Hi all,
yesterday I have had the pleasure to listen to a performance by Ronn McFarlane
performing his own works on the LSA-Festival this year.
Does anybody know if these works are published and if so, where to obtain a
copy?
All the best
Thomas
To get on or off this list see list
In einer eMail vom 23.11.2006 01:38:23 Westeurop=E4ische Normalzeit schreibt
[EMAIL PROTECTED]:
If he ever
comes to Montreal to perform this stuff, I really hope the lutenists
around me are going to tell him what we think.
I wouldn't get so worked up about it. Everything of course you say
HI,
I have just seen that you need to ba a myspace member to read the blog, so
here is the article for those interested
Pantagruel - Gothic Renaissance
Zillo December 2006/January 2007
Gothic and Renaissance do not seem to have much in common; in fact the 16th ce
ntury saw the medieval
In einer eMail vom 23.11.2006 11:59:35 Westeurop=E4ische Normalzeit schreibt
[EMAIL PROTECTED]:
I just received this, and it seems to work:
http://blog.myspace.com/index.cfm?fuseaction=blog.viewfriendID928060;
blogID=196138740MyToken=031a1ab8-093b-46a0-9f22-61b9d9ef4505
Hi,
sorry,
They are recorded (finally!!!) and the CD is being mixed now. The
published version will include ensemble work with other instruments.
DS
On Nov 23, 2006, at 3:11 AM, [EMAIL PROTECTED] wrote:
Hi all,
yesterday I have had the pleasure to listen to a performance by
Ronn McFarlane
You'd make a better impression celebrating the lute-related things you
like than you do in
obsessively digging dirt to fuel vitriolic sarcasm regarding the non-lute
doings of a relative
newcomer to lutes. Please tell us something about something you enjoy
soon, perhaps play a bit
of
In einer eMail vom 23.11.2006 14:18:25 Westeurop=E4ische Normalzeit schreibt
[EMAIL PROTECTED]:
An excellent suggestion, Eugene.
Perchance Mark would post an example of his own singing, or even his take on
some serious lute music, rather than the vaudeville that he offered
Dear Thomas,
The answer to both your questions may be found in the sleeve notes
to the CD:
Terzi's _Barriera_ galliard is the longest and most elaborate
version known of the homonymous balletto in the _Ballarino_ of
Fabrizio Carosa (Venezia 1561). Written originally for solo lute, it
is
Thomas,
Ronn told me about two years ago that he was
possibly going to publish those pieces with Mel Bay.
They wanted guitar arrangements in tab included,
though, and he wasn't sure whether this would even
work. Does anyone know if this is still in the works?
Chris
--- [EMAIL PROTECTED]
An excellent suggestion, Eugene.
Perchance Mark would post an example of his own singing, or even his take
on
some serious lute music, rather than the vaudeville that he offered
previously...
RT
Hi Roman,
I am interested in voix de ville and there will be a couple on the next
Hi all,
Thanks to all who helped.
Ronn's playing in mind I feel as if his music would loose pretty much
when played on a guitar. But who knows?
It's also good to know the music is recorded. Something to add on my
wishlist for christmas.
Thanks again.
This is a great community!
Thomas
Dear David,
Thanks for your information.
I am fairly often visiting your very informative webpage always planning
to order not just the one or the other of your CDs but also the edition
with japanese songs - just to surprise my japanese singer and to my
pleasure (I like the sound of the language,
Dear Stewart,
Thank you very much.
Capability to read helps ...
As I have read your message and opened the booklet again I found the
passages which I somehow have overlooked for the past two rehearsals.
Let's see if Paul wants to share his work or if he would rather keep it.
Thanks again and
On Thursday, Nov 23, 2006, at 06:53 America/Los_Angeles, Roman Turovsky
wrote:
Or did Sting want to sing Have
you seen
the THE white in the opening line. It has a sort of hip-hop scratching
effect. They should maybe have listened to the CD before they pressed
it,
but maybe
should not be
Dear all!
I am new to this list and usually I am not a besserwisser but the
first line you refered to is:
Have you seen but a bright lily grow Before rude hands have touched
it?
That is also the original poem of Ben Jonson, Listen to it carefully
and you will hear.
And i think the record
So on top of that, Sting cannot even ENUNCIATE in his own language.
as for the awakening the sleeping interest we can all gain for, I am
confident the lute community, which includes me, does not need Sting
to awake the sleeping interest.I personally woke up in 1978, long
before any pop
- Original Message -
From: Bruno Fournier [EMAIL PROTECTED]
Date: Thursday, November 23, 2006 3:54 pm
Subject: [LUTE] Re: Sting!
So on top of that, Sting cannot even ENUNCIATE in his own
language.
as for the awakening the sleeping interest we can all gain for, I am
confident the
i'm thinking of singing a few dowland songs myself -
probably with charango accompaniment. who do i have
to check with? haven't paid my dues - ever - but i'm
with the union!
--- [EMAIL PROTECTED] wrote:
In einer eMail vom 23.11.2006 01:38:23
Westeurop=E4ische Normalzeit schreibt
[EMAIL
The cut on the NPR web site does indeed have Have you seen thethe
bright lily grow.
I did notice that, on thethethe third listen.
But as we know, correct enunciation is not what makes a performance
interesting.
Well, lack of clarity in the words makes a performance uninteresting,
unless
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