At 05:45 PM 11/6/2005, Mathias Rösel wrote:
>if 5 is your LH pinky and 3 is middle finger, I should say yes. And
>remember to get you the small axe with no more than 50 cm vibrating
>string length, so as to be able to do it >:)
Yes, 5 is the LH pinky and 3 is the middle finger. And thanks, the ne
I tried it and found, for my hand , that is was marginally easier to get the
fourth finger down on the 'd' with the 5th on the 'f'. That way, it allowed me
to get the barre a bit straighter. 60cm vsl
not nice though!:-)
Charles
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> |f
> |-
> |b
> |-
> |
> |-
> |d
> |-
> |
> |-
> |b
> |-
>
> Would it be common to barre across the b fret and then use 5 for the first
> course and 3 for the fourth? I think that's the only way I'd be able to do
> it with my small stretch.
if 5 is your LH pinky and 3 is middle finger, I shou
Dear All,
I ran across this chord in a pavan by Milan
|f
|-
|b
|-
|
|-
|d
|-
|
|-
|b
|-
Would it be common to barre across the b fret and then use 5 for the first
course and 3 for the fourth? I think that's the only way I'd be able to do
it with my small stretch.
Regards,
Craig
To get on
Gernot Hilger wrote:
> would somebody please point me to a freeware version of a 15th
> century song called "L'amour de moi". Lute and solo voice. I have
> been searching for almost two hours, probably not in the right
> places, though!
The song is from the Bayeux Manuscript, which means i
Piero Fiorentino wrote:
> Why would the
> addition of the seventh course suddenly make a difference as to which
> courses are in octaves, since the basses remain basses?
It wouldn't suddenly make a difference. The statement that you
question revolves around several underlying assumptions: that
Hello,
would somebody please point me to a freeware version of a 15th
century song called "L'amour de moi". Lute and solo voice. I have
been searching for almost two hours, probably not in the right
places, though!
Thank you
g
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At 8:45 PM -0500 5/11/05, Roman Turovsky wrote:
> > albrecht durer used a lute to demonstrate a drawing
>> devise he made from a frame bisected with equally
>> spaced, horizontal and lateral wires. by looking
>> through the wire grid the artist could accurately
>> gauge the lute's difficult p
--- Roman Turovsky <[EMAIL PROTECTED]> wrote:
> ... hardly any
> charango.
genre coming on! ... look out!
i disagree with you about the validity of hockney's
theory. he makes a very convincing case, i think, for
the use of lens and prisms - particularly when
analyzing the intricate patterns w
