Dear friends,
many thanks for all those, who answered to my request concerning
Adriansen's Pratum.
It is wonderful that we have such a great resource like our LUTENET.
Best wishes: Peter Kiraly-
Peter Király
Glockenstr. 34
D-67655 Kaiserslautern
T/Fax. (00)49 631 69866
jon - buy you a drink?
On Giovedì, mar 25, 2004, at 07:07 Europe/Rome, Jon Murphy wrote:
Roman,
Europe is not Nashville, national musics were/are extremely distinct
in
character and the melodies they produce are far from unsophisticated,
spiced
with local intervals, often in unusual
mediaeval Europe..
let's leave the media out of this
Dear All,
The latest splendid fantasia from the Hirsch lute book is now at
www.luteshop.fsnet.co.uk where the front page now also has a picture (taken by Francis
with his new digital camera) of me cutting some tramlines.
I hope you enjoy it - all comments welcome.
Best wishes,
Martin
mediaeval Europe..
let's leave the media out of this
And see what's left!
Ron (UK)
Hi Jon and all,
on Thursday 25 March 2004 08:07, Jon Murphy wrote:
[...] In fact
almost all American folk is of European origin, Almost all, but not
all. The native Indian melodies have an oriental scale structure,
they aren't the drum and chant of the Western movies. And the music
of
the front page now also has a picture (taken by Francis with his new
digital camera) of me cutting some tramlines.
I hope you enjoy it - all comments welcome.
I'd have known you anywhere!
Tony
Dear All,
Thanks to Ron Andrico for pointing out a missing rhythm sign (bar 96, event 1, should
be a two-tailer).
I've fixed the copy on my site.
Best wishes,
Martin
-Original Message-
From: Arto Wikla [mailto:[EMAIL PROTECTED]
Sent: Thursday, March 25, 2004 5:23 AM
To: Jon Murphy
Cc: lute society
Subject: Re: early country music
Hi Jon and all,
on Thursday 25 March 2004 08:07, Jon Murphy wrote:
[...] In fact
almost all American folk is of
Perhaps I missed something on this thread, and I hesitate to make a strong
statement as I normally assume that people speak as gentlemen. But I find
the above comment offensive.
Jon, you remind me of an old proverb about Vikings. In the days of yore when
a Norseman would misunderstand something
I have just put up a photo of the Royal College of Music Torban (seems to be
identical with the Razumovsky Torban in Vienna), for those interested.
http://polyhymnion.org/torban
Chapter IIIb
RT
David:
May I suggest that you have a look at the database of historical lutes,
the Lautenweltadressbuch, on the LSA website:
http://www.cs.dartmouth.edu/~lsa/associated/index.html#Lautenweltadressbu
ch
Roses with one or more eagles incorporated into the design were uncommon
enough that they
Dear List,
I'm trying to add divisions to La Rossignol and I appended the fruits of
my labor. (Pls widen your window if the modified version wraps around.)
I'm having problems with measure 3: for the 4th and 6th note I can (or
maybe not ?) choose an e of an e-flat, which gives me four
Buy him one of Grappa di Moscato Bocchino. Knob Creek is nice too, but to
broaden the horizons, sai
RT
__
Roman M. Turovsky
http://turovsky.org
http://polyhymnion.org
jon - buy you a drink?
On Giovedi' 25, 2004, at 07:07 Europe/Rome, Jon Murphy wrote:
To the lute list I ventured to treck,
To find pearls amongst all the dreck,
But spammin by Roman,
On updates to 'hmnion,
Deluge me with factitious Sautscheck!
(and I've heard every Urologist joke in the book 50 times over, so don't bother trying
to rhyme Shoskes and prostate!)
On Thursday,
I am not sure that Romans could tell the difference either! At the head of
our valley in Cumbria is the remains of a roman fort and when the weather
closes in and the mist lies thick around you cant even distinguish the
Herdwicks from the rocks!
Charles
-Original Message-
From: Roman
For the amateurs of new music for Baroque lute, I put together a gigue
grave in the french style (with a tinge of greater Los Angeles accent, the
end is very rap-sodick and you can probably skip it altogether...). I think
it's ok and fun to play (there is a nice 2 octave descent in the third
I am not sure that Romans could tell the difference either! At the head of
our valley in Cumbria is the remains of a roman fort and when the weather
closes in and the mist lies thick around you cant even distinguish the
Herdwicks from the rocks!
Charles
As long as you can distinguish
To the lute list I ventured to treck,
To find pearls amongst all the dreck,
But spammin by Roman,
On updates to 'hmnion,
Deluge me with factitious Sautscheck!
(and I've heard every Urologist joke in the book 50 times over, so don't
bother trying to rhyme Shoskes and prostate!)
Dr.
At 16:38 25-03-2004 -0500, Roman Turovsky wrote:
I am not sure that Romans could tell the difference either! At the head of
our valley in Cumbria is the remains of a roman fort and when the weather
closes in and the mist lies thick around you cant even distinguish the
Herdwicks from the rocks!
At 16:38 25-03-2004 -0500, Roman Turovsky wrote:
I am not sure that Romans could tell the difference either! At the head of
our valley in Cumbria is the remains of a roman fort and when the weather
closes in and the mist lies thick around you cant even distinguish the
Herdwicks from the
A few further contributions
There was a guitarist from Bute
who thought he'd start playing the lute,
but his fingers and rings
got caught in the strings,
so instead he got pissed as a newt.
A lute player thought he would try
to play a tune by Dufay,
but, tragic to say, =20
played Josquin des
Sorry Arto,
I would not underestimate the African influence on American music...
A slip of the mind, the African should be in the category of imported,
like the European. My excuse is that I was fixated on the Appalachian back
porch. The meld can be magnificent (and also can be awful g).
Best,
Oh my Garry,
What a wonderful link! I've only scanned it, but it is added to my IE
favorites so I can explore it at leisure. The resident musicologist goes
back into an area I know a bit, but not as he does. I was searching for a
term for the music I was referring to, and carefully avoided using
A New-Jersean plucker called Murph
couldn't tell a Highland Pict from a Smurf,
But he harped, our Jon,
Off our topics, but on
Navy, Country, but mainly 'bout Murph.
RT
The second line is an unnecessary stretch, drop the Highland - it is close
to redundant anyway.
This elderly gent in N.J
John Dowland went to compose
a dark song 'bout Final Repose.
He could do no wrong,
and he got his song
and a reputation of being morose.
Excellent, it parses with a small effort.
Thomas Morley set out to compose
a dark song 'bout Final Repose.
But any type of la Morte
just wasn't his
Alain's response prompts me to clarify my question. I'm not looking for
music that can be played on a tiorbino (I suppose any Italian or French
theorbo piece could be played on a tiorbino). I'm asking whether any
composer other than Castaldi specifically designated music for tiorbino. I
think
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