There is much information on guitar accompaniment in the instructions in
the books by Corbetta (1643, 1648 ans 1671) and Granata (1659). And
later Grenerin and Matteis. The problem is that much of the Alfabeto
song repertoire is from decades earlier.
It is best probably to see how Foscarini (=ea
Eloy Cruz at [EMAIL PROTECTED] wrote:
> You can check Nina Threadwell's dissertation "The chitarra spagnola and
> Italian monody",
You'll have better luck finding it if you look under "Treadwell"
Worth a read:
http://www.wakeup.org/anadolu/05/4/mustafa_sabri_en.html
RT
Dear Craig and All:
If you look to contemporary guitar solos for models of accompaniment
(i.e., Corbetta, Sanz, Bartelotti), you'll find a mix of strumming and
plucking. The guitar was meant to be strummed, so I would say don't feel
reluctant to strum a big chord if the music seems to call for
Dear Craig and List
You can check Nina Threadwell's dissertation "The chitarra spagnola and
Italian monody", I think she claims that Italian monody guitar accompaniment
is all in Alfabeto tablature and the way to play it is using both strumming
and arpeggio.
Best wishes,
Eloy
on 21/3/04 9:23
Dear friends,
Is it a good idea to mix plucked and strummed styles when accompanying a
singer on the Baroque guitar? I recently recorded Caccini's Amarilli mia
bella and decided for a change of timbre to use the Baroque guitar. When
working out a realization, I found myself constantly wavering
"Tim Mills" <[EMAIL PROTECTED]> schrieb:
> I was wondering if the Baroque Lute D minor tuning is/was ever used for Bass
> Continuo playing?
see Fundamenta der Lautenmusique, available from the German Lute
Society.
http://www.lautengesellschaft.de
It is an earl 18th century continuo playing tutor
Happy birthday, Arto! (and to Basti, too)
Am Son, 2004-03-21 um 21.15 schrieb Arto Wikla:
> On Sun, 21 Mar 2004, Roman Turovsky wrote:
>
> > JSBach's birthday in fact...
>
> And mine was yesterday! ;-)
>
> Arto
--
Thomas Schall
Niederhofheimer Weg 3
D-65843 Sulzbach
06196/74519
[EMAIL
Dear Tim:
It is suspected that the theorbo that S.L. Weiss played in the Dresden
Opera was in fact a large theorbo-lute in d-minor tuning. More recently,
Richard Stone has done some continuo with a d-minor lute.
Yours,
Jim
I was wondering if the Baroque Lute D minor tuning is/was ever used for Bass
Continuo playing?
Tim Mills
Denver
>> JSBach's birthday in fact...
> And mine was yesterday! ;-)
> Arto
I'm flabbergasted.
RT
On Sun, 21 Mar 2004, Roman Turovsky wrote:
> JSBach's birthday in fact...
And mine was yesterday! ;-)
Arto
JSBach's birthday in fact...
RT
__
Roman M. Turovsky
http://turovsky.org
http://polyhymnion.org
13 matches
Mail list logo
