On Fri, Apr 22, 2011 at 07:55:33PM -0400, David Robillard wrote:
> Why do you know the names of the required ports but not the numbers?
The names are lust 'Launchpad', the numbers are not fixed AFAIK.
> P.S. The direct USB interface to the launchpad is pretty simple, I'm
> driving mine without
On Fri, 2011-04-22 at 22:30 +, Fons Adriaensen wrote:
> On Fri, Apr 22, 2011 at 06:06:54PM -0400, David Robillard wrote:
>
> > Alsa sequencer names aren't unique or intended for use as identifiers,
> > you probably don't want to do this if it's at all possible to avoid...
>
> If that's true,
On Fri, Apr 22, 2011 at 07:22:59PM -0400, Paul Davis wrote:
> i don't think so. but since, as dave pointed out, there is no
> particular mapping between client IDs and names, there's really no way
> to do this. i think. like i said, i consider the whole design totally
> FUBAR'ed. if you use numer
On Fri, Apr 22, 2011 at 7:22 PM, Fons Adriaensen wrote:
> It seems that sending the OSC command /ardour/transport_play
> a second time has the effect of locating back to the previous
> start position and resuming play from there. Could be useful,
> but is this intentional ? The 'Start' widget doe
On Fri, Apr 22, 2011 at 7:18 PM, Lieven Moors wrote:
> On Fri, Apr 22, 2011 at 07:09:24PM -0400, Paul Davis wrote:
>> On Fri, Apr 22, 2011 at 7:05 PM, Lieven Moors wrote:
>>
>> > I had a similar problem in my studio when I wanted to restore
>> > connections with multiple ZynaddsubFX instances. Al
On Fri, Apr 22, 2011 at 06:55:18PM -0400, Paul Davis wrote:
> for myself, i think its reasonable accurate to say that ALSA's
> identification of MIDI ports is totally FUBAR'ed. this doesn't help
> much.
:-) or mayby :-(
> i'm not quite sure what you mean about ardour (2's) behaviour, but its
>
On Fri, Apr 22, 2011 at 07:09:24PM -0400, Paul Davis wrote:
> On Fri, Apr 22, 2011 at 7:05 PM, Lieven Moors wrote:
>
> > I had a similar problem in my studio when I wanted to restore
> > connections with multiple ZynaddsubFX instances. All the port names
> > were the same, so I had no way of know
On Fri, Apr 22, 2011 at 7:05 PM, Lieven Moors wrote:
> I had a similar problem in my studio when I wanted to restore
> connections with multiple ZynaddsubFX instances. All the port names
> were the same, so I had no way of knowing which was which.
> And the client ID is not much help either, beca
On Fri, Apr 22, 2011 at 10:30:55PM +, Fons Adriaensen wrote:
> On Fri, Apr 22, 2011 at 06:06:54PM -0400, David Robillard wrote:
>
> > Alsa sequencer names aren't unique or intended for use as identifiers,
> > you probably don't want to do this if it's at all possible to avoid...
>
> If that'
On Fri, Apr 22, 2011 at 6:30 PM, Fons Adriaensen wrote:
> On Fri, Apr 22, 2011 at 06:06:54PM -0400, David Robillard wrote:
>
>> Alsa sequencer names aren't unique or intended for use as identifiers,
>> you probably don't want to do this if it's at all possible to avoid...
>
> If that's true, what
On Fri, Apr 22, 2011 at 06:06:54PM -0400, David Robillard wrote:
> Alsa sequencer names aren't unique or intended for use as identifiers,
> you probably don't want to do this if it's at all possible to avoid...
If that's true, what purpose do they have at all ?
In this concrete case, I have Pyt
On Fri, 2011-04-22 at 21:10 +, Fons Adriaensen wrote:
> On Fri, Apr 22, 2011 at 04:51:53PM -0400, Paul Davis wrote:
> > On Fri, Apr 22, 2011 at 4:45 PM, Fons Adriaensen
> > wrote:
> > > Hello all,
> > >
> > > after reading ASLA docs for some hours I've not found an
> > > answer to the followi
On Fri, Apr 22, 2011 at 11:24:47PM +0200, Dominic Sacré wrote:
> On Friday 22 April 2011 22:45:34 Fons Adriaensen wrote:
> > after reading ASLA docs for some hours I've not found an
> > answer to the following:
> >
> > Given the ALSA sequencer client and port _names_, find the
> > numbers required
On Friday 22 April 2011 22:45:34 Fons Adriaensen wrote:
> after reading ASLA docs for some hours I've not found an
> answer to the following:
>
> Given the ALSA sequencer client and port _names_, find the
> numbers required to set up a connection (a 'subscription'
> in ALSA lingo).
ALSA client an
On Fri, Apr 22, 2011 at 04:51:53PM -0400, Paul Davis wrote:
> On Fri, Apr 22, 2011 at 4:45 PM, Fons Adriaensen wrote:
> > Hello all,
> >
> > after reading ASLA docs for some hours I've not found an
> > answer to the following:
> >
> > Given the ALSA sequencer client and port _names_, find the
> >
On Fri, Apr 22, 2011 at 4:45 PM, Fons Adriaensen wrote:
> Hello all,
>
> after reading ASLA docs for some hours I've not found an
> answer to the following:
>
> Given the ALSA sequencer client and port _names_, find the
> numbers required to set up a connection (a 'subscription'
> in ALSA lingo).
Hello all,
after reading ASLA docs for some hours I've not found an
answer to the following:
Given the ALSA sequencer client and port _names_, find the
numbers required to set up a connection (a 'subscription'
in ALSA lingo).
Anyone knows how to do this ?
Ciao,
--
FA
_
On Friday, April 22, 2011 04:38:36 PM Brad Garton did opine:
> On Apr 22, 2011, at 3:11 PM, Folderol wrote:
> > I think it a great shame that none of today's kids seem to be taught
> > about these people. or given any clue about how ideas from different
> > people build on each other.
>
> "none"
On Apr 22, 2011, at 3:11 PM, Folderol wrote:
> I think it a great shame that none of today's kids seem to be taught about
> these people. or given any clue about how ideas from different people build on
> each other.
"none" is kind of broad paintbrush, I think. The above is not true of the
clas
On Friday, April 22, 2011 03:54:36 PM Folderol did opine:
> On Fri, 22 Apr 2011 14:22:31 -0400
>
> Paul Davis wrote:
> > On Fri, Apr 22, 2011 at 9:18 AM, Paul Davis
wrote:
> > > On Thu, Apr 21, 2011 at 11:31 PM, Geoff Beasley
> > >
> > > wrote:
> > >> On 04/22/2011 01:28 PM, gene heskett wro
On Fri, 2011-04-22 at 20:32 +0200, Ralf wrote:
> On Fri, 2011-04-22 at 14:22 -0400, Paul Davis wrote:
> > on re-reading this i want to stress that it was absolutely not my
> > intention to somehow try to tangle up ardour in mathew's legacy, or
> > enjoy the side-effects of his well deserved fame.
I'm with you on this: I would not be doing what I am doing if it was
not for a similar chain of events.
Victor
On 22 Apr 2011, at 19:22, Paul Davis wrote:
On Fri, Apr 22, 2011 at 9:18 AM, Paul Davis > wrote:
On Thu, Apr 21, 2011 at 11:31 PM, Geoff Beasley
wrote:
On 04/22/2011 01:28 PM, gene
On Fri, 22 Apr 2011 14:22:31 -0400
Paul Davis wrote:
> On Fri, Apr 22, 2011 at 9:18 AM, Paul Davis
> wrote:
> > On Thu, Apr 21, 2011 at 11:31 PM, Geoff Beasley
> > wrote:
> >> On 04/22/2011 01:28 PM, gene heskett wrote:
> >>>
> >>> We all should all hold a moment of respectful silence, both
>
On Fri, 2011-04-22 at 14:22 -0400, Paul Davis wrote:
> on re-reading this i want to stress that it was absolutely not my
> intention to somehow try to tangle up ardour in mathew's legacy, or
> enjoy the side-effects of his well deserved fame.
Well, don't worry. I guess nobody has misconceived your
On Fri, Apr 22, 2011 at 9:18 AM, Paul Davis wrote:
> On Thu, Apr 21, 2011 at 11:31 PM, Geoff Beasley
> wrote:
>> On 04/22/2011 01:28 PM, gene heskett wrote:
>>>
>>> We all should all hold a moment of respectful silence, both
>>> for the man, and the legacy of his work.
>
> and to add to some sens
On Thu, 2011-04-21 at 23:28 -0400, gene heskett wrote:
> We all should all hold a moment of respectful silence, both
> for the man, and the legacy of his work.
Yes :).
'Computer performance of music was born in
1957' (http://en.wikipedia.org/wiki/Max_Mathews)
So he really was one of the pioneer
On Thu, Apr 21, 2011 at 11:31 PM, Geoff Beasley
wrote:
> On 04/22/2011 01:28 PM, gene heskett wrote:
>>
>> We all should all hold a moment of respectful silence, both
>> for the man, and the legacy of his work.
and to add to some sense of his legacy:
* if there was no max mathews, there would
Am 22.04.2011 um 05:31 schrieb Geoff Beasley:
On 04/22/2011 01:28 PM, gene heskett wrote:
We all should all hold a moment of respectful silence, both
for the man, and the legacy of his work.
ahmen to that
g
- Burkhard.
___
Lin
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