Dan Heiman wrote:
I have recently encountered a distressing problem with a recording --
although it is only about 15 years old, it will no longer play in any of
the players in my possession. The CD, disk 1 of Monteverdi's Second
Vespers for Santa Barbara done by the Sixteen (with Nigel
Dear Kenneth,
Very interesting to hear your parallel with the art world. I suppose
the problems with a painting are far more complex than those with
music manuscripts. As often as not, a bit of damp or aging here or
there will not necessarily lose us the music (the raison d'être of
the
Hello Friends,
I have a John Rollins Alto lute on ebay priced to sell, there is also
a separate listing for a Poulton book of easy pieces.
Allan
www.fluteandguitar.com
www.guitarandlute.com
[EMAIL PROTECTED] wrote:
I find Stewart McCoy's discussion fascinating. His distinction between
primary sources and the sometimes crucial value of secondary sources when they
preserve evidence of notations recently lost is important. As an art conservator
specializing paintings in the
