I am reminded of the days when I was a salesman of government bonds - as the
pricing decision approached the various salesmen would announce out loud the
interest from customers, many of whom were State funds. One called off State
of Minnesota, State of Iowa, State of Confusion, State of Michigan.
EUGENE BRAIG IV wrote:
> However, keyboards can tune every single note. Pluckers of fretted
> things can only tune a few intervals and the rest is dictated by their
> frets.
Pluckers of fretted things have more flexibility than keyboard players,
not less, because it's a relatively simple matt
Thanks for this insightful and pracitcal take. I enjoyed the read.
Eugene
- Original Message -
From: Stewart McCoy <[EMAIL PROTECTED]>
Date: Friday, March 24, 2006 5:51 pm
Subject: [LUTE] Mean tone temperament
> Dear Monica,
>
> There is plenty of evidence that players of fretted instr
- Original Message -
From: Howard Posner <[EMAIL PROTECTED]>
Date: Friday, March 24, 2006 6:57 pm
Subject: [LUTE] Re: Mean tone temperament
> Stewart McCoy wrote:
>
> > I can think of quite a bit of baroque guitar
> > music which explores remote keys, and where equal temperament would
>
Good luck Rob!
On 3/24/06 9:55 PM, "Rob MacKillop" <[EMAIL PROTECTED]> wrote:
> Anyone with 5,000 Dollars to spare, or 5,000 Euros, or £3,000?
>
> Naxos have agreed to put out my Fuenallana disc, with worldwide
> distribution. As is common these days, the performer must pay for the Master
> dis
On Sat, Mar 18, 2006, Christopher Witmer <[EMAIL PROTECTED]> said:
> My first question:
> Assuming one will eventually be playing variety of lutes, is there any
> consensus on a best type of instrument with which to begin?
Your 13-yr old daughter probably has some growing to do, hand size will
On Sat, Mar 18, 2006, [EMAIL PROTECTED] said:
> Dear Stewart,
>
> To be honest I don't know what edition our director got this from.
_Oxford Book of English Madrigals_ anthologises it.
Dont forget the second stanza "Oh were it july all the Year..."
Not sure where one finds the additional text,
Stewart McCoy wrote:
> I can think of quite a bit of baroque guitar
> music which explores remote keys, and where equal temperament would
> have to be the order of the day.
But it would not *have* to be anything of the sort, unless you assume
that a composer writing in F-sharp major expected it
Dear Monica,
There is plenty of evidence that players of fretted instruments had
different ideas of where to tie the frets. For example,
1) Certain vihuelists wrote about moving the 4th fret towards the
bridge for pieces in very flat keys, which means that at least some
of them played in some for
In einer eMail vom 24.03.2006 21:57:34 Westeurop=E4ische Normalzeit schreibt
[EMAIL PROTECTED]:
> Anyone with 5,000 Dollars to spare, or 5,000 Euros, or Pounds 3,000?
>
I think that is an awful lot of money for the costs of recording session, how
long to do you want to spend recording ? A cou
Besides Matteis and Sanz there is also Santiago de Murcia. But Matteis is
probably the easiest to work from.
Monica
- Original Message -
From: "Bruno Correia" <[EMAIL PROTECTED]>
To:
Sent: Thursday, March 23, 2006 8:34 PM
Subject: [VIHUELA] Baroque guitar
> Nice to know that the list
hello all,
sorry, our server was down for 2 days!
w.
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