Re: Layout of a (piano) hand indicator

Simon Albrecht-2 wrote > Please don’t infinitely propagate typos. It’s called ‘length’ in English. Sorry but I'm no native speacker... ...pardon my French :) -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing

Re: Layout of a (piano) hand indicator

Thomas Morley-2 wrote > Below my own attempt. > The function has an optional argument, `details', for finetuning. Ooo... Thank you very much Harm! This looks amazing :) I'll try to play with this tomorrow and tell you how it works for me :-) -- Sent from:

Re: Tuplet bracket spacing with multiple voices

I also agree with the suggestions, you should place two 8th rests instead. But in case you wished to know the solution for your initial layout problem, you could just put "\set tupletFullLength = ##t" before the lower tuplet! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: Tempo & Markup

Malte Meyn-3 wrote > Looks like I should get issue 5215 done soon > (https://sourceforge.net/p/testlilyissues/issues/5215/). I haven’t had > much time for LilyPond the last few weeks, hopefully it gets better soon. Oh, I just watched your code, it is amazing! Those options would be very

Re: \cadenzaOn: clefs, key signatures on line breaks

Robert Kubosz wrote > Still I have question refering the breaks: is there any other method for > line breaking (preferably auto-breaking)? I don't understand your question. In your exemple, the breakings are working because you have added the barlines in your \repeat command. Then LP

Re: Layout of a (piano) hand indicator

Thomas Morley-2 wrote > HTH a bit, Harm Yes it did! Thank you for the explanations! Thomas Morley-2 wrote > Likely better to create a new grob for piano-hand-indicator and whileon it > a barre-indicator for guitar. About this, I wonder if it is necessary for the hand-indicator bracket to be

RE: Beam Length override not working.

But for your initial problem, if it is what you want, maybe: \version "2.18.2" \new Staff \relative c'' { \time 2/4 << {\voiceOne \stemUp r16 r8 r16 r8 } \\ {\override Beam.positions = #'(-1 . -1) \voiceOne \stemDown e8 e16 ees \override

RE: Beam Length override not working.

Or maybe: \version "2.18.2" \new Staff \relative c'' { \time 2/4 << { \stemNeutral \override Rest.staff-position = #0 r16 \override Rest.staff-position = #-1 r8 r16 \override

LilyPond and FontForge

Hi everyone, I'm trying to modify some glyphs in the emmentaler font and make a "custom" font which will fits better my tastes. I am using FontForge for this but cannot understand how the font table is working. If I open the default emmentaler and try then to generate it again in OTF, I get

RE: LilyPond and FontForge

Andrew Bernard wrote > Hello foxfanfare,Have you looked at Abraham Lee's superb lilypond > fonts?https://www.musictypefoundry.com/I realise that this does not answer > your question, but perhaps you may findthe hard work already done. What > are you attempting to produce?Andre

Re: LilyPond and FontForge

I'm using FontForge version 08:20 on Windows 10. I just open the emmentaler-20.otf and try to export it again without any changes, and it shows several errors: - When I choose "Generate Fonts": "The font contains error / missing

Re: LilyPond and FontForge

SoundsFromSound wrote > Sorry, but I don't see those errors when I use v8.20 on my Windows 10 > machine. I was able to generate an OTF without issues. > > I saved the OTF font on my Desktop. Maybe there is a problem with your > fonts? Thank you anyway for testing! I just tried on another

Re: variables for numbers

I don't know if it is the easier way, but I'd do: #(define-markup-command (raiseDistance layout props text) (markup?) (interpret-markup layout props #{ \markup { \raise #1.3 #text } #})) sottoVoce = <>^\markup \raiseDistance

Re: variables for numbers

Thomas Morley-2 wrote > raiseDistance = #1.3 > \markup \raise #raiseDistance { \italic "sotto voce" } Much easier! ... and better! I should upgrade some of my codes... -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___

Re: \cadenzaOn: clefs, key signatures on line breaks

Robert Kubosz wrote > Hello! > I write a music piece with \cadenzaOn and \cadenzaOff. The example below > produces output without the clef and key signature after line break. Is > there a possibility to display them? > Also, I have second question: can the lines auto break in cadenza mode? > >

Re: LilyPond and FontForge

Werner LEMBERG wrote > Hmm, I can't help here. No problem. I'll continue my investigations! Thx! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org

Re: LilyPond and FontForge

foxfanfare wrote > Werner LEMBERG wrote> Hmm, I can't help here.No problem. I'll continue my > investigations!Thx! Finally! I did solve this problem and succeed to make modifications in the fonts. Werner did directed me in the good direction, and it needed the use of TTX.But ...*ouch

Re: LilyPond and FontForge

Werner LEMBERG wrote > This is expected. The three tables are specific to lilypond; they are > simple text files put into SFNT tables – if you add or modify fonts > you probably have to update this information also in case you are > directly editing the fonts with FontForge instead of using

Re: LilyPond and FontForge

Thank you both for your reply and especially the video! Unfortunately, it still isn't working. After saving all the different sized fonts using the same method you showed in video, if you then copy the new fonts in LilyPond font folder and call for them, you'd get an ugly output (as LP can't

Re: Layout of a (piano) hand indicator

I just played a little with the complex snippet of Harm and it worked like a charm! You definitely should put this code in the snippets directory! Thomas Morley-2 wrote > %% FingeringColumn present, because two or more fingerings present and > %% `fingeringOrientations' is `left' > %% >

RE: Layout of a (piano) hand indicator

Hi everyone, I dig up this old topic because I need some help understanding this function. Simon has posted an interesting function which I would like to use: ... but I also would like to access some parameters in certain cases (let's say "rlineto 0 3" and "extra-offset #'(0.75 . 0)" with a

RE: Layout of a (piano) hand indicator

(* I forgot the function: hook = #(let ((direction? (lambda (n) (= 1 (abs n (hook-markup #{ \markup \path #0.12 #'((moveto 0 0) (rlineto -0.85 0) (rlineto 0 3)) #}))

Re: Layout of a (piano) hand indicator

I andrew, thanks for your help! Andrew Bernard wrote > How is your Scheme coding skill? Very low... but I'm learning! Your exemple was a big help, especially because the order of appearence of the elements in my function wasn't good and didn't allowed me to add a variable in the original

Tempo & Markup

Hi everyone,I currently try to change the default appearance of the \tempo command.I'm particularly interested in changing the metronome text.I can do this in a \markup command:But I was wondering if I could be able to write a small function for it. Is it possible to change the default command "2

Re: Broken Hairpin

Thomas Morley-2 wrote > No idea why alterBroken's not working, too late here to investigate. > > Anyway, below may give you a starting point for a different coding: > > \override Hairpin.after-line-breaking = > #(lambda (grob) > (let* ((orig (ly:grob-original grob)) >

Slurs and Ties break-overshoot

Hi everyone, Here's an exemple of the music I'm currently writting: As you can see at a line break, I have configured the beams to keep a certain distance to the barline when breaking, using the command "Beam.break-overshoot" I

Re: Broken Hairpin

Kieren MacMillan wrote > Hi foxfanfare, > >> Is it possible to adjust the padding of a broken hairpin after a line >> break? > > http://lilypond.org/doc/v2.18/Documentation/notation/modifying-broken-spanners > > Hope that helps! > Kieren. > __

Broken Hairpin

Hi, Is it possible to adjust the padding of a broken hairpin after a line break? For instance: \new PianoStaff << \relative c' { c4 d e f \break g f e d } \new Dynamics { \override PianoStaff.Hairpin.to-barline = ##f \override PianoStaff.Hairpin.after-line-breaking =

Re: LilyPond and FontForge

tisimst wrote > Glad to hear you got something working! Congrats! There are a lot of > nuances you should be aware of. It's not as cut-and-dry as it appears, but > getting something working at all is half the battle. > > I'm curious to know how you used TTX to accomplish the task. I can see how >

Grace Notes size

Hi everyone, Is there a way to define the size of the small notes (\grace \appoggiatura \acciaccatura)? It seems the default size is something like 0.6% of the full size but I wonder if it is possible to set something different? I can't see any property in the internal references for that! --

Re: reference for well-shaped slurs

Dummy question: what is the difference in using \shape or \shapeII ? -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Switching to drummode and back

Thanks for your answers. Here is the example of what I'm trying to typeset: \version "2.19.81" #(define cross '((snare cross #t 0))) \new Staff \with { \accepts DrumStaff } \relative c' { \override Staff.StaffSymbol.line-count = #1 \clef percussion \numericTimeSignature \time

Re: Grace Notes size

m/file/t5604/blocnote.png> 2018-05-27 13:58 GMT+02:00 foxfanfare foxfanfare@: I tried jEdit, it is much better, thanks! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://list

Re: Lilypond is not generating a pdf file

Peter Horan wrote > I have previously used Lilypond on an older machine using Vista. > > This machine is new, running Windows 10. > > After installation, dropping test.ly onto the Lilypond short cut creates a > test.log file but no pdf file as expected. It looks as though Lilypond is > silently

Re: Grace Notes size

Thank you both for your help! I noticed I can include the new values in the layout context which is absolutely great for what I tried to achieve: \layout { \context { \Voice $(add-grace-property 'Voice 'Stem 'length-fraction 0.8) $(add-grace-property 'Voice 'Flag 'font-size

Re: Switching to drummode and back

Thomas Morley-2 wrote > Hi, > > try > > \set Staff.explicitClefVisibility = ##(#f #t #t) > \set Staff.explicitKeySignatureVisibility = ##(#f #t #t) > > HTH, > Harm Exactly what I was looking for, thank you Harm! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: Switching to drummode and back

David Kastrup wrote > The problem here is that the DrumVoice context doesn't end since it is > the first context in the first context started in the sequential > iterator. > > You can force this using > > \new Voice { \clef bass ... } > > since the \new Voice can only be created in the

Re: Switching to drummode and back

for illustration, this works but I wonder if it is the "easiest" way to do it: \new Staff \with { \accepts DrumStaff } { \override Staff.StaffSymbol.line-count = #1 \clef percussion \drums { hh8 8 8 8 8 8 8 8 } \stopStaff \new Voice { \override Staff.StaffSymbol.line-count

Re: Switching to drummode and back

Aaron Hill wrote > Another thing to consider: Is this stick part a recurring thing in the > song or just part of the introduction? If the latter, you might > consider typesetting the parts independently of each other. Have the > first system on the page be a simple RhythmicStaff (or DrumStaff),

Re: Cross staff stems for beamed notes

I think you'd need to omit the beams: \version "2.19.81" \score { << \new PianoStaff << \new Staff { \time 6/8 fis'4. \stemDown a' } \new Staff { \time 6/8 \clef bass \crossStaff { 4. < a! a,!> } } >> \new PianoStaff << \new Staff { \time 6/8 r8 q \stemUp

DynamicTextSpanner

Hi everyone, I can't figure how to change the Y-attachement of the line in a DynamicTextSpanner. I try to attach it to the bottom of the dynamic text. Here is the sample code: \version "2.19.81" \relative { \override DynamicTextSpanner.bound-details = # '((right (attach-dir . -1)

Re: DynamicTextSpanner

Torsten Hämmerle wrote > foxfanfare wrote >> I can achieve it for the left part with "stencil-offset", but the same >> option didn't work in the right section! > > Hi, > > The reason why stencil-offset only works for the "cresc." on

Re: Switching to drummode and back

Hi everyone, I'm currently working on a score in which I'd like to alternate from drums notation to instrument. I found this topic which explained how to make this, but in my case, I would like to start the score with the percussion line. If I take the previous exemple given by Malte and

Offset PedalMarking

Hi all, I'd like to move globally the pedal markings for piano to the left, but only the SustainOn sign, not the release one. If I write someting like \override SustainPedal.X-offset, they will both move. I wonder how it is possible to be done. I found in the configuration file how the

Accidentals and Ledger Lines

Hi all, I find LilyPond default output for accidentals a bit weird with ledger lines. Here's a little exemple in a score context: accidentals.JPG As you can see, the ledger line of the note containing the accidental is

Re: changing the length (height? positions? endpoints?) of an arpeggio

Kieren MacMillan wrote > Do you know about extra-offsets in this context? Yes, but this is for moving systems through a page. I was talking about moving the staves within a system. For instance: << \new PianoStaff << \new Staff { \overrideProperty

SustainPedal and outside-staff-priority

Hi all, Could someone please tell me what's wrong in my code? \version "2.19.81" \new Staff \relative c' { \override Staff.SustainPedal.outside-staff-priority = #5 \shape #'((0 . 0)(0 . -5)(0 . -5)(0 . 0))Slur c_( d e f g\sustainOn a b c d e f g)\sustainOff } pedal1.JPG

Re: changing the length (height? positions? endpoints?) of an arpeggio

Torsten Hämmerle wrote > Kieren MacMillan wrote >> I’m trying to tweak the "length" of an arpeggio (by 1 staff space at the >> top), and can’t seem to find the correct incantation or doc reference. > > > Hi Kieren, > > You can explicitly set an arpeggio's start/end positions by overriding the >

RE: SustainPedal and outside-staff-priority

Mark Stephen Mrotek wrote > FoxFanFare, > > Why not place the slut above the notes? > To me that would be more conventional. > > Mark Actually, the exemple above was just for demonstration. The problem is in another context: pedal.JPG <http://lilypond.1069038.n5.nabble.com

Re: Spacing of titles and text in a \book

Ralph Palmer wrote > Greetings - > > I've been using LilyPond for a long time now, and *really* like it. I > transcribe and transpose classical music and fiddle tunes for myself and > friends. > > I'm running LilyPond 2.19.81 with Frescobaldi 3.0.0 under Linux/Ubuntu > 18.04.1. > > I'm putting

Extend Whiteout property

Hi all, I wonder if it is possible to extend in the X-direction the whiteout property on a grob? For instance, I find in this exemple ( snippet ), that the slurs are too close

Re: Extend Whiteout property

Lukas-Fabian Moser wrote > I took this as an intencive to take a stab at delving into the source > code (which I always did read-only up to now). I think I managed to > create a working branch from current master (I also never got the hang > of git...) that allows for > > \version "2.21" > >

Re: Offset PedalMarking

Malte Meyn-3 wrote > You can add a tweak to the definition of sustainOn: > > \version "2.19.82" > > sustainOn = > #(define-event-function () () > #{ > -\tweak X-offset 3 > -#(make-span-event 'SustainEvent START) > #}) > > { >b4\sustainOn 4 4 4 >b4\sustainOff 4 4 4 >

Re: question about cross-staff stems

James Bailey-5 wrote > What I'm looking for is something like this: > \include "deutsch.ly" > \version "2.19.65" > > \score { > \new PianoStaff << > \new Staff = "RH" \relative c'' { \voiceOne > > 4~ q8 q~ q4~ q8 q } > \new Staff = "LH" \relative c' { >

Re: Multi-part score

You could also make a book like this: \book { \header { title = "MY BOOK" } \score { \header { piece = "Piece 1" } % music 1 \layout { % options 1 } \score { \header { piece = "Piece 2" } % music 2 \layout { % options 2

Re: question about cross-staff stems

James Bailey-5 wrote > Is it possible to get cross-staff stems to ignore a voice? I'd like to > have the lowest voice here completely ignored for the cross-staff stems, > alternatively, have the cross staff stems connected to the upper voice. As > it is, the only way I can the stems to behave the

Re: Cover page

Aaron Hill wrote > In fact, that is > probably a good strategy for any application you are using that is not > currently cross-platform. Seek out an alternative and start getting > used to it now while you can still use your current setup. > > (Side note: Bear in mind you can start playing

Re: Cover page

Simon Albrecht-2 wrote > Maybe. LaTeX becomes less of a good choice the more you actually want to > design the visuals. In a scientific paper, looks don’t matter at all, > it’s only about the content; that’s where LaTeX is perfect, no doubt. If > you’re going to design a poster, LaTeX is most

Re: A Midi question

Mr Tim wrote > A friend of mine uses Anvil Studio for midi on Windows. I think they have > a free version, but even the premium is not much. Thanks for the tip. Unfortunately Anvil Studio isn't cross-platform. I should have been more specific, but I'm looking for something which could also work

A Midi question

Hi all, I'd like to know a bit more about your use of the midi file. First, I use LilyPond for its engraving qualities, nothing else. But still, a good audio output is sometimes very handy. I wonder if the average usage of LP is making PDF only and nothing else, or if I'm missing something big

Cover page

Hi all, I've ended the process of re-engraving several of my scores to LilyPond (and I'm still astounded by it, the more I use it, the less I see myself using again Sibelius or buying Dorico...). But I'd like now to go a bit further and create the "whole" score, with all the front and back pages,

Re: First steps in Lilypond

New question: Is it normal in those measures that the slurs in voiceOne of the left hand are too long and doesn't fix themselves with the 8th notes stem? Does this mean I have to "shape" all of them or am I missing something here?

Re: First steps in Lilypond

David Kastrup wrote > To wit: mapping primordial piano music with its > loose relation of notes and ad-hoc voices and connecting articulation to > LilyPond's concepts is pretty much the worst-case of complex music you > can deal with. Orchestral/choral/symphonic music is comparatively >

Re: First steps in Lilypond

All right! Thank you for all your encouraging comments. So I'll continue my efforts in learning this awesome but complex software. I have two weeks of vacations coming on, so more time to figure it out! Unfortunately, I have to start learning with this kind of piano piece because 95% of my work

Re: First steps in Lilypond

Thank you for your comments David. If I understand correctly what you are implying, maybe learning lilypond in order to engrave complex piano music isn't a such good idea after all? -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: First steps in Lilypond

Sorry. Here it is: http://lilypond.1069038.n5.nabble.com/include-command-and-local-network-folders-td211666.html Thx -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

\include command and local network folders

Hi everyone, I want to use the /include command to separate my style sheet, as suggested by some of you. I made two files : "test.ly" which contains the music, and "configuration.ily" for my house-style. The files are in the same folder and I can get it easily to work on my local computer drive.

Re: \include command and local network folders

Thanks for your answers. In fact, I just found the problem isn't due to the \include command but more in the original "ly" file that doesn't work (apparently) when it is placed on my NAS! ... even if the directory of the NAS is added in Frescobaldi. For exemple: 1. I generate in Frescobaldi a

Re: \include command and local network folders

SoundsFromSound wrote > On 4/12/2018 11:54 AM, foxfanfare wrote: > So I am very sorry for the delay. I've recorded over 20 new > videos but am still editing many of them. I hope that my tutorials can > continue to help others discover the amazing capabilities (and > community) o

Re: \include command and local network folders

Giampaolo Orrigo wrote > I had success in doing it, but instead of using IP addresses I mapped the > remote drive to a logical drive. Maybe you want to try that. > > Giampaolo Orrigo, MBA It worked! Thank you very much Giampaolo, problem solved! :) I don't know if this "bug" come from

Override music fonts for specific glyphs

Hi everyone, I can't figure out very clearly how music fonts work in LilyPond. I installed properly several fonts which I can use easily with the command: \paper { #(define fonts (set-global-fonts … )) That's fine, but is it possible then to change the font for a specific glyph?

Re: \include command and local network folders

SoundsFromSound wrote > Yes, you're correct. It's a valid shared path (don't worry about the > Samba share stuff). > > When I map drives for sharing like this, I have success using the > computer name vs. the IP, for what it's worth - even though both > *should* work for all applications... >

Re: Override music fonts for specific glyphs

Noeck wrote > Hi, > > I also asked that some time ago. I can’t find the thread (I am > notoriously bad at finding anything on the list archive). > I use it for the clef. > > This should work: Oh thanks! I also searched the forum about this subject and yet cannot succeed to find this thread! I

Re: \include command and local network folders

David Wright wrote > Then I think that's the filename you need to use. I assume > "Starting lilypond-windows…" means you're running on a windows box. Oh I see what you mean. But no! Frescobaldi starts compiling with this Starting lilypond-windows.exe ... but I'm running on Windows 10...

Re: \include command and local network folders

David Wright wrote > I see no filenames. I only see //192.168.1.13/Public/test.ly which > looks like an incomplete URL, but lacking its protocol (like HTTP:). > I can only assume when you mapped the files to a drive letter, > you got the syntax correct. Would this reference help? > >

Re: First steps in Lilypond

dblog.org/2014/01/engraving-statistics-slurs-and-ties/> wrote by Janek Warchoł, I start to think maybe it is usual to adjust them manually! :-) Mark wrote > FoxFanFare, > > I set Chopin's Nocturne No. 12. > Lilypond allowed me to arrange beams, fingerings, and dynamics to suit

RE: First steps in Lilypond

Mark Stephen Mrotek wrote > Urs, > > The link provided is nothing like the Chopin Etude #23, Op. 25 No 11 in my > Paderewski edition. > Hofstadter in his book "Goedel, Escher, Bach: The Golden Braid" offers a > mathematical/contrapuntal analysis. > > Mark Because it's Godowsky :-) 53 Studies on

Re: First steps in Lilypond

I checked with Gould book and upload an extract. gould.jpg Thomas Morley-2 wrote > Instead I had a quick look through some editions of major publishers. > As a result I wouldn't say the end of the Slur should always "align > itself

Re: Ottava mark: edge dashed line

Thomas Morley-2 wrote > Would be nice the default would offer more tweaking-possibilities to > avoid such messing around. > Also, ly:line-spanner::print should have at least the option to cover > the whole specified length, _avoiding_ space at start/end. > > > Best, > Harm Isn't this working?

Re: Ottava mark: edge dashed line

One more thing: I have this problem when the modified 8va breaks lines: ottavaUp = { \once \override Staff.OttavaBracket.stencil = #ly:line-spanner::print \once \override Staff.OttavaBracket.bound-details = #`((left . ((Y . -0.2) (attach-dir . ,LEFT)

Re: temporarily disable Dot_column_engraver?

Oh yeah, it got mixed with the forum synthax. \version "2.19.80" \score { \relative c' { \cadenzaOn \omit Staff.TimeSignature << { c'2.^"OK" b \bar "|" b4. a } \\ { b2. a c4. b } >> \bar "|" << { c2. \bar "|" b } \\ { b2 a4 a2 g4 } >> \bar "|" << { < b c d

Re: temporarily disable Dot_column_engraver?

This post is old, but I can't find the solution for this specific problem. In a general way, I wonder how it is possible to remove an engraver temporarily? For this dot_column case, here's the exemple wrote in Elaine Gould's book: \version "2.19.80" \score { \relative c' { \cadenzaOn

Re: Ottava mark: edge dashed line

Thank you for the explanation! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: temporarily disable Dot_column_engraver?

Thomas Morley-2 wrote > It's not possible to consist/remove engraver temporarily, but you can > have several named Voices (keep them alive) with and without the > engraver: Thank you for your answer. That's too bad this feature isn't available it would obviously get things easier! Anyway, thank

Re: \include command and local network folders

David Wright wrote > It might be worth posting screenshots of Fresco failing with correctly > specified filenames, particularly if you want to report a bug. > > What happens if you run your test file directly from LP, both .ly > and .ily files—does that work correctly? If so, there may be a >

Re: Ottava mark: edge dashed line

Oh, I just found a clue to do that: \version "2.19.80" \relative c' { \override Staff.OttavaBracket.stencil = #ly:line-spanner::print \override Staff.OttavaBracket.bound-details = #`((left . ((Y . 0) ; Change the integer here (attach-dir . ,LEFT) (padding

Re: Ottava mark: edge dashed line

Noeck wrote > Thanks. The dotted-line sounds better than a dashed-line with > dash-fraction zero. But the output seems to be the same and the issue in > the top-right corner, too. The dots are not aligned. It just depends on > how long the line is. I don't understand your issue, for me it looks

Re: Consistent vertical alignment of annotations, disable time signiture

Robert Hickman wrote > Works correctly, I found variations on the following with google, which > was > giving a syntax error: > > \context { \Staff \omit TimeSignature} If I understood correctly, this syntax is good, but works for the layout block as a "global" preset. \omit Staff.TimeSignature

Re: Ottava mark: edge dashed line

Noeck wrote > As I said, I think it’s a question where the line starts: on the left or > on the right and then it’s kind of luck how they meet in the corner. I see what your means. But even if the line started on right, you'll get the same problem at the left then no? The distance from the "8"

Re: Dotted notes

Thomas Morley-2 wrote > Hi, > > obviously the flags from the beethoven-font have less y-extent. > Sometimes too less, so DotColumn doesn't notice there's flag which > should be avoided. > (I've cc-ed the original author of the font. Maybe he joins the > discussion.) > > To watch the values

Re: Dotted notes

foxfanfare wrote > Anyway, I tried your code this morning, but I wasn't able to get the > desiredresult. Maybe because I use the 2.19.80 version. I will try again > later thisafternoon. Okay I tested with the 2.19.81 version but the DotColumn.padding and details.dots-padding-factor doe

Re: Dotted notes

Thomas Morley-2 wrote > Please post some code. so that we can debug what's wrong and why.The code > was developed with 2.19.81 so at least the example works for me. Actually, if I just copy/paste your exemple above, I don't get any error message it works fine, except that when I change the

Re: Slurs do not work with Larsen articulations

If I may intervene here: about the documentation quality, I'd must say I disagree. As I said in another post, I find it (globaly) very high ended. I started LP about 3 weeks from now, I'm just finishing the full notation PDF book of almost 900 pages! Of course, I still have a lot more to learn

Re: Slurs do not work with Larsen articulations

David Kastrup wrote > That's actually the killer reason. There are a few places where > documentation strings get drawn into the manual, and those documentation > strings can be used more and less tersely. They should be verbose > enough to be useful which may include examples (examples take up

Re: \include command and local network folders

Knute Snortum wrote > My tests on Windows 10 indicate that lilypond.exe can't handle UNC > notation. This is true even of a local file. Let me wonder if everybody here use linux! Maybe is it time for me to go for it... -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: Ottava mark: edge dashed line

Thomas Morley-2 wrote > 'bound-details allows for left/right/left-broken/right-broken > subproperties. > Possible subsubproperties (read by ly:line-spanner::print) are documented > here: > http://lilypond.org/doc/v2.19/Documentation/notation/spanners#using-the-line_002dspanner_002dinterface > >

Dotted notes

I struggle on this: \version "2.19.80" \paper { #(set-paper-size "a7") } \bookpart { \score { \relative c' { \cadenzaOn \omit Staff.TimeSignature c1.^"Default" d4.. e8... f16 } } } \bookpart { \paper { #(define fonts (set-global-fonts

Ottava mark: edge dashed line

Hi everyone, I cannot figure why I cannot change the ottava mark as I'd like. I am interested in using a dashed line, but also for the right edge, as shown in this exemple: http://lilypond.org/doc/v2.18/Documentation/snippets-big-page.html#text-ottava-text

Re: OpenLilyLib with Windows

Thank you for your quick answer! I allready read this notation reference page, but I was confused with other articles wich refered to this openLilyLib stuff... When I applied your settings with #(set-global-staff-size 17) and later #:factor (/ staff-height pt 20), I find the result a bit

Re: OpenLilyLib with Windows

Hi! I'm a new user of Lilypond and I'm trying to figure out if this software could answer my needs in term of score engraving! I'd like now to include the font bravura but I fear that I'm also stuck with the same problems I read in this topic! I also work with Windows 10, Lilypond 2.19.80 and

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