Greetings all,
Sorry if this is a duplicate, the first time didn't seem to go through.
I tried to use a snippet from the LSR to add rehearsal marks above each
StaffGroup.
It nearly works as desired, but I can't figure out what I'm doing wrong in two
areas:
1) The vertical spacing behaves
From: Thomas Morley
Sent: Wednesday, May 30, 2018 10:40 PM
> Hi Rick,
>
> I don't know anything about handbell choir music and which special
> notation-features may be needed.
There are a ton of things I need to do for this library, but this seemed like a
good middle-of-the-road starting point.
I tried to post something along these lines a couple of weeks ago, but it did
not go through. I hope I am doing this right. Been a long time since I've used
a mailing list. :)
I am trying to build a library of functions for handbell choir music. The first
thing I attempted was how to show a
From: Stanton Sanderson
Sent: Thursday, May 31, 2018 11:44 AM
> I’ve attempted some handbell pieces for our bell choir. Attached
> is one which has a few special symbols. Not intended as samples
> of “good practice!”
Stan,
I added q's where necessary to try to compile in 2.18, but I'm getting
>I read the documentation of lilypond and it recommend to define the
>notes in variables and use them afterwards.
>
>But how is that with multiple scores for setting multiple songs in one
>file/book? I cannot set the vars inside the score, they have to be
>global. But then it is painful to have
On 2018-12-15 12:46 pm, Aaron Hill wrote:
On 2018-12-14 9:58 pm, Rick Kimpel wrote:
>> All,
>> In handbell music, there is an articulation for playing the bell with
>> a mallet while it is on the table. It looks like a "stopped" symbol
>> near the note head, w
All,
In handbell music, there is an articulation for playing the bell with a mallet
while it is on the table. It looks like a "stopped" symbol near the note head,
with a "staccato" articulation just beyond that. I can get reasonable results
for notes near the top and bottom of the staff, but
>From your experience, what would you suggest for this task?
>(I'm still talking about open-software).
The only FOSS MIDI sequencer I've used is Rosegarden. It was not
quite up to the challenge back in the day, but from what I have seen,
it has improved quite a lot.
Rick
Stefano,
Have you tried bound-details? I use this for glissandi, and it works well.
http://lilypond.org/doc/v2.19/Documentation/internals/textspanner
Rick
From: lilypond-user on
behalf of Stefano Troncaro
Sent: Monday, May 6, 2019 11:50 AM
To: lilypond-user
Jay,
I recently came across your octaves script from back in 2008. I was wondering
if there was any way to make it only octavate the top (or bottom) note in a
chord? I arrange for handbells, and this is a common technique. I was going to
try to do it myself, but I can't get the original script
Marc,
You could definitely use a \new Dynamics for accel/rit, etc. I do that all the
time. It will all be italicized unless you specifically \override #'(font-shape
. upright)
For the other question, have you tried \consists Metronome_mark_engraver in the
StaffGroup? There's definitely a
Andrew,
Try this:
\transposition a \transpose a c {
\global
\clef treble
\relative c''' { %notes go here }
}
Regards,
Rick
From: lilypond-user on
behalf of N. Andrew Walsh
Sent: Monday, December 9, 2019 8:24 AM
To: lilypond-user
Subject:
Peter
You need an extra #
\override BarNumber.break-visibility = ##(#t #t #t)
But that doesn't do what you're talking about. I had something similar in a
piece with 4/4 + 3/4 time with a dotted barline. I ended up just manually
renumbering the bars numbers with:
\set Score.currentBarNumber
Sam,
This doesn't really answer your question, but it might provide a different
perspective. In handbell music, it is standard to number each measure centered
over the barlines. Normally the number should be above ties, slurs and notes,
as shown in your MWE. I think it helps readability.
I
Jerry,
As a singer, I would expect to see the lyrics for the upstem voice
to be above the staff, and the downstem voice below the staff.
It's been a while, but I think it would need to be something like this:
\score {
<<
\new Staff = "lead"
<<
\new Voice = "top" { \voiceOne f'4
of Torsten Hämmerle
Sent: Saturday, February 29, 2020 5:58 AM
To: lilypond-user@gnu.org
Subject: Re: default stem directions
Rick Kimpel-2 wrote
> I am trying to learn how to change the default stem directions.
> […]
> ...without having to do all the \stemUp \stemDown stuff.
> I'm ok wit
I am trying to learn how to change the default stem directions.
I assume it has something to do with ly:stem::calc-default-direction,
but I have no idea where to go from there.
I would like an output that looks like this:
\version "2.19.83"
\score {
\new Staff
\with { \override
\set midiInstrument = #"violin"
fis8-"Sw." e
fis2 r
}
>>
\layout { }
\midi {
\context {
\Staff
\remove "Staff_performer"
}
\context {
\Voice
\consists "Staff_performer"
}
\tempo 2 = 72
}
}
%% End snippet
Good luck!
Rick Kimpel
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