This would be most welcome!
Thomas
Am Sam, 2004-08-07 um 02.48 schrieb Howard Posner:
Thomas Schall
I have accepted to play again to a service/official event (politicians
as well as priests will participate) in remembrance of the so-called
Reichsprogromnacht when the Nazis the first
Once, I happened to be in Heidelberg on Nov 10 when famous Klezmer
musician Giora Feidman attended the memorial service. He stood up and
took his clarinet. I think I expected him to play some mournful Klezmer
niggun, however, he sounded it three times like a shofar, and that was
it. That was all
Could you kindly tell me a source?
I feel Ferrabosco is a good suggestion - but would like to try the music
first.
Thomas
Am Sam, 2004-08-07 um 03.59 schrieb Daniel Shoskes:
One suggestion: Alfonso Ferrabosco's Pavin. Solemn, introspective piece,
plus AF was Jewish.
I have accepted to
So making the move
from notation to tablature is not just changing one kind of
diagram for another, it's a change of musical culture that
invites you into a greater creative involvement with the music.
It's this point that those musicians who disparage the use of
tablature fail to
Hi Richard:
Essentially that is true if not a bit broad brushed. With tablature you are
given the exact intent of where particular notes are played etc. Without
the staff notation or mensural notation your understanding of the music is
based mostly on your ability put together the mechanics.
Hi Tom:
I am not trying to convince you either way but there are some distinct =
advantages to Lute Tablature. First of all there is absolutely no =
question as to where a particular note is to be played. In staff =
notation, because of the re-occurring octaves, there are occasional =
question
Dear Tom,
I have been away from home, so I'm afraid I come late to this
discussion.
The SPES facsimile of Kapsberger's _Libro Quarto_ is very misleading
with regard to arpeggiation, because the dots have not come out
clearly. I mentioned this in a posting to this list on 14th March
2000.
This is fixed now and the fret number font has been changed. I have never
found an ideal font. Which do you think is clearest (I do have Alain
Veylit's.)
RY
I just found out that the symbol that I had attached to the half note
stems
to distinguish them from
