2016-12-19 23:14 GMT+01:00 Br. Samuel Springuel :
> On 2016-12-19 5:04 PM, Thomas Morley wrote:
>>
>> \once \override NoteColumn.X-offset = 3.5
>
>
> That works well too. Which will have more predictable results when the line
> width and staff size changes?
No idea. I'm
On 2016-12-19 5:04 PM, Thomas Morley wrote:
\once \override NoteColumn.X-offset = 3.5
That works well too. Which will have more predictable results when the
line width and staff size changes? I'm going to be using these snippets
in both a "normal" and a "large print" booklet, eventually,
2016-12-19 15:53 GMT+01:00 Br. Samuel Springuel :
> In the following snippet, is there a way to set the alignment of the "℟." so
> that it always appears after the barline, rather than under it. I expect
> more space needs to be added to the bar in which it appears for this
Br. Samuel Springuel wrote
> ... the duration throwing off the later notes
Ooops, I forgot that I changed the recent duration. Of course it shoud read
g'4 f-sharp'( g') e' f-sharp' g' \bar ":|."
Br. Samuel Springuel wrote
> why `\hide r` instead of `s`? I
> tested the later and it seems to
On 2016-12-19 11:56 AM, Klaus Blum wrote:
\cadenzaOn \hide r8 \hide r8 \cadenzaOff
Other than the duration throwing off the later notes (easily corrected)
it works well. Out of curiosity, why `\hide r` instead of `s`? I
tested the later and it seems to work too, is there a reason to favor
Br. Samuel Springuel wrote
> is there a way to set the alignment of the
> "℟." so that it always appears after the barline, rather than under it.
I would simply fill the space between the barline and the first note with
invisible rests.
Br. Samuel Springuel wrote
> is there a way to eliminate