I have a couple of scores with limited space. For readability, I
sometimes draw white outlines around overlapping elements (to cut out
parts of volta brackets or similar). This works fine within the same
system, but in some cases, the overlapping elements (an articulation
and a volta bracket) are i
parts. Is there any way (either through Lilypond or
postscript or similar) to subtract and/or intersect two stencils/paths?
On Tue, Sep 11, 2018, 17:22 David Kastrup wrote:
> caagr98 caagr98 writes:
>
> > I have a couple of scores with limited space. For readability, I
> > s
I'm trying to insert a bit of Japanese text in some markup. Putting the text
itself works fine, but as soon as I try adding furigana (small kana above the
kanji), it looks terrible. Is there anything I can do about that?
——
\version "2.19.80"
#(define-markup-command (furi layout props kanj
That works for that particular example, yes. Doesn't work for anything other
than exactly two kana per kanji, though.
On 12/06/17 23:50, Carl Sorensen wrote:
>
>
> On 12/6/17, 2:00 PM, "Caagr98" wrote:
>
> I'm trying to insert a bit of Japanese text
In `engraver-init.ly` (line 111 on my version), there is a line saying `\alias
"Staff"`. That line makes the DrumStaff context listen to `\set Staff.*` as
well as `\set DrumStaff.*`. (DrumVoice is similarly aliased to Voice.)
They're both equal, so I'd recommend using `Staff.*` for consistency.
A DrumVoice has different musical content than a Voice (uses the `drum-type`
NoteEvent property rather than `pitch`, generating different midi output, etc).
However, a RhythmicStaff only changes how the staff looks, not the actual
musical content. Thus, there's no need for a separate RhythmicVoi
This should work:
\paper {
bookTitleMarkup = \markup \sans \bookTitleMarkup
}
You might also want to modify `scoreTitleMarkup`, `oddHeaderMarkup`, and
`evenHeaderMarkup` the same way.
On 12/13/17 16:58, Edward Neeman wrote:
> I apologize if this is an obvious question: is there a way to set
I'm currently writing some sheet music in 2/4. I'd like measures containing
four eights to be all beamed together, but everything except that should use
Lilypond's default rules. How can I achieve this?
___
lilypond-user mailing list
lilypond-user@gnu.
I tried that at first, but it made *everything* beam together, including
rest+three eights or stuff containing sixteenths.
On 12/15/17 02:54, Ben wrote:
> On 12/14/2017 8:21 PM, Caagr98 wrote:
>> I'm currently writing some sheet music in 2/4. I'd like measures containing
&
That gives exactly the same output as the baseMoment version.
On 12/15/17 04:26, Vaughan McAlley wrote:
> On 15 December 2017 at 12:58, Caagr98 <mailto:caag...@gmail.com>> wrote:
>
> I tried that at first, but it made *everything* beam together, including
> rest+
Sometimes when having a long section of staccato, it's a bit tedious to add -.
to all notes, so then it's useful to have a function which automatically adds
an articulation to all notes. I have one such function here:
addArticulation =
#(define-music-function (event music) (ly:event? ly:music?)
That function seems rather destructive: removes all properties on existing
articulations (including tweaks, direction, and midi stuff), and doesn't seem
to handle anything other than ArticulationEvents at all. Dynamics, slurs, ties,
etc are removed. Also, this version has no way to exclude a not
st
property to determine whether it should be placed at the start or end of the
tie.
I feel kinda bad for requesting this without having anything to contribute in
return :(
On 12/28/17 21:42, David Nalesnik wrote:
> Hi,
>
> On Thu, Dec 28, 2017 at 1:37 PM, Caagr98 wrote:
>>
On 12/29/17 20:26, Carl Sorensen wrote:
> Variables can only be defined at the top level. See the Notation Reference
> 3.1.4
That's not entirely true. You can define variables in \paper, \layout, and
\midi blocks too.
Also, you could use the (ly:parser-define! k v) function inside a bookpart,
\repeat volta 2 {R1}
\alternative {
{a4 a a a a a a a}
{R1}
}
In this example, the volta is moved very far up because of that one note. This
is very ugly IMO. Is there any way to insert a hole in the line and have the
note stick up over the volta?
___
Are you thinking of `\set tieWaitForChord = ##t \grace {blah} blah \unset
tieWaitForChord`?
On 01/02/18 00:07, Mark Stephen Mrotek wrote:
> Hello,
>
>
>
> A command exists that allows the notes of a grace to be tied to the following
> chord, e.g.,
>
> \grace {c8~ e~ g~} 2.
>
>
>
> I tho
\tweak Y-offset #0
\tweak outside-staff-priority ##f
-\markup {
\with-dimensions #'(0 . 0) #'(0 . 0)
\with-color #white
\filled-box #x #y #0
}
#})
On 01/01/18 19:36, Trevor wrote:
>
>
> "Caagr98" wrote 01/01/2018 18:17:37
>
Dammit. I did look it up in the source code, but then I wrote it wrong here.
On 01/02/18 00:19, David Kastrup wrote:
> Caagr98 writes:
>
>>> On 01/02/18 00:07, Mark Stephen Mrotek wrote:
>>>> Hello,
>>>>
>>>>
>>>>
>>&
I checked with `lilypond scheme-sandbox` to see that it didn't exist...?
On 01/04/18 18:56, Kieren MacMillan wrote:
> Hi "Caagr98",
>
>> I also made this function to add holes in the bracket (requires setting the
>> bracket's layer to -1):
>> whiteo
Okay, thanks for the heads-up. I guess I'll rename it to `hole` instead.
On 01/04/18 19:05, Kieren MacMillan wrote:
>> I checked with `lilypond scheme-sandbox` to see that it didn't exist...?
>
> Lilypond contains both a function
>
> http://lilypond.org/doc/v2.18/Documentation/snippets/editorial
You could try \single instead of \once, as in .
On 01/31/18 21:27, Stefano Troncaro wrote:
> Hello again everyone!
>
> Suppose I have the following example:
>
> \version "2.19.80" \language "english" command = { %What should go here to
> omit the sharp while keeping the natural? } \score { \new
won't work with
edition-engraver or similar.)
On 01/31/18 21:56, Stefano Troncaro wrote:
> I just tried it, but unfortunately it appears to only work when used inside
> the chord, and I need to find a way to do it from outside.//
>
> 2018-01-31 17:39 GMT-03:00 Caagr98 <mailto:caag
If you attach the tilde to the individual notes rather than the entire chord,
that should work. That is, ` ` rather than `~ `.
On 02/01/18 00:30, Rohan Srinivasan wrote:
> Hi all,
>
> I am tying two chords together. Is it possible to have the top tie be above
> the note and the bottom tie to b
x27; add tweak./
>
>
> That is going to be a huge improvement!
>
>
> @David
>
> /I have seen no comment whatsoever about what you find wrong with using/
> /\single \omit Accidental in the way I showed in the code example I gave./
>
>
> I'm sorry,
1) Lilypond won't place lyrics on rests, and not on tied or slurred notes
(except the first). Since everything in the tuplet is disqualified by one of
those criteria, the lyric must go on the e.
2) \relative only affects the next music expression; in this case the tuplet.
Thus, the e isn't insid
I'd suggest either moving the DynamicsPerformer to the Staff context or
replacing the \upper with << \upper \dynamics >> (and the same for \lower).
Normally, dynamics only affect the voice they are in, which in your example is
a different voice from the ones the notes are in.
On 02/04/18 01:55,
It doesn't seem that voice is actually used for anything; setting
assocatedVoice to "" lets extenders be used without any other apparent effects.
So why is there such a difference between having no associated voice and having
a nonexistent one?
___
li
Okay, that makes some amount of sense (but not much). But why doesn't it give a
warning or anything? And I still don't know why extenders need an associated
voice in the first place.
On 02/16/18 10:49, Torsten Hämmerle wrote:
> Hi,
>
> As soon as associatedVoice has been set to /anything/, Lily
On 02/25/18 14:50, David Kastrup wrote:
> In the mean time, you could define a void function and let it just call
> toplevel-score-handler on your scores. Of course, this would no longer
> allow you to place those scores in a book or bookpart.
Why not call add-score (defined in scm/lily-library
On 02/25/18 22:24, Gianmaria Lari wrote:
>
>
> On 25 February 2018 at 15:05, Caagr98 <mailto:caag...@gmail.com>> wrote:
>
>
>
> On 02/25/18 14:50, David Kastrup wrote:
> > In the mean time, you could define a void function and let it just call
&g
I think \tempo (and a few other commands such as \repeat\alternative, \set, and
\override) are hardcoded in the Lilypond compiler using methods not accessible
through Scheme, so you can't make that kind of functions yourself. You can make
functions with optional arguments, though. I think the sy
In my opinion, Lilypond is excellent for writing sheet music, but not very good
for composing. I usually use MuseScore or Qtractor for composing, then
(manually) convert it to Lilypond to make sheet music.
On 03/22/18 16:35, Jonas Daverio wrote:
> That may seem like a stupid question, but I've b
This code:
⋘
\version "2.19.81"
bk = \book{\bookpart{\score{a}}}
\bk
⋙
gives a strange error:
⋘
GNU LilyPond 2.19.81
Processing `bpart.ly'
Parsing.../usr/share/lilypond/2.19.81/scm/lily-library.scm:243:5: In procedure
ly:book-process in expression (process-procedure book paper ...):
/usr/share/
If you want a more lightweight way to do it, this function should also work:
⋘
removeBreaks =
#(define-music-function (mus) (ly:music?)
(music-filter
(lambda (v) (not (music-is-of-type? v 'break-event)))
mus))
⋙
On 05/08/18 14:17, Jan-Peter Voigt wrote:
> Hi Herbie,
>
> this
I think it's rather weird that you write `c'4\ff d'` instead of `\ff c'4
d'`. Other constructs such as `\tempo` and `\mark` are before the notes
they affect - why aren't dynamics?
For a more practical example, playing the same thing multiple times with
different dynamics with prefix dynamics w
On 02/28/17 20:14, David Kastrup wrote:
Well, but slurs can start at the same note where another slur ends, and
`c'4( d')( e')' is a lot clearer to me than `(c'4 (d') d')'
I can honestly say I've never seen that, and I can't really imagine how
that'd even be played. I agree that that looks lik
On 02/28/17 20:26, Thomas Morley wrote:
Hi,
2017-02-28 19:53 GMT+01:00 :
I think it's rather weird that you write `c'4\ff d'` instead of `\ff c'4
d'`. Other constructs such as `\tempo` and `\mark` are before the notes they
affect - why aren't dynamics?
Here's a little misunderstanding. \ma
Is it possible to convert a symbol (such as `'bes'`) to a pitch (in this
case `(ly:make-pitch 1 0 0)`)? I know you can do `#{ bes' #}` to get a
pitch, but that only appears to work for constants.
Or, for a more general question: is there some way to eval() a string as
Lilypond code?
On 03/02/17 23:41, Jeffery Shivers wrote:
Where does the string originate? If it is produced by some other
programming interface/language, maybe it be easier to adjust your code
so that the string is wrapped in something like `\myMusic = { }`.
What does the input look like? A bunch of strings
On 03/02/17 23:39, David Kastrup wrote:
caag...@gmail.com writes:
Is it possible to convert a symbol (such as `'bes'`) to a pitch (in
this case `(ly:make-pitch 1 0 0)`)? I know you can do `#{ bes' #}` to
get a pitch, but that only appears to work for constants.
Or, for a more general questio
Using those three in combination seems to be a have a tendency to get
the lyrics misaligned.
```
\version "2.18.2"
<<
\new Voice = "staff" {
\set Score.skipTypesetting = ##t
\set Score.skipTypesetting = ##f
a~
a
You can't call music functions directly from Scheme code. You have to
either wrap the call in #{ #} or use `ly:music-function-extract` to
extract the procedure itself and call that.
(In general, `Wrong type to apply` means you're trying to call something
that isn't a procedure.)
On 03/12/17
There are several types of postprocessing that break \lyricsto's
auto-alignment*. Is there some way to tell the `\lyricsto` to align its
syllables to the correct position so further processing won't affect it?
(I'm guessing no, because if it was possible, it'd be the default.)
* A few examples
You can use `\set Score.skipTypesetting = ##t` (and `##f`) to tell Lily
to not typeset a region. If you do that for everything except the part
you want, that should do the trick. Since it works on the Score context,
it's enough to put it in one staff and it'll affect the entire score.
It's a b
The best I've managed to do is to show the clef and keysig. However, I
haven't managed to fix the brackets, or reposition the coda or clefs.
See the attached images for details.
Is there some way to do this?
___
lilypond-user mailing list
lilypond-use
Alright, here's a small example. The Devnulls are my workaround for
multiple marks at the same place. Other than those, there's nothing too
remarkable.
On 03/19/17 21:34, Jeffery Shivers wrote:
On Sun, Mar 19, 2017 at 4:14 PM, wrote:
The best I've managed to do is to show the clef and keysi
Using some stuff from that thread, I've managed to get everything to
look as I want, except the brackets themselves (as well as forbidding
line breaks):
\context Devnull = "coda"
\tweak self-alignment-X #RIGHT
\mark "D.S. al coda"
\bar "||"
\stopStaff
\cadenzaOn
\noBreak
s1
You could try \makeClusters. They are a bit thicker than in the image,
but they might be useful. (I have no idea what they are actually meant
for, though.)
On 03/22/17 13:18, Kevin Barry wrote:
Hi All,
I am setting a large volume of examples by a now-deceased composer,
some of which use conto
Isn't that basically a music box?
On 03/23/17 12:04, msk...@ansuz.sooke.bc.ca wrote:
On Thu, 23 Mar 2017, David Kastrup wrote:
Punch cards seem to the best medium for your format. Not just that they
are rigidly column-based, but you'll also easily distinguish letters
With careful programming
For example, quoting the start of the music when you are a few measures in?
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
It's down for me. http://lsr.di.unimi.it/LSR/Snippet?id=1007 says
something about timezones (CEST in unrecognized). While the search page
works, the results are empty.
On 03/26/17 08:48, Malte Meyn wrote:
Am 26.03.2017 um 07:21 schrieb Andrew Bernard:
Is LSR down for others?
Not for me: h
You're setting options on the TabStaff while in the Staff context. Since
there is no TabStaff context at the moment, one is temporarily created.
You could fix it by setting the properties in a \with {} block on the
TabStaff insteadd.
On 03/26/17 22:49, Rob Torop wrote:
I'm finding that when I
No problem, but I think you're supposed to reply to the list, not just me.
On 03/27/17 00:33, Rob Torop wrote:
Thank you!
-- Forwarded message -
From: mailto:lilypond-user-requ...@gnu.org>>
Date: Sun, Mar 26, 2017 at 4:58 PM
Subject: lilypond-user Digest, Vol 172, Issue 145
To:
On 03/27/17 19:26, Kaj Persson wrote:
I thought, that tags always change the source, but obviously I was wrong.
Tags don't actually do anything; they just add a new property to the
tagged music expression. \{remove,with}WithTag then recurses through the
music expression and removes everything
Works for me. The snippet took a little longer to load than usual, but
that was probably just my internet.
Any idea what made it break (other than just "daylight saving time")?
On 03/27/17 22:25, Thomas Morley wrote:
2017-03-27 9:24 GMT+02:00 Malte Meyn :
Am 27.03.2017 um 02:30 schrieb Andr
You could use \tag to remove the \set, or you could use <<>> to combine
\solo with another staff containing only \set and spacer rests. I like
using that technique to keep tempos and marks (structure) separate from
the actual content.
Or, as David mentioned, you could just set Staff.minimumFre
You can use a \with block:
\new Voice = "mel" \with { instrumentName = "Melody" } { \melody }
On 04/04/17 18:56, Mike Dean wrote:
< < \new Voice = "mel" { \melody }
*\set Voice.instrumentName = #"Melody"*
\new PianoStaff <<
\set PianoStaff.instrumentName = #"Piano "
\new Staff
Yeah, I don't think Voice supports instrumentName; my bad. I'd recommend
replacing the \new Voice with a \new Staff. Aside from working properly
with certain \with properties, I personally think it makes more sense.
It's certainly more consistent with the piano staff, at least.
I would also re
Still not using \with?
On 04/04/17 19:39, Mike Dean wrote:
After trial by errors and caagr98's (thanks much!!!) help:
<<
\new Staff = "mel" { \melody }
<< \set Staff.instrumentName = "Melody" >>
\new PianoStaff <<
\set Pian
orgot to reply-list again.
On 04/04/17 19:47, Mike Dean wrote:
Still had struggles getting the output correct with "\with"
Mike Dean
On Tue, Apr 4, 2017 at 1:41 PM, mailto:caag...@gmail.com>> wrote:
Still not using \with?
On 04/04/17 19:39, Mike Dean wrote:
Aft
I think you can use \column, \center-column, \right-column, or other
similar functions, depending on how you want it aligned:
\markup \column {
"First line"
"Second line"
}
On 04/07/17 21:35, Son_V wrote:
I've searched on google but I wasn't able to find an answer. How can I break
a lo
Forwarded Message
Subject:Re: Line break on a subtitle
Date: Sat, 8 Apr 2017 16:41:55 +0200
From: Vincenzo Auer
To: caag...@gmail.com
Thanks, your answer got the goal.
2017-04-07 21:38 GMT+02:00 mailto:caag...@gmail.com>>:
I think you can use \column,
The first ossia is extended too far to the left (due to system start).
The second is extended too far to the right (due to grace notes).
The third is cut of at the left (also due to grace notes).
The fourth has an end-barline, which I'd prefer if it didn't.
All of them are also unnecessarily plac
If it's just the alteration symbols you need, you could try just using
the standard Unicode ones: ♩♪♫♬♭♮♯ (U+2669 to U+266F).
On 04/11/17 14:35, tisimst wrote:
Hi, Urs/Andrew/Johan!
On Tue, Apr 11, 2017 at 6:10 AM, Urs Liska [via Lilypond] <[hidden
email] > wrote:
Am 11.04.2017 um 13:
It appears \transpose has no effect on \quoteDuring. \transposition can
be abused to fix it, but that doesn't affect midi playback. How can I
work around this?
```
\version "2.18.2"
foo = {c' d' e' f'}
\addQuote foo \foo
<<
\new Staff \quoteDuring foo s1
\new Staff \transpose c c' \quoteDu
Looks a bit silly, but I suppose it'll have to do. Thanks.
On 04/17/17 17:55, Kieren MacMillan wrote:
Hi,
It appears \transpose has no effect on \quoteDuring.
Yes, this is the reality. (There’s a technical explanation somewhere on the
list, but it does seem a puzzling restriction.)
How ca
I would recommend trying `outside-staff-priority`. The lower it is, the
closer the object is to the staff. The default is 1000 on MetronomeMark
and 250 on DynamicLineSpanner, so `\override
MetronomeMark.outside-staff-priority = 249` or `\override
DynamicLineSpanner.outside-staff-priority = 1001
There's a `post-event?` predicate defined in
scm/define-music-display-methods.scm. I don't think that one's easily
accessible outside that module, but you can copy it:
(define (post-event? m)
(music-is-of-type? m 'post-event))
On 04/20/17 16:59, Simon Albrecht wrote:
Hello,
I currently us
You could just do (let ((post (music-is-of-type? e 'post-event)))
(stuff)). No point in creating a lambda for it.
On 04/20/17 17:43, Simon Albrecht wrote:
Am 20.04.2017 um 17:25 schrieb caag...@gmail.com:
There's a `post-event?` predicate defined in
scm/define-music-display-methods.scm. I don'
For that matter, I have no idea what he's trying to say at all. It seems
like just insane rambling.
On 04/20/17 21:36, H. S. Teoh wrote:
On Thu, Apr 20, 2017 at 03:24:23PM -0400, Jeffery Shivers wrote:
Hi Miroslaw,
On Thu, Apr 20, 2017 at 2:42 PM, Mirosław Doroszewski
wrote:
[trimmed gobble
I'm pretty sure the `instrument` header is already printed on each page.
Otherwise, you could try setting `oddHeaderMarkup` and
`evenHeaderMarkup`, or doing #(define make-header (foo)) inside your \paper.
On 04/21/17 11:42, Johannes Roeßler wrote:
Hi,
for printing parts I'd like to place the
}
}
P.S. Anyone have any idea how to paste stuff into Thunderbird without
line wrapping?
On 04/21/17 13:16, Johannes Roeßler wrote:
> Hi Michael, Hi caagr98
>
> nice to see you too Michael... (its you from the HDE? Right?)
>
> I wasn't aware that the "instrument" fr
On 04/21/17 13:45, Kieren MacMillan wrote:
Actually, the header is controlled by oddHeaderMarkup and evenHeaderMarkup:
Indeed, but that's not all Johannes asked about.
On 04/21/17 13:16, Johannes Roeßler wrote:
Bt.. On the first page it will appear below(!) title and subtitle - how do
I
On 04/21/17 15:25, Simon Albrecht wrote:
Please never use tabs for indenting LilyPond code, always two spaces per
indentation level (as Frescobaldi automatically does it, and as the
LilyPond source does).
Sounds like a good idea. I prefer tabs, but I've noticed that doesn't
work very well whe
Is there some way to make a center-column draw lines from slightly
outside the text to the edges of the column (see example)?
In this specific case, I have both English and Japanese names for stuff,
and without those lines, I think it's a bit unclear exactly what part
the Japanese refers to.
For some reason, it seems I can't refer to a variable directly after
defining it. As soon as I do /anything/ else, it works, but `foo={...}
\foo` gives errors.
```
$ cat bug.ly
\version "2.18.2"
foo = {c' c' c' c'}
% bar = {d' d' d' d'}
% {e' e' e' e'}
% #foo
\foo
$ lilypond bug.ly
GNU LilyPond
4On 04/22/17 23:47, Thomas Morley wrote:
The reason for it: The parser needs to check whether there is
something else which needs to be added to the definition of 'foo',
(most common example for those stuff is 'addlyrics') or, something
else makes clear the declaration of 'foo' is complete.
Ah,
That's certainly a possibility, it's not working too well. I have to do
the alignment manually, and I can't change the line style. Also, it's a
bit buggy: putting box-drawers after kanji works fine, but if it's after
a kana, it's not selectable, and it has a different width. There are
also smal
This is great, thanks! I was trying to mess around with \hbracket and
\whiteout, but this is far better.
Just a few questions:
Is it possible to scale the protrusions (and other things) by font size?
How can I change the color of the lines?
What does "mols" mean?
On 04/23/17 00:34, David Nales
On 04/23/17 01:53, David Wright wrote:
I tried to provoke a problem, but I don't know my kanji from my kana,
and am not sure what you mean by "selectable".
I mean they're marked in blue by ctrl-A or dragging (selected.png).
The greatest zoom I can manage is 1600%, and I can't see the joins.
On 04/23/17 03:47, David Wright wrote:
Then I don't know what you mean. When you drag over them, they turn
blue because you _have_ selected them (drag.png, apologies for the
size). Then you can paste them into, say, a bash shell command line
(pasted.png, the box at the right is the inactive curso
I did some further work on it. It looks pretty great, IMO. It works with left-
and right-aligning, too. No scaling horizontally (just 1sp margins), but it
automatically scales vertically.
```
#(define (expand-add pair n)
(cons (- (car pair) n) (+ (cdr pair) n)))
#(define (expand-mul mul pair)
Seems the latest devel version (2.19.59) has fixed that bug, so it's
probably not important anymore.
On 04/24/17 19:43, David Wright wrote:
Well, I can't take a view on that because AFAICT the source in the OP
only contained kanji (complicated-looking) characters. Would that be
correct? Could y
By PDF title I mean the one shown in the PDF viewer's title bar. It
seems to be extracted from the header:title field, but in my case, the
title contains some complex markup and isn't extracted properly. Can I
override the title somehow?
___
lilypond
```
title = \markup {
\concat {
"W"
\scale #'(15/22 . 15/22) \combine
"o"
\translate-scaled #'(0 . 1.2) "a"
"ndering"
}
}
```
This is extracted as "Wandering" (or at least that's what Atril shows).
I want it to be "W[ao]ndering" (or maybe "Wꜵndering"), because it's
s
`pdftitle` seems to be exactly what I was looking for. I also added
`midititle = #pdftitle` for good measure.
On 04/25/17 02:21, Thomas Morley wrote:
2017-04-25 2:18 GMT+02:00 Thomas Morley :
2017-04-25 1:43 GMT+02:00 :
```
title = \markup {
\concat {
"W"
\scale #'(15/22 . 15/22
I'm using Polymark (LSR 976) to be able to print song names (in
medleys), codas, etc. at the same time as rehearsal marks. However,
using a `\polyMark Center` (or empty) at the same time as a `\polyMark
Left` draws the Left diagonally above the Center (assuming the Left is
defined last). I'd li
Wouldn't the <>\stopGroup extend the group one note too far?
On 05/02/17 10:06, Thomas Morley wrote:
2017-05-02 8:29 GMT+02:00 Urs Liska :
Hi all,
I'm trying to apply event functions to music passed into a music function
like that:
\version "2.19.57"
test =
#(define-music-function (mus)(ly:m
Basically, I want to show a rest with indeterminate length for all
parts, except the drumset, which is to make undefined creepy noises, and
the cymbal, which should do a drumroll-crescendo (not sure if there's
any fancy name for that) before the rest of the parts resume playing.
I've attached
Yeah, that seems to work, thanks!
I'd prefer if it didn't reduce the left margin, but there's no point in
being picky. I guess it can be fixed by tweaking the X-offset and the
scaling factor. I'm considering experimenting with modifying the stencil
expression itself, though.
Getting the drum
Source please? Most search engines aren't particularly helpful when
searching special characters.
On 05/08/17 23:28, Dave Hartley wrote:
# finally get my head around the difference between $( ) and #( ) 😁
___
lilypond-user mailing list
lilypond-user
You could also try using the technique described here:
http://lilypond.org/doc/v2.18/Documentation/notation/expressive-marks-attached-to-notes
, *Creating a delayed turn*.
On 05/09/17 12:36, Kaj wrote:
On 2017-05-09 at 10:47, Ivanov Dmitry wrote:
Code:
\version "2.18.2"
\relative f'{
f8_\ma
http://lilypond.org/doc/v2.19/Documentation/notation/different-editions-from-one-source
That link should contain most information you need. If you want the
scores in different PDFs, replace the `\score {...}` with `\book {
\bookOutputSuffix "French" \score {...} }`.
On 05/18/17 10:20, Gianmar
On 05/27/17 05:06, Jon Arnold wrote:
I'm trying to print a note simultaneous to a rest but have the rest be
in normal \oneVoice position. (This is to illustrate a harp muffle of a
single note.)
This is basically how I'm doing it (minus the complicated code of
replacing the stem glyph):
On 05/30/17 11:13, Jan-Peter Voigt wrote:
I doubt that checking all characters in the string are in the range
'0'-'9' is faster then string->number.
Don't forget the optional leading hyphen, base specifiers (#x, #o, #d,
#b), etc.
However, do keep in mind that (integer? (string->number x)) ac
\transposition doesn't affect the generated score, it only affects the
midi output. To transpose the score, do \new Staff { \transposition f
\transpose f c {...} }. (In your case, the << >> can replace the inner {}.)
On 05/31/17 19:09, Jérôme Plût wrote:
I am typing a horn part in F. In the at
Couldn't you do \new Dynamics { \alignAboveContext = "upper" s4/p }?
On 06/02/2017 09:00 PM, Kieren MacMillan wrote:
Hello all,
No compilable code/snippet here… just a thought-experiment/question for
discussion.
Is there any way (currently possible, or relatively easily coded) that items in
Try removing the brackets ({ ... }) around the \markup.
On 06/13/2017 04:46 PM, Jaime Oliver La Rosa wrote:
Hi all,
I am using the following code to place diagrams in a score:
c^\markup
\center-column {
\override #'(size . .75)
\override #'(thickness . 0.05){
\wood
As in https://en.wikipedia.org/wiki/Accent_%28music%29#Anti-accent_marks.
How do I write the first of those? \lheel is similar, but it's not the same.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-
I'd rather not have to install extra fonts for my scores to work...
Isn't there any way to do it with markup or stencils?
On 06/15/2017 03:38 PM, Kieren MacMillan wrote:
Hi caagr98,
As in https://en.wikipedia.org/wiki/Accent_%28music%29#Anti-accent_marks.
How do I write the firs
1 - 100 of 147 matches
Mail list logo
