Dear Bill,
on Friday 23 April 2004 07:12, you wrote:
> is it possible to calculate string vibration without the aid of a
> digital automatic tuner?
Well, perhaps my old www-page calculator is usable:
http://www.cs.helsinki.fi/u/wikla/mus/Calcs/wwwscalc.html
Arto
Dear Tim,
on Friday 23 April 2004 01:08, you wrote:
> I have kept my Baroque at A415 forever. But, there are occasions
> where I wish it was @ A440. Are there folks out there that do switch
> regularly between 415 and 440? Would there be any re-stringing
> required for the two different tensi
Dear Tim
> I have kept my Baroque at A415 forever. But, there are occasions where I
> wish it was @ A440. Are there folks out there that do switch regularly
> between 415 and 440? Would there be any re-stringing required for the
two
> different tensions?
On most of my instruments I have 440 st
my eyes start to cross whenever i have a go at a string calculator and
i usually end up having to take a nap.
is there a simple (big block letters) site to explain how these things
function?
is it possible to calculate string vibration without the aid of a
digital automatic tuner?
- bill
Thanks Thomas, that make sense. Is it possible to actually measure the
amount of tension? I remember sometime back that someone (I think it was
Arto?) mentioned something like 3.8Kg of string tension on one of his
instruments ...
Tim
- Original Message -
From: "Thomas Schall" <[EMAIL P
Dear Tim,
Greetings!
I would caution you to not bring the instrument up to 440, as it would
greatly increase the overall tension on the lute. If you really want to
tune it to 440, it would require re-stringing it at a lighter
tension. This is a great deal of inconvenience, not to mention gre
I stay in a=415.
The tension increases *very* much when changing to a=440 so a
restringing would be necessary. This affects the usual sound because the
lute gets somehos used to a certain tuning (everything on a lute is
vibrating and after some time the vibrations are somehow fixed and the
lute nee
I have kept my Baroque at A415 forever. But, there are occasions where I
wish it was @ A440. Are there folks out there that do switch regularly
between 415 and 440? Would there be any re-stringing required for the two
different tensions? Also, I have a tendency to pull on strings that are
sli
Roman T., a misdeemed "lutenist",
Is an evil *-ficator* of *mist-*.
Be it then as it may,
Screw the critics, I say:
To the Lute-List he's a Catalyst.
hb
> If Arto decides to get plastered:
> 'tis better to plan to have mastered
> the great Art of Debate,
> for in his drunken state
> he'd be reprob
If Arto decides to get plastered:
'tis better to plan to have mastered
the great Art of Debate,
for in his drunken state
he'd be reprobated as "runkkered"
RT
> At 08:12 22-04-2004 -0400, you wrote:
>> In Helsinki, a luter called Arto
>> wastes in beer and wine his art. Oh,
>> how he then sighs
>> a
"Aabrandt" <[EMAIL PROTECTED]> schrieb:
>
> .. I may be misled in this case, but I have never seen anything like =
> this in such an instrument. The upper pegheads of "theorboed" Guitars =
> were sometimes equipped with supporting bars, but lutes?
it was quite commen, nevertheless. Many pictures
On Thu, 22 Apr 2004, Roman Turovsky wrote:
> in beer and wine
Only a tiny correction: It was Calvados Berneroy.
Arto
In Helsinki, a luter called Arto
wastes in beer and wine his art. Oh,
how he then sighs
and drunkenly cries:
"Why am I not tall like R.Barto?!?!?!?!"
RT
__
Roman M. Turovsky
http://turovsky.org
http://polyhymnion.org
- Original Message -=20
From: Aabrandt=20
To: [EMAIL PROTECTED]
Sent: Thursday, April 22, 2004 9:14 AM
.. I may be misled in this case, but I have never seen anything like =
this in such an instrument. The upper pegheads of "theorboed" Guitars =
were sometimes equipped with supporting ba
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