % --- \version 2.18.2 \chords { \repeat percent 4 { a2:m f } \repeat percent 4 { g1 c } } \layout { \context { \ChordNames \consists Percent_repeat_engraver \consists

Re: [feature request] getting \repeat percent to work in ChordNames

Hi Kieren, a few weeks ago, I had exactly the same question while fiddling around with this: Chord_sheet.ly http://lilypond.1069038.n5.nabble.com/file/n174400/Chord_sheet.ly I'm not sure if I was inspired by http://lsr.di.unimi.it/LSR/Item?id=460 or if I found the solution somewhere else.

Re: can I force the KeySignature to display when a new clef requires it?

Hi Kieren, I don't know if there is an easier/better way, but you could try: % - \version 2.18.2 showKey = { % Define the order of barline, clef, key signature etc.: \once \override Score.BreakAlignment #'break-align-orders = #'

Re: repeated _\markup{} at same distance from staff...?

Hi Paul, hi Phil, from my own experiences, I can absolutely recommend using lyrics. Here's a snippet that might be useful: http://lsr.di.unimi.it/LSR/Item?id=967 Cheers, Klaus -- View this message in context:

Re: New verses

Hallo Bernhard, Dr. Bernhard Kleine wrote I failed to add a second (and third to fifth) verse to the following example. there should be no problem if you add the following verses in the same way you added the first one. Verses below the score can be added with a separate \markup block. One

Re: Global Color Changes

One last idea: If you don't want to change the settings for the entire page, you could also try like this: % \version 2.18.2 % Taken from: % http://lsr.di.unimi.it/LSR/Item?id=969 #(define-markup-command (on-color

Re: AW: AW: New verses

Aaaah, that's because the \header part was *inside* the \score part: \score { \header { % title, composer, tagline } \choirPart % etc. } If you change the structure like this... \header { % title, composer, tagline } \score { \choirPart % etc. } ...everything

Re: AW: New verses

Hi Bernhard, Dr. Bernhard Kleine wrote I lost the information in the header, it is still written, but not used. I am lost. Sorry, but I don't understand what you mean by that sentence... maybe in German? Cheers, Klaus -- View this message in context:

Re: Global Color Changes

Peter Heisen wrote My goal is to change the foreground from black to, say, yellow; and the background from white to, say, blue. As for the background, you can start here: http://lsr.di.unimi.it/LSR/Item?id=699 Cheers, Klaus -- View this message in context:

Re: Parallel music expressions on 1 stave with different notehead sizes?

Hi Rosalie, one of the snippets could help you: http://www.lilypond.org/doc/v2.18/Documentation/snippets-big-page#simultaneous-notes-changing-a-single-note_0027s-size-in-a-chord But you will have to tweak each single note head, which might be somewhat cumbersome: %

Re: Parallel music expressions on 1 stave with different notehead sizes?

Hi Rosalie, maybe a small function will make the complicated job a little less complicated: % - \version 2.18 \include english.ly t = #(define-music-function (parser location music) (ly:music?) #{ \tweak font-size #-2 #music #}) soprano = { g'8

Re: undefined

Hi Calixte, someone has made a cool snippet for that: http://lsr.di.unimi.it/LSR/Item?id=968 He's simply re-defining the [ ] commands. A little modification to fill your needs: % - [ = - #(make-music 'SlurEvent 'span-direction

Re: Reading a property

Hi everybody, here is an updated version where a small problem has been resolved (see attachment). I hope this can be useful for some people. If you have any suggestions, please go ahead. Maybe I'll do some cleanup and turn it into a snippet... Cheers, Klaus ColorSpan-Showcase.ly

Re: box around notes

Hi David, here's my first attempt to apply my drawing function to your project. Thanks again for sharing this really cool tool! I've played around with some settings, and I also experimented with the messed up dynamics problem when taking the engravers out of the score context. It works if you

Re: Reading a property

Hi David, thanks for coming onboard. First of all, I've got a function that returns a stencil: #(define (makeDeltaSpan y-l-lower y-l-upper y-r-lower y-r-upper frame-color fill-color stepLeft stepRight open-on-bottom open-on-top thick pad X-ext-param open-on-left open-on-right radius

Re: box around notes

Hi David, David Nalesnik-2 wrote I hope that one day this will be trouble-free! I didn't know that things can get that complicated when diving deep into a lily pond... ;-) David Nalesnik-2 wrote How did you arrive at 1? Well, I just took some insane value to get above anything else...

Re: Nashville notation as chord symbols

Hi Stan, there once was an interesting thread in the German forum: http://www.lilypondforum.de/index.php?topic=824.0 This might be a point to start, even if it works only in C major: % --- \version 2.18.2 %

Re: Creating cut-away or scrapbook scores in LilyPond

Hi Stephen, thanks for publishing your source code. You gave me the solution I didn't find: markup attached to empty chords. Here is my suggestion: Scrapbook_challenge.ly http://lilypond.1069038.n5.nabble.com/file/n177487/Scrapbook_challenge.ly No more invisible rests that consume space, and

Re: Creating cut-away or scrapbook scores in LilyPond

Hi Abraham, whether or not this type of score makes sense... here is what I've got so far: % - \version 2.18.2 sortClef = { \override Score.BreakAlignment #'break-align-orders = #' #((left-edge cue-end-clef

Re: Creating cut-away or scrapbook scores in LilyPond

tisimst wrote I couldn't see the instrument names at all... Neither could I... If you try \skip 8 \skip 4 \skip 2 you can see the instrument names move to the left. Increasing the indent value may help visualizing the effect. With \skip 1*4, they completely disappear. I have no idea what's

Re: Removing end of line key signature

Hi John, \override Staff.KeySignature.break-visibility = #end-of-line-invisible only affects the key signature that has been set at the beginning. You shouldn't set it to #end-of-line-invisible: note the b at the beginning of every bar in the coda. To affect key changes during the piece, use

Re: Creating cut-away or scrapbook scores in LilyPond

Here we go again: % - \version 2.18.2 \paper { ragged-right = ##f } #(define-markup-command (instNameI layout props text) (markup?) (interpret-markup layout props #{ \markup { \hcenter-in #10 $text }

Re: coloring voices vs systemStartDelimiterHierarchy

Hi musicus, the problem disappears if you remove the \stopStaff and \startStaff commands in your colorMusic function. It seems that the function works fine without them. Is there a special reason for them? I could not find them in Urs' blog. Cheers, Klaus -- View this message in context:

Re: Fw: Re[2]: coloring voices vs systemStartDelimiterHierarchy

Nick Payne-3 wrote If I save the ly file and try to build it (Windows, Lilypond 2.19.21) it causes lilypond to terminate with the error below. I also loaded it into Frescobaldi and got the attached Mingw error msgbox: [...] Strange... I'm on Win7 64bit, Frescobaldi Lilypond 2.19.18 and

Re: kneed beam a la Bach

Simon Albrecht-2 wrote { b'8\stemDown a'' g'' b'\stemUp } – however, it doesn’t work… (Why?) Hi Simon, just put \stemDown and \stemUp *before* the note: { \stemDown b'8a'' g'' \stemUp b' } Cheers, Klaus -- View this message in context:

Re: Vertical spacing question

Hi Ivan, what do you mean by spacing between systems and staves? Maybe there is a chance to work with \once \override Joram Berger has created a great cheat sheet that might help you to find the right place: http://joramberger.de/files/LilypondSpacing.pdf Cheers, Klaus -- View this

Re: separate consecutive cluster chords

Hi Kieren, you have to separate the clusters by rests (however, you can \hide them). Here's a little experiment: % - \version 2.18.2 separateClusters = { \override ClusterSpanner.X-offset = #-0.2 \makeClusters { g g'4. \hide r8 d d'4.

Re: ossia label?

Hi Jay, a few weeks ago, there was a similar theme that could be useful for you: http://lilypond.1069038.n5.nabble.com/Creating-cut-away-or-scrapbook-scores-in-LilyPond-td177473.html#a177487 (here's the beginning:)

Re: Re[2]: Fw: Re[2]: coloring voices vs systemStartDelimiterHierarchy

Hi Thomas, Thomas Schuch wrote 2. Clefs If i want to color some music at the beginning of a system, the Clef at the SystemStart gets colored, too. If this behaviour is intended, you are absolutely right in changing Staff.Clef #'color (or did I miss something?). If you want ONLY the clef

Re: Nashville notation as chord symbols

Hi Amy, hmm... sounds difficult. My first idea would be: Take the whole chord sequence and transpose it back to C major. However, this will also affect the MIDI output. I hope this helps: % - \version 2.18.2 % Chords #(define

Re: Input for \chords: What data type?

Hi Harm, thanks a lot - that's what I needed. Klaus -- View this message in context: http://lilypond.1069038.n5.nabble.com/Input-for-chords-What-data-type-tp177895p177914.html Sent from the User mailing list archive at Nabble.com. ___

Re: {g,, g'' g g}

Simon Albrecht-2 wrote The problem is integrating this with \relative (as Gianmaria intended, I believe). At least you’d have to spell out the first one. That's true. But if you want to work ONLY in relative mode, a tiny modification to David's solution will work: %

Re: A bunch of problems at score part changeover

Hi Kaj, Here's how I would try it: % -- \version 2.18.2 \paper { ragged-right = ##t } \defineBarLine ||- #'(|| .|: .|:) % End / Start / Middle of line vA = \relative c' { \repeat volta 2 { c4 c c c } \alternative { { d4 d

Re: \dim and avoid-slur

Hi Simon, I've played a bit with your example, based on http://lsr.di.unimi.it/LSR/Item?id=540 which is also part of the documentation. This might do the trick: % --- \version 2.19.18 \score { \new Voice { { \override

Re: {g,, g'' g g}

Hi Gianmaria, you could start like this: % -- \version 2.18.2 pat = #(define-music-function (parser location note) (ly:pitch?) #{ \transpose c $note % define the pattern here: { c,,16 c'' c c } #}) { \pat g \pat

Input for \chords: What data type?

Dear list fellows, I am trying to write a function which outputs chord symbols after transposing them. But what type of data do I need for the input of the \chordmode or \chords function, i.e stuff like { c1 d:m f g:7 } ? \chords { c1 d:m f g:7 } returns: C Dm F G7 as

Re: custom markup help

Hmmm... AFAIK there is no way to use properties like you can do with define-markup-command. Maybe someone with a deeper knowledge than me can chime in here? :) At least, I found a way to call the function without using the carat: % ---

Re: copyright text in more of one single line

Hi Marco, yes, just try: % \header { tagline = ##f copyright = \markup \center-column { (C) 2015 - Marco Bagolin All Rights Reserved - This is my personal copy - } } \score {g'} %

Re: ANN: Frescobaldi 2.18.1

Hi Wilbert, there is something I need to say about Frescobaldi: For several reasons, I'm stuck in the world of Windows. However, I've always checked out some interesting Linux software on separate partitions or virtual PCs. Very soon, Frescobaldi became the most important of them. And I

Re: notes grouped

Hi Marco, you can find the information here: http://www.lilypond.org/doc/v2.18/Documentation/notation-big-page.de.html#setting-automatic-beam-behavior This is a snippet about that subject: http://lsr.di.unimi.it/LSR/Item?id=520 Cheers, Klaus -- View this message in context:

Re: custom markup help

Hi Damian, aah, Nick was faster than me... :-) The easiest way I've found would be this: % --- \version 2.18.0 #(define-markup-command (sd layout props sdnum) (markup?) Put a number with a carat above the note.

Re: change font name of just lyrics?

Hi Josh, you could try it like this: % -- \version 2.18.2 \relative c' { c4 d e f } \addlyrics { This is my text } \layout { \context { \Lyrics \override LyricText.font-name = #Arial Narrow } } %

Re: add stems to rests under a beam?

Here's another hack: % { \override Stem.stemlet-length = #0.75 c'2~ c'4 c' \tweak transparent ##t a'8[ b'16\rest c' \tweak transparent ##t a'16] | c'4 } % But that's probably

Re: automatic bar number following multimeasure rest

Hi David, I don't know an automatic solution, but would it be interesting to set it manually? % -- \version 2.18.2 showBarnum = { \once \override Score.BarNumber.break-visibility = #end-of-line-invisible \once \override

Re: Guitar Chord Fret Diagram - T above string fretted with thumb

Hi Tone, that's not a big problem: You can insert another markup above the fingering chart. Its contents is passed as another parameter. If the thumb isn't used, just pass an empty string instead of a T. Cheers, Klaus %-

Re: Guitar Fret Diagram - scale degree below string

Hi tone, welcome to the forum! :-) The most elegant solution would be to take fret-diagrams.scm and use it to build a modified fretboard command that accepts markup for fingerings. But as I'm not an expert, this is out of reach for me. Anyway, I've played around with explicit positioning of

Re: vertical spacing of rests

Peter Selinger wrote Is there a global way to turn off vertical spacing for rests in a context, i.e., some command whose effect would be to make notes behave as with \voiceOne and rests behave as with \oneVoice? Hi Peter, yes, there is: \override Rest.staff-position = #0 but you have

Re: vertical spacing of rests

Peter Selinger wrote your code snippet does not work correctly if some of the rests are dotted (see attached for the output). It's a bit of a mystery to me why this happens. Hi Peter, hmmm... I didn't think of this. It's no mystery, it's the Dot_column_engraver who makes sure that both dots

Re: vertical spacing of rests

Simon Albrecht-2 wrote This will move the Dot_column_engraver from Staff to Voice level and might fix the problem. Good idea, but you should consider that this will affect dotted notes as well: % \version 2.19.25 centerRests = { \override

Re: Lining up notes in staves with different rhythms and time signatures

Hi Jack, while working on a solution, I've missed that two experts already replied... :) Anyway, another approach would be to set the internal (true) time signature via \set Staff.measureLength = #(ly:make-moment 3/4) etc. which can be different from the displayed time signature set by

Re: Note extension lines

Hi Andrew, Andrew Bernard wrote I need to be able to specify an arbitrary length, and unconnected to a following note. maybe one of those two snippets might be a start: http://lsr.di.unimi.it/LSR/Item?id=961 http://lsr.di.unimi.it/LSR/Item?id=962 Cheers, Klaus -- View this message in

Re: Guitar Fret Diagram - scale degree below string

Hi Tone, tone wrote How can I add more space between the bottom of the strings (fret diagram) and the scale degrees? the function produces a column: fret-diagram and the overlay stuff are stacked on top of each other. Between them, you can insert empty vertical space by \vspace: %

Re: Changing notehead sizes within chords

Hi David, you could start a new voice like this: \new Voice % add this line... \leadVoice but this will lead to new problems: an additional slur and warnings about colliding note columns. Overriding the notehead size will always work for the entire chord. That's why only the tweak will

Re: add stems to rests under a beam?

N. Andrew Walsh wrote I'd prefer to keep the position of the rests as close to unchanged (ie where they would otherwise appear, were they not under a beam) as I can. Obviously this will force all the stems to be considerably longer than normal, but I'd rather that than have the rests suddenly

Re: space between nested staff groups

Hi Michael, there is another way to get that brace without the use of a GrandStaff: % --- music = {c4 c c c | c c c c } violinIMusic = { \relative c'' \music } violinIIMusic = { \relative c'' \music } violaMusic = {

Re: string harmonics with cue notes

Hi Orm, not a complete solution, but maybe a start for further ideas... You could define a variable to sum up all the formatting commands: % - \version 2.19.5 cueNote = { \override ParenthesesItem.padding = #0.2 \override

Re: Align instrumentName baseline (?) to Lyrics baseline

Hi Conor, not the most beautiful hack, but maybe it helps: Instead of instrumentName, use a stanza object: % - \version 2.19.21 stemOff = { \hide Staff.Stem } \score { \new Staff \relative c' { \stemOff

Re: Fret Diagrams in Open Office Writer

Hi Socrates, in the OOoLilyPond Window, select the template named Fret Board as mentioned by Michael. Now you can simply enter d and you get a standard D major chord. If you want to want to use your own diagrams, you should use the Direct to LilyPond template and enter: %

Re: Testing requested: new manuscript viewer tool for Frescobaldi

Hi Urs, thank you for working on that feature. This is something I'm heavily interested in... However, I'm a Windows user with absolutely no knowledge about using github and compiling source code. Is there any chance to get binaries for testing? Cheers, Klaus -- View this message in

Using fonts installed on the system

Hi fellow LilyPonders, has there recently been a change in how LilyPond can access fonts that are installed on the system? I'm on Windows 7... When compiling this: % \markup {"Arr.: " \override #'(font-name . "Wingdings") "{

Re: Testing requested: new manuscript viewer tool for Frescobaldi

Hi Simon, hi Federico, thanks for your advices. Yeah, it works! :-) This is a really cool feature. I hope it will soon be available for windows as well. Cheers, Klaus Am 14.11.2015 um 23:36 schrieb Simon Albrecht: It is a feature of Python (in which frescobaldi is written) that a program

Re: Using fonts installed on the system

Hi Simon, thanks for your link. Indeed, as soon as I change \markup {"Arr.: " \override #'(font-name . "Times New Roman") "{ Font Test" } to \markup {"Arr.: " \override #'(font-name . "Times New Roman,") "{ Font Test" } the Times New Roman font works as expected. However, the issue with

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