Re: How to Import MIDI and ETF files in LilyPond

user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH)

Re: How to Import MIDI and ETF files in LilyPond

ormat? Please help me. I want to use LilyPond. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Pro

Re: Rhythms with no staff lines but with bar lines

a \bar "|" r8 a4. a2 } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute

Re: *.mid vs *.midi

ling list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH)

Re: Error when trying to install LilyPond under kubuntu

kubuntu 8.04. Can you help me? Thanks in advance Silvan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signa

Re: Lyrics to rests?

Valentin Villenave wrote: \addlyrics { "1" "+ 2 " "+" "3" "4" | "1" "+ 2 +" "3 4" } You are using explicit durations here; No! The \addlyrics construct copies the durations from the music, i.e. any durations specified explicitly in the lyrics are ignored. The simplest way I ca

Re: an output question

er mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-10

Re: 12/8 problems

is 9/8 instead of 12/8. Any way to get this properly notated? Thanks a bunch for the help. Jon ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ==

Re: clef question

James E. Bailey wrote: Is it possible to get lilypond to use two clefs? I'm looking at some music wherein two clefs are used. I see the documentation on adding clefs as a markup, but then I don't get the key signature doubled, which I kinda need. You lost me here! Can you please clarify what

Re: multiple tempi at the same time

o/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 726

Re: How to show a small glissando?

__ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of

Re: Whole bar rests - in the wrong place

ermataMarkup | %% Instead of hanging from the second line as the full-bar rest should, it hangs from the top line of the staff. So, what's going on? Thanks George -- ===== Mats Bengtsson Signal Processing School of Elect

Re: Whole bar rests - in the wrong place

e it's the only thing that should show up on the staff. Thanks George Mats Bengtsson-4 wrote: I would guess that you are in the middle of some polyphonic section, perhaps you used the <<{...} \\ {...} >> construct? Or maybe you inserted a \voiceOne somewhere? /Mats Ge

Re: "header", "layout" and "paper" blocks as variables...

stinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463

Re: "header", "layout" and "paper" blocks as variables...

Valentin Villenave wrote: 2008/5/23 Mats Bengtsson <[EMAIL PROTECTED]>: As far as I can see in the source code, there is no support to assign a \header block to a variable. However, for \paper and \layout it should work fine. If I remember correctly, it only works for

Re: smart transpose snippet from the LSR is not working with 2.11.43

ose c deses \music } \layout { ragged-right = ##t} } % ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- =====

Re: include libraries

istinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 7

Re: note head in denominator - snippet doesn't work

erhaps a bug ? Looks like a regression to me. Mats, can you confirm before I add it to the tracker? Thanks, Valentin -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technolo

Re: download failure

p it on the lilypond-icon i only get an errormessage. Greetings from Peter Helner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- =====

Re: Context creation

James E. Bailey wrote: Am 02.06.2008 um 09:57 schrieb Valentin Villenave: 2008/6/1 James E. Bailey <[EMAIL PROTECTED]>: How coincidental. I've been wondering myself about the difference between \new and \context. I kinda just use them interchangably and see if anything new happens. The

Re: Context creation

ing example not do so? \version "2.10.33" \new Staff = "mycontext" \relative c' { c4 d e f g2. } \context Staff = "mycontext" \relative c' { g'4 g f e d c1 } On 6/2/08, James E. Bailey <[EMAIL PROTECTED]> wrote: Am 02.06.20

Re: Algorithm to calculate tuplets?

Quoting Myron Marston <[EMAIL PROTECTED]>: Isn't there a midi-to-lily converter? I figure that must have an algorithm like this... Yes, midi2ly does include such an algorithm and this is one of the main reasons that midi2ly isn't as useful as it otherwise might be. Of course, an added compli

Re: Context creation

utive" lyrics... coffer -- View this message in context: http://www.nabble.com/Context-creation-tp17588961p17626698.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: piano centered dynamics

arline engraver to the dynamics context. But in fact, it didn't work great so far. Please try it and tell us if you're luckier than me :-) Cheers, Valentin -- = Mats Bengtsson Signal Processing School of Electrical

Re: Best Text Editor

r? Bye stezano ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electri

Re: markup question

;accidentals.flat" s1 } Any ideas as to why? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engi

Re: note head in denominator - snippet doesn't work

As I just reported on the bug mailing list, I finally managed to find the culprit, namely that the property style was set on the TimeSignature grob. Adding the line \override Staff.TimeSignature #'style = ##f solves the problem! /Mats Valentin Villenave wrote: 2008/5/30 Mats Beng

Re: double notes in stemless notation?

ll write two notes, close to each other (like in the case of two whole notes coinciding)? Thanks for any suggestion! -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology

Re: Place to write piano dynamics

Valentin Villenave wrote: BTW: I read, lilypond originally was written in C++, but during the developing process the authors hdecided schema is more suitable for this task. No. LilyPond was originally written in some other language (I don't know... Python? TeX?) No, the main part

Re: Roman numeral analysis

use it for, I'm sure you can get a more helpful answer. /Mats - Jesse ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- =

Re: no midi file in the new lilypond for Windows

Risto Vääräniemi wrote: Do you remember what was the version you still got the midi file? With 2.10 and 2.11 you must have the \midi block inside a \score block to get the midi. It's always been this way in LilyPond. /Mats ___ lilypond-user m

Re: Layout for dummies (fixing staves distances in a system)

his code? I am running Lilypond 2.10.33. Thanks for your help, Andrea -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden

String syntax, Was: substitution with \movement

Graham Percival wrote: Oh, come on! What is so hard about typing #? On an English keyboard, you already need to be pressing the shift key to get the " that you'll type for your string anyway. Rewriting the parser for such a trivial thing would be a waste of resources. Just get used to typing

Re: Roman numeral analysis

s! - Jesse On Wed, Jun 11, 2008 at 2:43 AM, Mats Bengtsson <[EMAIL PROTECTED]> wrote: Jesse Engle wrote: Is it possible to display roman numeral symbols in Lilypond? Of course, just as you can typeset any other text. Or, do you want something more automated that treats

Re: String syntax, Was: substitution with \movement

Graham Percival wrote: On Wed, 11 Jun 2008 23:57:00 +0200 Mats Bengtsson <[EMAIL PROTECTED]> wrote: Graham Percival wrote: Rewriting the parser for such a trivial thing would be a waste of resources. Just get used to typing #, just like {} or ,' or any other piece of lil

Re: how do I control the size of the musical fonts?

Victor Eijkhout wrote: Meaning, not lyrics, but the notes. Suppose I want to shrink a whole score by a few percent so that it takes one page less? See section "Setting the staff size" in the reference manual. Or in piano + solo instrument, it's customary to print the solo slightly smalle

Re: Fw: définition d'un nouveau contexte

taffVoiceNames #3 #"T." #"B." \clef "F" \Global \new Voice { \voiceOne \NotesFiller } \new Voice { \voiceTwo \NotesBassus } >> \context Lyrics = thewords \lyricsto "one" { \Words } >> \layout { indent = 65\mm } } ---- ___ lilypond-us

Re: minimumVerticalExtent & minimum-Y-extent

Risto Vääräniemi wrote: I don't usually use \addlyrics to but the same happens with \lyricmode, too. \lyricmode has nothing to do with it. It just tells the part of Lilypond that interprets your .ly file, that anything within the \lyricmode{...} should be treated syntactically as lyrics a

Re: Beaming problem

h = #(ly:make-moment 3 8) or \set Score.beatLength = #(ly:make-moment 3 8) but no results. Note that this strange thing is happening only in the score, and not in the parts. Thank you for your help, Andrea -- ===== Mats Bengtsson

Re: minimumVerticalExtent & minimum-Y-extent

Risto Vääräniemi wrote: 2008/6/13 Mats Bengtsson : \lyricmode has nothing to do with it. It just tells the part of Lilypond that interprets your .ly file, that anything within the \lyricmode{...} should be treated syntactically as lyrics and note as note names. What you probably mean is

Re: F7 chord appearing as E#7 when I transpose

e { << \new ChordNames { \set chordChanges = ##t \transposeHarmonies } \new Staff \transposeMelody >> \midi{ \context { \Score tempoWholesPerMinute = #(ly:make-moment 85 4) % set midi tempo } } } ==

Re: substitution for stem length

\once \override Stem #'length = #$length #}) ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- =====

Re: Divisi and Unison

Peter Kaplan wrote: Francisco Vila gmail.com> writes: Here goes another (uglier) starting point: arrows = \markup { \postscript #psarrows } { c'1-\arrows } % end Thanks, Francisco! Unfortunately when I try to implement this code, lilypond fails to recognize \postscript. I'm i

Re: Version number from convert-ly

er@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (

Re: Manual start-repeat (GDP)

Graham Percival wrote: On Wed, 18 Jun 2008 17:26:26 +0100 "Neil Puttock" <[EMAIL PROTECTED]> wrote: Hi Ralph, 2008/6/18 Palmer, Ralph <[EMAIL PROTECTED]>: I've been working on Repeats for the GDP, and found that \set Score.repeatCommands = #'( start-repeat ) doesn't work if it's at t

Re: syntax question

the right direction? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering

Re: syntax question

V!ctor Adán wrote: Not sure why the docs say "You cannot explicitly instantiate a Score context..." though. What does this mean? This used to be true, but was changed in some previous release. Probably, this paragraph of the documentation hasn't been updated since then. Clearly, the sentenc

Re: GDP: first draft of NR 1.5 Simultaneous

R. You can view it in HTML or PDF. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengts

Re: Repeats GDP Break_Align_Order

ond-internals/User-backend-properties.html Cheers, Reinhold ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Elect

Re: acciaccatura grace note coming right before an end volta repeat bracket

___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal In

Re: acciaccatura grace note coming right before an end volta repeat bracket

Anthony wrote: On Wed, Jun 25, 2008 at 9:09 AM, Mats Bengtsson <[EMAIL PROTECTED]> wrote: Just insert the slur the same way as if the acciaccatura note was an ordinary note: \relative c'{ \afterGrace c( { \once \override Stem #'stroke-style = #"grace" d8) } }

Re: moving objects closer to the staff

x27;d like to have the notes, then the fingerings, then the slur. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson

Re: chords

http://paste.ubuntu.com/23359/ I want to have it like here,>> pop music: http://lilypond.org/web/switch/howto ~d ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- =

Re: \repeat with upbeat (partial) and alternatives

E. Weehaeli wrote: it is only after a long search that I found an easy way to repeat a part of a melody - with an upbeat - ending before the end of a measure - having different durations in the alternatives - without producing warnings in the log isn't this a third way that should/could be

Re: slash

unction to achieve this. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, S

Re: nopc

art using, or does it matter 'cause they all seem to be to be different ways of saying the same thing? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ==

Re: Staff spacing problem with piano centered dynamics

What LilyPond version do you use? Don't expect an example written for version 2.5 to provide optimal layout in a later version, especially not if it uses such strange tricks as this particular example. To find a relevant example to use as a starting point, look at the "Templates" section of the m

Re: ubuntu package

Quoting "Paul Scott" <[EMAIL PROTECTED]>: notesetter wrote: Is there an Ubuntu package for LilyPond? Suppose I'm using LilyPond 2.10.33 and want to upgrade to the latest (development) branch. Is there a "software source" I can type in and then have the latest version downloaded and installed vi

Re: pmx2ly ?

hank you, david ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Roy

Re: Bar numbers collide with StaffGroup bracket

ypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44

Re: woodwind harmonics (GDP)

__ > lilypond-user mailing list > lilypond-user@gnu.org > http://lists.gnu.org/mailman/listinfo/lilypond-user > -- = Mats Bengtsson Signal Processing School of Electrical Engi

Re: Syntax highlighting in LilyPad?

ld be possible), however it didn't work out yet. Do you have any ideas? Many greets from Germany, Oliver -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH)

Re: Lilypond Style Guide

Jordan Eldredge wrote: I am currently working on wikilily.org and realized that one thing that could be very helpful when collaborating on Lilypond code, would be a style guide. My question for all of you is: has any other project drafted a style guide for Lilypond code? The main things I imag

Re: glissandi and line breaks

8 c c c c8 c c c c c c c c8 c c c c c c c c8 c c c c c c c } } \score { \new StaffGroup << \new Staff = "violin1" { << \global \ViolinI >> } \new Staff = "violin2" { << \global \ViolinII >> } >> \layout { } } ---- ----

Re: combined time signature

\lower #1.0 { \musicglyph #"three" } } \time 6/4 R1. } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processi

Re: lyrics following split voices

Paul Scott wrote: What are workable explicit names for either the lyrics or the voices to connect the voices in the parallel part to some lyrics? I'm surprised that nobody answered exactly this question. If you name your main voice "1", then the upper voice of the <<{...} \\ {...} >> cons

Re: GDP: NR 1.5 Simultaneous, second draft

Karl Hammar wrote: Ex1: << { \A } \\ { \B } >> creates TWO new voices, which get you into problems when doing \lyricsto, where Ex2: << { \voiceOne \a } \new Voice { \voiceTwo \b } >> \oneVoice only creates ONE new voice, \a "belongs" to the same voice as the surronding music. Ex1 is a

Re: Shouldn't articulation 'stick' to note-heads?

James E. Bailey wrote: Am 17.07.2008 um 07:10 schrieb George_: hi guys I was wondering if there were a way to make articulation 'stick' to a notehead, no matter where it is? I use 2.11.49 on XP, and I have a two-part melody, the lower voice is to be played staccato, like so: http://www.

Re: GDP: NR 1.3 Expressive marks, second draft

ets to include (or replace) are greatly appreciated as well. http://web.uvic.ca/~gperciva/ Thanks, Patrick ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===

Re: markup dynamics wrong size

ilman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463

Re: Still confused about context vs. new

I personally have *never* needed to use \new. \context implicitly instantiates a new context if the one named doesn't yet exist, so \new is redundant, *except* where you want multiple distinct contexts with the same name, or you're using unnamed contexts (which, internally, is the same thin

Expert question on named contexts

because of the context hierarchy. In the latter case, is it even possible to refer to the Voice context of the lower stave using the name "myvoice", under some circumstance? /Mats -- ===== Mats Bengtsson Signal Process

Re: GDP: NR 1.5 Simultaneous, second draft

Karl Hammar wrote: That is strange, why do you need to do the \new DrumVoice-lines in drummode? Example of 2.5.1.3: \new DrumStaff << \new DrumVoice = "1" { s1 *2 } \new DrumVoice = "2" { s1 *2 } \drummode { bd4 sn4 bd4 sn4

Re: lyrics following split voices

ame score, which doesn't work. Therefore, it's fairly esoteric and perhaps something that shouldn't be taught in the LM. /Mats Trevor - Original Message - From: "Francisco Vila" <[EMAIL PROTECTED]> To: "Mats Bengtsson" <[EMAIL PRO

Re: strange tempo

. Help? -David ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical

Re: automatic note splitting and ties

c' e' > < b f' > r8 r4 r2 < e c' >4 < f des' >8 < des' ees' >8~ -> < des' ees' >8 < c' e' > } %staff ende } ---- _____

Re: markup dynamics wrong size

mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Technology (KTH) SE-100

Re: timing, lyrics, chords, melody

Morten Lemvigh wrote: Try to have a look at the documentation concerning lyrics and vocal music: http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Vocal-music I would rather recommend to read in the Learning Manual for the latest development version of LilyPond. Almost all the infor

Re: midi2ly

on files? Rafael γγγ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson

Re: duplets

Eric Flesher wrote: Greetings, Is it possible to suppress/alter the tuplet number in the case of the duplet shown below? (m. 91, bass staff) According to Stone, this should be engraved as a duplet with the numeral "2" in the bracket. This could of course be represented instead by dotted e

Re: markup dynamics wrong size

Eric Flesher wrote: Longer dynamic strings (e.g. "p delicato", "crescendo", etc.) that are engraved as dynamic scripts in this fashion end up getting centered, as a text string, horizontally under the notehead. This necessitates offsetting them somehow; my immediate workaround is to apply \once

Re: markup dynamics wrong size

Mats Bengtsson wrote: Yes, it would be very nice to be able to specify the alignment point of a markup in a more convenient way. I just realized that it indeed is possible to specify the horizontal alignment point to be between two parts of a markup: beforeaftermarkup = \markup {\right

Re: markup dynamics wrong size

Reinhold Kainhofer wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Freitag, 8. August 2008 schrieb Mats Bengtsson: Mats Bengtsson wrote: Yes, it would be very nice to be able to specify the alignment point of a markup in a more convenient way. I just realized that it

Re: Augmentation dot problem in 2.11.55

888613/test-2.11.55-2.jpg ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- ===== Mats Bengtsson Signal Processing School

Re: Arlignment of Bars

lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing School of Electrical Engineering Royal Institute of Techn

Re: lily to openoffice

ypond 2.11 ? Are there other way to do the trick? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Proce

Re: strange tempo 2

Valentin Villenave wrote: 2008/8/8 Neil Puttock <[EMAIL PROTECTED]>: 2008/8/7 David Bobroff <[EMAIL PROTECTED]>: Does Rheinhold's work allow for the kind of thing I want; a quarter tied to a dotted quarter = ? Yes, since tempoText can take any \markup commands. This mean

Re: Arlignment of Bars

Michael Menge wrote: One more question, is it possible to use ties and slurs across the line break? That's a bit tricky. For ties, you can use \repeatTie and \laissezVibrer. For slurs, the best alternative is probably to use transparent notes that the slur ends can be attached to, but it will

Re: Arlignment of Bars

Valentin Villenave wrote: 2008/8/8 Michael Menge <[EMAIL PROTECTED]>: that was what i was looking for. ... and has now been added to the LSR as http://lsr.dsi.unimi.it/LSR/Item?id=502 (Gee, the first bar looks awful) It looks better in version 2.11. For version 2.10, it helps to

Re: Expert question on named contexts

Han-Wen Nienhuys wrote: On Wed, Aug 6, 2008 at 9:11 AM, Mats Bengtsson <[EMAIL PROTECTED]> wrote: \relative c' << \new Staff \new Voice = myvoice { c d e f } \new Staff \context Voice = myvoice { g f e d } both contexts get the same name. If you want to refer to ei

Re: Partially changing the vertical position of lyrics

___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE

Re: Stanza font

uot;1. " fr example. Can someone tell me how to achieve this. Thank you very much in advance. Jens Taprogge ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user --

Re: Arlignment of Bars

Patrick Horgan wrote: What if I wanted the parts explicit? How would I get the bars aligned, i.e. 8 bars per line with even spacing so the bars all line up up and down the page? The first line is obviously problematic, but the others don't really line up all their bars. Is there a switch

Re: Arlignment of Bars

Patrick Horgan wrote: Michael Menge wrote: One more question, is it possible to use ties and slurs across the line break? / NR 4.3.1 Line breaking / says yes and shows a break doing just that. That's

Re: Comments on Learning Manual 3 -- Fundamental concepts

Graham Percival wrote: On Sat, 9 Aug 2008 18:15:35 +0200 "John Mandereau" <[EMAIL PROTECTED]> wrote: In 'Introduction to the LilyPond file structure': by default, \header does not use the same fields depending on its scope (\book or \score), so IMO it's better to show the more standard file

Re: Phrasing slures starting on single voice, ending in multiple voice

t the first 4 chords in a polyphonic notation? - or is there any trick? Thanks Alberto -- ===== Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 S

Re: Repeat problem

pond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463

Re: context, drum staff

w DrumStaff { \drumsA } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Be

Re: Expert question on named contexts

Trevor Daniels wrote: My understanding is that the name given to a context is stored internally as the context's id. You can display this with the ly:context-id function. In the example above both contexts have id set to "myvoice", as least that's what this function returns. I take the oppor

Re: Expert question on named contexts

Mats Bengtsson wrote: Trevor Daniels wrote: My understanding is that the name given to a context is stored internally as the context's id. You can display this with the ly:context-id function. In the example above both contexts have id set to "myvoice", as least that'

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