Ooops, meant YMCA, jwm
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Rob,
Your answer reminds me of an incident when I was a kid in a WMCA summer
camp. We had an "overnight" camp out in tents (a long trek of about a mile
from the base camp ). The counselors couldn't get the fire started with
matches, the kindling was a bit damp. One of the said "let's use the o
I have it in front of me (pp. 27-31).
What would you like confirmed, quoted, etc.?
GJC
Gordon J Callon
Adjunct Professor
School of Music
Acadia University
Wolfville
Nova Scotia
Canada
B4P 2R6
http://ace.acadiau.ca/score/site-map.htm
-Original Message-
From: Stuart Walsh [mailto:[EMAI
Dana,
I cut my rosettes with #5 scalpel blades. (A funny story. A medical supply
house once said: "You're an instrument maker." On query as to how he would
know that he replied, "Only two people buy these blades, instrument makers
and Rabbis and you don't look like a Mohel to me.")
The design is
On Wed, Dec 5, 2007, Troy Wheeler <[EMAIL PROTECTED]> said:
>
> So gentleman,
>
> if there is a minimum regarding tools needed to get started
> such as:
>
> work bench (any particular size?)
I use a small carvers bench to produce componants, 24" x 4 ft, and
auxilliary space on an old oks din
Congratulations to conducting lutenists POD and Stephen Stubbs and
lute songstress extraordinaire Ellen Hargis for their Grammy
nomination for best Opera:
=95 Lully: Thesee
Paul O'Dette & Stephen Stubbs, conductors; Howard Crook, Ellen
Hargis, Laura Pudwell & Harry Van Der Kamp; Renate Wolt
I've uploaded the High Definition version video in DIVX format to Stage6
http://www.stage6.com/user/Walvis2007/video/1922141/
The best way to view this is to just download the file and view it
with a DIvx software player,
or any software video player--you might need the DIVX code which is a
free
Hi all,
I might add to Dan's explanation that a single jig can be used for lute bowls
with differing numbers of ribs. My one jig is set up to produce bowls with 9
ribs or with 13 ribs. The pivot point stays the same; you just have two sets
of indexing points. So far I've only used it to make
At 10:57 AM 12/3/2007, you wrote:
>Hi Daniel
>I can't quite envision the jig as Tim described. Is this pictured anywhere
>on the internet?
Dear Dan and All,
I put some pictures of one of my cutting forms up on my web site
for you to see. The URL is:
http://www.daniellarson.com/cutti
I just remembered that this should have been addressed to Baroque
lute, sorry about that
AH
Le 2 dec. 07 =E0 18:29, Daniel Winheld a ecrit :
Looking forward to these strings. Thanks for the report. Dan
Dan
Following my message to you about loaded strings in the context of
the problem
Hello luters,
Thanks for the information on that lute I was enquiring about.
Yet another question for the Collective Wisdom: I've been trying to
find out something about "Comte Bergen" who has a few pieces listed
in Vienna MS 1078. Does anyone know anything about who he was?
Thanks,
David
Le 2 dec. 07 =E0 18:29, Daniel Winheld a ecrit :
> Looking forward to these strings. Thanks for the report. Dan
Dan
Following my message to you about loaded strings in the context of
the problem of controlling the resonance of the basses on 13c swan-
necks, it suddenly dawned on me t
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