Dear William,
"Une Jeune Fillette" = first text only in "Recueil de plusieurs chansons
divise en trois parties", Lyon 1557. Several hundred versions since then
- Contrafacta, instrumental and ensemble pieces. See for example in
Frescobaldi, "Due messe a otto voci", Milano 1975 (Opere complete I),
Collected lute wisdom,
The collegium is playing a pair of fantasies on Une Jeune Fillette by
Eustache de Caurroy this semester, and I'm supposed to figure out what
to pluck with them. They are number 31 and 32 (trenteuniesme and
trentedeuxiesme).
Has anyone seen these? What is the song they are b
Hello citternophiles,
There is a book of "chorales" in tablature from c.1750 in the Moravian
Archives in Bethlehem PA, that may be for cittern. The tuning is
GCEGBE. Is that right for that time? Most of the Moravians came from
Germany and spoke German. And there is documentat
"Stephen Fryer" <[EMAIL PROTECTED]> schrieb:
> What seems to be lacking is any description of RH finger technique -
> beyond such things as "strike upward" with the fingers or "strike
> downward" with the thumb. Where do the ideas come from that were so
> well described by Mathias Rösel:
> > G
<[EMAIL PROTECTED]> schrieb:
> One last thing that many forget - the sound that
> comes out of a lute is quite different for the
> listener than for the player.
Yepp, that's why I sometimes practice close to a wall which reflects the
sound that I otherwise cannot hear.
--
Mathias
To get on
Short an answer as possible. The technique for the right hand on the Lute,
as you have described, comes from the necessity of striking both strings in
a course at the same time, a problem you do not have with the Guitar. I
mentioned this previously but it still bears repeating: The Guitar is
http://en.wikipedia.org/wiki/Musical_Hoax
RT
From: <[EMAIL PROTECTED]>
Presenting contemporary works as historical is a
long tradition in the music
biz--
So is outright stealing and piracy.
The program notes to a recent Naxos recording of
Ponce's solo guitar music
recounts this episo
Jeff,
--- Jeffrey Noonan <[EMAIL PROTECTED]> wrote:
> Presenting contemporary works as historical is a
> long tradition in the music
> biz--
>
So is outright stealing and piracy.
> The program notes to a recent Naxos recording of
> Ponce's solo guitar music
> recounts this episode. Sego
On Sep 26, 2008, at 1:03 PM, Sauvage Valéry wrote:
> I already tell my opinion on this, and ask luthier about it . Any
> luthier on the list ?
> The matter of taste of ancient players and listener is unknown now.
> You can quote this or that, and who knows what else was said ?
> (same with n
Valery,
There is no such thing as a best sound or playing
position. No idea of a "best" way to get a sound from
a lute existed back then:
I already tell my opinion on this, and ask luthier about it . Any luthier on
the list ?
The matter of taste of ancient players and listener is un
At 02:44 PM 9/26/2008, howard posner wrote:
>On Sep 26, 2008, at 11:40 AM, Jeffrey Noonan wrote:
>
> > Segovia was merely trying to keep up with the other international
> > virtuosi of the day (Landowska, among others ), who were unearthing
> > and performing old, obscure masterpieces--sometimes a
On Sep 26, 2008, at 11:40 AM, Jeffrey Noonan wrote:
> Segovia was merely trying to keep up with the other international
> virtuosi of the day (Landowska, among others ), who were unearthing
> and performing old, obscure masterpieces--sometimes actual
> historical pieces, sometimes new composition
Presenting contemporary works as historical is a long tradition in the music
biz--
See Charles Cudworth, "Ye Olde Spuriosity Shoppe, or Put in the Anhang" in
Notes 12 (1954-55).
The program notes to a recent Naxos recording of Ponce's solo guitar music
recounts this episode. Segovia was mere
Arthur,
I'm curious about the "lutenist who may not be
named" as well. Trustworthy as this fellow probably
is, there have been bigger hoaxes before so we have to
remain sceptical until the lutenist's name comes out
or there is some verifiable publication. The
Segovia/Ponce frauds for exam
At 12:02 PM 9/26/2008, Arthur Ness wrote:
>- Original Message -
>From: "EUGENE BRAIG IV" <[EMAIL PROTECTED]>
>To: "Lute Net"
>Sent: Thursday, September 25, 2008 11:49 PM
>Subject: [LUTE] Re: Respighi
>
>You have quite deliberately quoted private correspondence way out of
>context and misre
- Original Message -
From: "EUGENE BRAIG IV" <[EMAIL PROTECTED]>
To: "Lute Net"
Sent: Thursday, September 25, 2008 11:49 PM
Subject: [LUTE] Re: Respighi
You have quite deliberately quoted private correspondence way out of
context and misrepresented or completely misconstrued the statemen
- Original Message -
From: "Roman Turovsky" <[EMAIL PROTECTED]>
To: "Paul Pleijsier" <[EMAIL PROTECTED]>; "Arthur Ness"
<[EMAIL PROTECTED]>
Cc: "Lute Net"
Sent: Friday, September 26, 2008 10:26 AM
Subject: Re: [LUTE] Re: Respighi
| POssibly because he doesn't want to quoted, for politi
At 10:26 AM 9/26/2008, Arthur Ness wrote:
>I never expected it would be so controversial. And the controversy is due
>solely to ugly comments by Matanya Ophee and now Eugene name?>. They are demanding information to which they are not necessarily
>entitled. and seem to think they will get the in
POssibly because he doesn't want to quoted, for political reasons.
The same ones another (the same?) lutenist isn't talking about the
Melchiorre Chiesa archlute Ms.
Same situation.
RT
- Original Message -
From: "Paul Pleijsier" <[EMAIL PROTECTED]>
To: "Arthur Ness" <[EMAIL PROTECTED]
- Original Message -
From: "Paul Pleijsier" <[EMAIL PROTECTED]>
To: "Arthur Ness" <[EMAIL PROTECTED]>
Cc: "Lute Net"
Sent: Friday, September 26, 2008 3:19 AM
Subject: Re: [LUTE] Re: Respighi
| As a total outsider in this matter, I just wonder why the Italian
| "living and breathing" "mas
Valery,
There is no such thing as a best sound or playing
position. No idea of a "best" way to get a sound from
a lute existed back then:
"the Italians, and especially the Venetians, have
in all times excelled ...in the Consorts of grave,
solemn music, sometimes running so sweetly wi
- Original Message -
From: "Edward Martin" <[EMAIL PROTECTED]>
To: "Arthur Ness" <[EMAIL PROTECTED]>; "Lute Net"
Sent: Thursday, September 25, 2008 9:44 PM
Subject: [LUTE] Re: The Pauper Prince
| Art,
|
| This is truly a fascinating story about a man whose family has a direct
| connecti
As a total outsider in this matter, I just wonder why the Italian
"living and breathing" "master lutenist" is unnamed as of yet.
Paul Pleijsier
Op 26 sep 2008, om 04:24 heeft Arthur Ness het volgende geschreven:
<
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