On Tue, 29 Jan 2019 13:37:01 +0100 (CET), Jeanette C. wrote:
>why should I use Linux and LV2 plugins, if they don't work with my
>$1000 control keyboard? There's always hope.
From the link posted by Louigi:
"[snip] With previous MIDI feature additions, the challenge has often
been getting
On Sun, 20 Jan 2019 14:29:46 -0800 (PST), Len Ovens wrote:
>I also wish I was 30 years younger with todays knowledge...
In my opinion knowledge means less. More important IMO is the
motivation, the skills to use free time.
I wish I would be 30 years younger with the gear I own today. For
PS regarding robot pianos:
A workaround for one issue would be to select different velocity curves
by a CC message, to fit to different parts of a song played by a piano
master class. Software even could transmit measuring probe data from
the robot piano to the software via MIDI 1 to determine an
On Sat, 19 Jan 2019 18:31:29 -0800 (PST), Len Ovens wrote:
>Being able to pitch change each note separately. Having many more CCs.
>Just to name a few. Guitar to MIDI can make good use of it.
I'm playing a Roland GR-55 guitar synth. It has got a MIDI input, but
it does not recognize note numbers.
On Sat, 19 Jan 2019 09:47:56 +, Will Godfrey wrote:
>I've just been told about this.
On Thu, 2018-11-29 at 18:02 +0100, Thorsten Wilms wrote:
> On 29/11/2018 17.32, Louigi Verona wrote:
> > Interesting that on their goals page they never mention "users" or
> > "customers". So how are they going to understand what works if users are
> > never consulted?
>
> That's clearly up to
On Mon, 29 Oct 2018 15:34:44 +0100, Robin Gareus wrote:
>Why? I've never seen someone installing/removing software while
>recording or mixing. It also sounds like a bad idea to me.
I agree that it is a bad idea, but decided yesterday not to reply to
this thread and mention that it is a bad idea,
On Sun, 2018-09-02 at 07:26 -0400, Paul Davis wrote:
> On Sun, Sep 2, 2018 at 3:02 AM, Will J Godfrey
> wrote:
> > As a matter or interest, the only time I've had missing noteoffs with
> > standard MIDI was when I had only a single MIDI port, and daisy-chained a
> > sound
> > canvas and two
On Wed, 29 Aug 2018 13:00:07 -0700 (PDT), Len Ovens wrote:
>MIDI was designed to handle in realtime (10 events from 10 fingers)
PS: Even if we reduce MIDI to one channel for real-time playing without
usage of e.g. the nose as an eleventh finger, at least usage of pedals
is included. The amount of
On Wed, 29 Aug 2018 13:00:07 -0700 (PDT), Len Ovens wrote:
>MIDI was designed to handle in realtime (10 events from 10 fingers)
That is incorrect, MIDI was designed for sequencer usage, too, so MIDI
provides 16 channels ;). While I only can play 6 channels in real-time
using my guitar synth, even
On Sat, 01 Sep 2018 16:49:48 -0500, Jonathan E. Brickman wrote:
>to sidestep all of the well-known MIDI limitations
Without doubts MIDI has got well-known limitations, but nowadays a bad
implementation of the MIDI standard often gets confused with the MIDI
standard, so it's better to clearly
[Active Sensing]
You said that you "need lossless JACK MIDI networking", but not why you
need networking at all. You might have a good reason, I'm just curious.
For what purpose do you need an _additional_ network?
Btw. I have no experiences with MIDI over an additional network, but
regarding
PS:
On Fri, 3 Aug 2018 10:46:02 +0200, Ralf Mardorf wrote:
>Even a clueless Arch Linux user could _not_ come in the position to
>wonder, if a jack package might be missing, since jack1, as well as
>jack2 are each provided by a single package and no virtual package is
>required eith
On Fri, 3 Aug 2018 09:49:15 +0200, Fokke de Jong wrote:
>google told me someone with the same problem solved it by installing
>either libjack-jackd2-dev or libjack-dev. in installed libjack-dev,
>but it didn’t help so i removed it again.
The '/usr/lib/x86_64-linux-gnu/libjack*so' symlinks
against
I've forgotten to mention that
On Sun, 1 Jul 2018 20:16:07 +0200, Ralf Mardorf wrote:
>You could install Ubuntu from the server image
and after that install ubuntu-studio meta-packages, see
https://packages.ubuntu.com/search?suite=bionic=all=any=ubuntustudio=names
FWIW I prefer Arch Linux o
PPS:
On Sat, 30 Jun 2018 09:55:41 +0200, Ralf Mardorf wrote:
>You neither described why it didn't work
If you don't know the reason, you at least could mention that you build
something this or by another way and that you run it this or that way,
without getting any messages.
--
pacman -Q li
On Sat, 30 Jun 2018 09:49:48 +0200, Ralf Mardorf wrote:
>To get something working that didn't work in the first place, while it
>likely should work in the first place, you "hack"ed it in a way that it
>still doesn't work.
PS:
You neither described why it didn't work, n
Hi,
I'm not really able to help you with this specific SC issue, however,
you should describe the issues you experienced more detailed.
An/the SC package of what Suse release is broken? In what way the
package is broken? Just imagine usage of a third party repository
and e.g. a soname issues.
On Tue, 26 Jun 2018 15:03:04 -0400, Tim wrote:
>If I understand correctly the theory goes something like this:
>If you are looking for a dog in a picture, far better to compare
> with real pictures of dogs already stored than to only have
> a rough mathematical idea of what a dog should look
On Mon, 25 Jun 2018 18:31:12 -0400, Tim wrote:
>Then I stumbled across this product, MIDI-Guitar from Jam Origins.
For quite some time now, the free version is installed on my iPad, but
I never tested it and meanwhile I've got two electric guitars with
Roland GK-3 PUs and a Roland GR-55. Keep in
On Mon, 12 Mar 2018 00:04:31 +0500, Nikita Zlobin wrote:
>For qt5 config i use qt5ct.
Oops ;), I missed that :D. Yes, it's a PITA :).
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Take a look at https://wiki.archlinux.org/index.php/qt one way is using
the plugin [1], that not necessarily does a good job, but, hey, that is
nowadays Linux, it's absolutely inconsistent.
[1]
No Rosegarden here, but Rui's apps are based upon Qt, too:
[rocketmouse@archlinux ~]$ qjackctl
qt5ct:
>On Sat, 10 Mar 2018 11:38:21 -0600, Jordan Halase wrote:
>>Ralf, we aren't living under a rock. That's been everywhere. Sure,
>>"greetings gentlemen" is an innocent error, but there is no need to
>>stretch this out any further.
>>
>>Please stop.
>
>Actually, it wasn't me who pushed this ;).
On Sat, 10 Mar 2018 11:38:21 -0600, Jordan Halase wrote:
>Ralf, we aren't living under a rock. That's been everywhere. Sure,
>"greetings gentlemen" is an innocent error, but there is no need to
>stretch this out any further.
>
>Please stop.
Actually, it wasn't me who pushed this ;). Vice versa, I
PS: "[off-list] [LAD] Some news and Linux Audio Programmer job
position at MOD Devices"
Oops, it was intentioned to sent it to the list, I just forgot to
remove the [off-list] in the subject.
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On Sat, 10 Mar 2018 10:53:42 -0600, Jordan Halase wrote:
>I'd suggest keeping any and all political discussion out of open
>source completely. Learn from the other open source communities who
>let it eat them alive.
You are right! However, there were a lot of heated-up debates regarding
the new
On Fri, 9 Mar 2018 19:51:58 +0100, Cedric Roux wrote:
>On 03/09/2018 07:26 AM, Ralf Mardorf wrote:
>> Be carefull with this, you might offend Geek Feminism views by your
>> best wishes, maybe Women's Day is a white men's invention to harass
>> people's gender identity and
On Thu, 8 Mar 2018 22:56:10 +1100, David wrote:
>On 8 March 2018 at 19:51, Gianfranco Ceccolini
>Greetings Developers!
>
>Happy International Women's Day to everyone!
Be carefull with this, you might offend Geek Feminism views by your
best wishes, maybe Women's Day is a white men's invention to
On Sun, 10 Dec 2017 21:52:30 +0100, David Runge wrote:
>You rule!
>Thanks
+1
But please, developers consider to sign your tarballs.
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On Sun, 10 Dec 2017 11:25:26 +0100, Ralf Mardorf wrote:
>Off-topic:
>
>On Sun, 10 Dec 2017 10:51:43 +0100, Filipe Coelho wrote:
>>In case you did not notice from me and Rui, we Portuguese people like
>>to support as much stuff as possible :)
>
>Not really. For example
Off-topic:
On Sun, 10 Dec 2017 10:51:43 +0100, Filipe Coelho wrote:
>In case you did not notice from me and Rui, we Portuguese people like
>to support as much stuff as possible :)
Not really. For example, record a few audio tracks with Qtractor using
a low frame size, while you mute several
On Sun, 10 Dec 2017 09:33:25 +0100, Filipe Coelho wrote:
>On 10.12.2017 00:21, Ralf Mardorf wrote:
>> On Sat, 9 Dec 2017 18:00:32 +0100, Filipe Coelho wrote:
>>> But when installing jalv or qtractor for archlinux, because they
>>> depend on suil, expect it to p
On Sat, 9 Dec 2017 18:00:32 +0100, Filipe Coelho wrote:
>But when installing jalv or qtractor for archlinux, because they
>depend on suil, expect it to pull gtk2, gtk3, qt4 and qt5.
suil comes with a dedicated version itself and as far as I notice
doesn't require ntk-git or even qt4 and qt5 at
On Sat, 9 Dec 2017 09:44:02 -0500, Paul Davis wrote:
>As a plugin host, Carla attempts (and generally does) allow plugins
>to use many different toolkits for their own GUIs.
Do you think that Fons is an idiot, not being aware of this? The issue
still remains, the more dedicated dependencies, the
On Tue, 5 Dec 2017 17:21:05 +0100, Louigi Verona wrote:
>Microsoft and Apple are not the only examples of proprietary software,
>sir. And proprietary software developer is not necessarily a
>"corporation".
At least the software that runs on e.g. an Apple operating system could
be from developers
On Sun, 26 Nov 2017 18:10:15 +0100, Ralf Mardorf wrote:
>[rocketmouse@archlinux ~]$ grep hkp luamd64_1610.sh
>key gpg --keyserver hkp://keyserver.ubuntu.com --recv-keys FBB75451
>EFE21092
I win praise for a script that downloads Ubuntu desktop flavours and
does all the signed key
On Sun, 26 Nov 2017 16:57:12 +, Fons Adriaensen wrote:
>- which keyserver to use ?
In cases of doubt simply use keys.gnupg.net ;).
To get a key by alias or by scripts I'm using different key servers e.g. [1].
Aren't the servers synced? I guess it's just useful that "Some famous LAD
members
On Sun, 26 Nov 2017 16:51:53 +0100, David Runge wrote:
>> Not that much, since even when additionally using TOR, privacy isn't
>> ensured without exceptions,
>> https://www.torproject.org/docs/faq.html.en#AttacksOnOnionRouting .
>That of course is also true and thanks for pointing it out.
>When
On Tue, 21 Nov 2017 10:27:26 +0100, Louigi Verona wrote:
>Yeah, more security and privacy, because Linux Audio packages are
>constantly attacked by enemies :D
Btw. packages of major distros are signed. It would make much more
sense, if upstream already would sign the tarballs providing the source
On Tue, 21 Nov 2017 11:39:49 +0100, IOhannes m zmoelnig wrote:
>there is practically no reason to *not* use https:// everywhere
It quasi became a standard, most websites I visit are https nowadays.
We shouldn't overvalue https. I agree that it should be used, if it
shouldn't be too much effort to
On Tue, 21 Nov 2017 02:54:14 +0100, David Runge wrote:
>Would it be possible to implement letsencrypt for linuxaudio.org and
>all of its subdomains?
>This would greatly improve the security of the packages hosted there
>(or rather their transfer from the server to the build machine) and
>help for
In the meantime I unsubscribed from the new alsa-user account. It's
possible to send mails to the list using the old account and receiving
mails from the list works, too. I'm still not subscribed to alsa-devel,
but receive the alsa-devel digest :D.
___
PS: You mentioned live usage. If you use a 19" rack it doesn't
matter, if you chose a Presonus AudioBox 1818VSL or a Focusrite Scarlett
18i20 2nd Gen, but if you carry the device in a bag, it might be
important, to be aware that the Presonus is smaller, but it has got an
external power supply. The
Hi,
in December 2016 I bought a B-Stock Presonus AudioBox 1818VSL for
309.00 €, but I send it back, because it didn't work with iOS. It works
with Linux. In January 2017 I bought a brand new Focusrite Scarlett
18i20 2nd Gen for 382.00 €. It works with Linux as well as with iOS and
allows lower
On Wed, 2017-06-21 at 12:47 -0700, Lloyd Dickman wrote:
> I am trying to make a Focusrite Scarlett 18i20 (2nd Generation) work
> as a USB audio capture device with Linux.
Hi,
last time I used my Focusrite Scarlett 18i20 (2nd Generation) with Linux
all digital and analog outs worked without
On Wed, 15 Feb 2017 07:45:49 -0800 (PST), Len Ovens wrote:
>One of the biggest problems in linux audio is old information, linux
>and the surrounding OS has changed.
The biggest issue within this problem are wikis with links.
When maintaining a Wiki, with too many links, nobody will check the
On Fri, 23 Sep 2016 13:00:08 +0200, Patrick Shirkey wrote:
>> On Thu, 2016-09-22 at 19:58 +0200, Robin Gareus wrote:
>>> That's pretty cool IMHO and I wish more companies would do that!
>>>
>>> Also coming up with a protocol is the easier part. Documenting it,
>>> pushing it out to users,
On Tue, 20 Sep 2016 07:03:58 +0200, Patrick Shirkey wrote:
>Because netjack isn't good enough or cross platform enough or LGPL
>enough or adopted enough?
Hi,
yes, it's not cross platform enough.
Audiobus and other iPad apps provide Ableton Link. Jack doesn't run on
the iPad anymore, so there
>Indeed -- except that cars in Manhattan are restricted to using wheels
>:-) I have rocket engines which don't give off exhaust at all, lots
>and lots of fuel, no skyscrapers in the way, and no one else in the
>air; I am going to either learn or help build a way to use those
>engines :-)
The
>On 03/11/2016 02:24 PM, Patrick Shirkey wrote:
>> According to Jonathan his multiple cores are barely reaching 5%
>> usage. How can JACK_DSP be so high when there is so much room left
>> to play with if JACK2 is handling the parallelism correctly?
>>
>> It seems similar to my car telling me
On Wed, 2 Mar 2016 16:53:07 -0800 (PST), Len Ovens wrote:
>KDE uses XDG
Hi,
were autostart is located depends on the environment and on the used
distro. For my Ubuntu Wily install I needed to clear XDG_CONFIG_DIRS
at top of my openbox autostart config, to get rid of unwanted
autostarts.
I
On Mon, 8 Feb 2016 11:14:45 +, Harry van Haaren wrote:
>I think it would be great if the Linux Audio community built up a list
>of kernel config options that need changing for optimal audio
>performance.
Indeed, the rt config became tricky a while ago, especially for AMD
based machines.
On Mon, 8 Feb 2016 21:31:08 +0100, Jeremy Jongepier wrote:
>On 02/08/2016 08:11 PM, Ralf Mardorf wrote:
>> I forgot to mention, the lowlatency is a vanilla kernel with a
>> special configuration, but without a realtime related patch.
>
>Afaik the Ubuntu low-latency kerne
On Mon, 8 Feb 2016 19:44:49 +0100, Cedric Roux wrote:
>Hi,
>
>On 02/08/2016 11:07 AM, Fokke de Jong wrote:
>> Hi all,
>>
>> I just wanted to give you an update on my quest for
>> super-low-latency. I bit the bullet and compiled a rt-kernel.
>
>call me noob but did you download a special kernel
PS:
I forgot to mention, the lowlatency is a vanilla kernel with a special
configuration, but without a realtime related patch.
The default kernels of common distros should already provide some level
of soft realtime ability if you boot with the 'threadirqs' option, e.g.
by the /boot entry of a
On Mon, 1 Feb 2016 09:26:28 +0100, Christopher Arndt wrote:
>> RTIRQ_NAME_LIST="usb"
>> https://wiki.archlinux.org/index.php/Pro_Audio#M-Audio_Fast_Track_Pro
>
>How does the latter lead to the former?
It latter does provide additional information regarding this card. The
former is what you need
On Mon, 1 Feb 2016 07:14:46 +0100, Christopher Arndt wrote:
>Am 24.01.2016 um 16:24 schrieb Harry van Haaren:
>> I've written up some of the checks I generally do, perhaps browse
>> that to see if there's anything there that you could check?
>>
PS:
>On Mon, 1 Feb 2016 09:26:28 +0100, Christopher Arndt wrote:
>>> RTIRQ_NAME_LIST="usb"
>>> https://wiki.archlinux.org/index.php/Pro_Audio#M-Audio_Fast_Track_Pro
>>
>>How does the latter lead to the former?
>
>It latter does provide additional information regarding this card. The
>former
On Sat, 05 Sep 2015 09:08:13 +0200, W.Boeke wrote:
>Another reason: there are some bugs in their code (version 1.15) that
>cause an immedient crash if one compiles the program from source code,
>whereas if installed directly from the Ubuntu repository it works
>correctly. So the code base used by
On Thu, 23 Jul 2015 23:00:44 +0200, Marc Nostromo [M-.-n] wrote:
That was it indeed. Thank you very much for the insight !
You are welcome! Nobody expects that an ALSA module not automatically
gets loaded, it's a very annoying bug.
Regards,
Ralf
___
On Thu, 23 Jul 2015 15:58:53 +0200, Ralf Mardorf wrote:
From: Ralf Mardorf ralf.mard...@alice-dsl.net
To: linux-audio-dev@lists.linuxaudio.org
Subject: Re: [LAD] RtAudio on archlinux
Date: Thu, 23 Jul 2015 15:49:37 +0200
X-Mailer: Claws Mail 3.12.0-6-g897a5ed (GTK+ 2.24.28;
x86_64-arch-linux-gnu
From: Ralf Mardorf ralf.mard...@alice-dsl.net
To: linux-audio-dev@lists.linuxaudio.org
Subject: Re: [LAD] RtAudio on archlinux
Date: Thu, 23 Jul 2015 15:49:37 +0200
X-Mailer: Claws Mail 3.12.0-6-g897a5ed (GTK+ 2.24.28;
x86_64-arch-linux-gnu)
On Thu, 23 Jul 2015 15:28:24 +0200, Marc Nostromo [M
On Tue, 28 Apr 2015 13:48:54 +0200, Gerald wrote:
On 28.04.2015 12:31, Ralf Mardorf wrote:
PS: Keep in mind that A440 not necessarily is always true. When you
program, please keep in mind, that one day, when your program should
be able to do what you want it to do, users should be able to chose
want to convolve/multiply the envelope with the synths (as an option in
the GUI). Then GuitarSynth will really be a guitar synth ;)
Gerald
On 28.04.2015 15:58, Ralf Mardorf wrote:
A simple example, without or even with compressor, play
g string - fret 3 and slide to fret 5, hold the tone
d
PS: Keep in mind that A440 not necessarily is always true. When you
program, please keep in mind, that one day, when your program should be
able to do what you want it to do, users should be able to chose the
pitch for non-standard A in decimal place steps.
On Tue, 28 Apr 2015 01:55:04 +0100, Harry van Haaren wrote:
On Tue, Apr 28, 2015 at 12:57 AM, Tim E. Real termt...@rogers.com
wrote:
The effect is striking. You can hear it without even plugging the
guitar in. As you adjust the pickup ever higher, and pluck the
strings, you can hear the
On Mon, 27 Apr 2015 02:31:06 +0200, t...@trellis.ch wrote:
-font size
-color contrast
Theoretical this should be solvable by the font sizes and the colour
theme the user does chose for the DE/WM. Colour themes shouldn't get
broken after updates of the DE/WM and if fonts are large, windows
On Fri, 24 Apr 2015 23:13:12 -0400, Tim E. Real wrote:
To reduce latency I even tried putting the guitar through a standard
time-domain pitch shifter (up one octave) and then into the detector.
Not bad, so so.
Since dead strings aren't an option for me, this is something I'll
test for monophonic
On Sat, 25 Apr 2015 08:50:21 +0100, Will Godfrey wrote:
One of my pet hates is erratic implementation of tooltips... that
can't be disabled!
Tooltips showing the value instead of a description of the option IMO
are good.
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On Fri, 24 Apr 2015 23:55:31 -0400, Tim E. Real wrote:
My centre-screen technique is in fact limited to half-screen
The real desk might be limited to, e.g. a mini mouse pad on a synth,
so the mouse wheel option could be very important to avoid huge mouse
movements. It's not only the screen that
On Sat, 25 Apr 2015 10:23:14 +0200, Thorsten Wilms wrote:
https://afaikblog.files.wordpress.com/2013/01/date-and-time.png
We already know a solution since decades. Checkboxes
+1
I see that on my iPad every day and never become used to it, there's
always doubt. I've never noticed such a bad thing
On Fri, 24 Apr 2015 20:33:05 -0700 (PDT), Len Ovens wrote:
another idea for a touch screen:
1 touch control with finger one.
2 put finger two some distance away.
3 move finger two towards control to decrease value or farther away to
increase value.
4 lift both fingers. I am not sure if lift
On Fri, 24 Apr 2015 22:18:57 -0400, Tim E. Real wrote:
What do you think?
Hi Tim,
if the mouse courser reaches a screen border, the mouse movement should
continue to increase/decrease the fader/knob value, but the mouse
cursor should stay at the boarder, without movement, close to the
knob/fader.
On Sat, 25 Apr 2015 10:53:07 +, Fons Adriaensen wrote:
Second, because that way I will learn the relation between the values
and the resulting sound, and be able to do the same on different HW or
SW without having to search blindly by twiddling the knobs.
Couldn't say better.
As I pointed
On Tue, 21 Apr 2015 08:43:15 +0200, Thijs van severen wrote:
i dont think it has to be modal, and i'm also curious what other thing
you will be doing in those 3-5 sec that the splash is there
surprise me :-)
Maybe taking a look at the messages displayed in the terminal
emulation where the app
On Thu, 16 Apr 2015 09:41:11 -0600, John Hammen wrote:
interesting article on Android's latency
http://superpowered.com/androidaudiopathlatency/
via Hacker News news.ycombinator.com
Thank you for sharing this.
Assumed Android devices one day should be usable for audio, I wonder if
they
On Sat, 29 Nov 2014 23:17:48 +
Will Godfrey willgodf...@musically.me.uk wrote:
I don't know if anyone here has heard about this. I discovered the
link quite by accident.
http://lkml.iu.edu/hypermail/linux/kernel/1411.3/02866.html
If you're using 3.17 it might be an idea to step back to
I agree with Len.
On Thu, 2014-10-16 at 12:29 -0700, Len Ovens wrote:
That control could have an option to accept all channels too so that
the host could do filtering.
JFTR accept all channels, as if they were one channel is named omni
mode :).
___
On Fri, 2014-10-17 at 08:25 +0100, Phil CM wrote:
The fact that when I put it on a MIDI track (and the hosts decide
witch MIDI channel this track sends messages on) I can hear it without
telling him said channel (and I only hear it on that track)..?
Len explained it ;). Omni mode:
On Fri, 2014-10-17 at 01:12 -0700, Len Ovens wrote:
I would suggest that Calf Monosynth is channel agnostic. That is it
ignores the channel information and uses midi events for any channel.
Len explained it ;). Omni mode:
On Sun, 2014-10-05 at 22:00 +, Fons Adriaensen wrote:
Hello all,
Since some time I do get duplicate messages on this list
for example the last one just a few minutes ago:
Date: Sun, 5 Oct 2014 23:35:21 +0200
From ds...@snarchi.io Sun Oct 5 21:35:55 2014
From: t...@trellis.ch
Forwarded Message
From: Len Ovens l...@ovenwerks.net
To: Fons Adriaensen f...@linuxaudio.org
Cc: Linux Audio Developers linux-audio-dev@lists.linuxaudio.org
When I receive such mails from you Len, I get one mail directly from you
and a second mail from the mailing list.
On Tue, 2014-10-14 at 17:36 +0200, Ralf Mardorf wrote:
On Sat, 2014-10-11 at 15:40 +0200, hermann meyer wrote:
Am 06.10.2014 02:51, schrieb Len Ovens:
On Sun, 5 Oct 2014, Fons Adriaensen wrote:
Hello all,
Since some time I do get duplicate messages on this list
for example
On Fri, 2014-10-03 at 17:09 +1000, Patrick Shirkey wrote:
On Fri, October 3, 2014 7:22 am, Len Ovens wrote:
snip
SHould Linux target those who only see a comodity? WHo are only looking to
have what their idol uses? Or who want the cheapest one that works? The
stuff already out there
On Fri, 2014-10-03 at 17:59 -0700, Len Ovens wrote:
http://www.zoom.co.jp/products/ms-100bt
Wow! Perhaps shopping new effects isn't that important for many
musicians: http://www.thomann.de/gb/zoom_multi_stomp_ms50g.htm
An advantage of the MOD Duo clearly is, that it's possible to connect
On Thu, 2014-10-02 at 10:24 +0100, gordon...@gjcp.net wrote:
Ever wonder why your DX21 has only got eight algorithms by which the
operators may be combined? *That's* why.
That's a reasoning just from your point of view, but not the real
reasoning.
Btw. the DX21 provides 4 operators.
But the
On Mon, 2014-09-29 at 12:22 +0200, Florian Paul Schmidt wrote:
On 27.09.2014 16:59, Ralf Mardorf wrote:
A lot of consumer audio-video stand alone gear is using Linux,
e.g. television satellite receivers. IMO this market might be
more interesting when searching for a job, than the pro-audio
On Mon, 2014-09-29 at 12:41 +0200, raf wrote:
Le 29 sept. 2014 à 12:34, Ralf Mardorf ralf.mard...@rocketmail.com a écrit :
On Mon, 2014-09-29 at 12:22 +0200, Florian Paul Schmidt wrote:
On 27.09.2014 16:59, Ralf Mardorf wrote:
A lot of consumer audio-video stand alone gear is using Linux
On Mon, 2014-09-29 at 13:47 +0200, Ralf Mardorf wrote:
On Mon, 2014-09-29 at 12:41 +0200, raf wrote:
Le 29 sept. 2014 à 12:34, Ralf Mardorf ralf.mard...@rocketmail.com a
écrit :
On Mon, 2014-09-29 at 12:22 +0200, Florian Paul Schmidt wrote:
On 27.09.2014 16:59, Ralf Mardorf wrote
On Mon, 2014-09-29 at 13:58 +0200, Nils wrote:
ralfed
I was asked and replied ;). I would prefer not to talk about television.
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On Sat, 2014-09-27 at 10:27 -0400, Bill Gribble wrote:
It's job hunting time, and while I am skeptical that there are very many
paying jobs for Linux audio developers out there, I thought I'd at least
ask on this list. What companies are doing work in the Linux audio
universe?
Or, on
On Sat, 2014-09-27 at 16:39 +0200, Ralf Mardorf wrote:
On Sat, 2014-09-27 at 10:27 -0400, Bill Gribble wrote:
It's job hunting time, and while I am skeptical that there are very many
paying jobs for Linux audio developers out there, I thought I'd at least
ask on this list. What companies
On Thu, 2014-09-04 at 15:37 +0800, Brad Campbell wrote:
One thing I told years ago by a gnarled old recording engineer was
always put plenty of reverb into the vocalists monitor. I took this
on-board and while I always record may parts as dry as is practical, I
always have plenty of FX in
On Thu, 2014-09-04 at 21:27 +0200, Lieven Moors wrote:
On Thu, Sep 04, 2014 at 10:01:31AM +0200, Ralf Mardorf wrote:
On Thu, 2014-09-04 at 15:37 +0800, Brad Campbell wrote:
One thing I told years ago by a gnarled old recording engineer was
always put plenty of reverb into the vocalists
On Sat, 2014-08-30 at 10:13 +0100, W.Boeke wrote:
[snip]
I'm able to edit existing Yoshimi sounds, but that's not my point. My
point is to add a vector control that is similar to the one provided by
the Yamaha TG33, then you exactly would get a musician friendly control
to edit sounds. People
On Sun, 2014-08-31 at 12:21 +0200, Tim Goetze wrote:
[W.Boeke]
Compared to the available technical possibilities of the past, software
designers nowadays have a much easier life. A computer and a MIDI keyboard
is
all you need, you can try all kinds of sound creation, so why should you
PS: So to provide a new electric instrument even nowadays not only a
computer and a keyboard is needed. The virtual instrument might work on
some distros and on other distros it might not work. It might work with
some computers and sound cards and MIDI interfaces, but not work with
other hardware.
On Thu, 2014-08-28 at 14:52 +0100, W.Boeke wrote:
You didn't really read my post didn't you? You are slghtly off-topic,
it reads like the catalogus of a keyboard shop. Look at the name of
this forum. Linux: that is about software. Developers: that
are people interested in creating something
On Tue, 2014-08-26 at 12:39 -0500, Devin Venable wrote:
Maybe I'm missing it, but I don't think such as feature as I'm about
to describe exists.
I'm making lots of use of the MIDI track functionality. I find myself
wanting to take an audio segment, convert it to sample, and then use
it
On Sun, 2014-08-24 at 22:56 +0200, hermann meyer wrote:
why musicians could prefer the digital way, if at least the end up in
a digital media.
When recording a guitar at midnight in a rental apartment I play my
guitar directly connected to the mixing console, resp. some
preamplification is
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