Dear Jurek
It's op. IV who is completely available in the facsimile edition
(collected works of Falckenhagen) edited by Joachim Domning (Trekel).
The op. III is stil incomplete as far I know.
Andreas
Am 14.02.2009 um 03:46 schrieb Jerzy Zak:
Dear All,
I thought the Falckenhagen Sei
Dear Jean-François and Andreas,
Thanks for the clarification. Unfortunately the titles for both
collections are very similar and easy to mess:
Sei Concerti à liuto, traverso oboe ò violino e violoncello…, Opera
terza, Nürnberg, J.U. Haffner, 1743 (incomplete)
Sei Concerti a liuto,
On Sat, Feb 14, 2009 at 3:04 AM, sterling price spiffys84...@yahoo.com wrote:
Hi-I have often wondered about van der Waals, like is he still building and
where? Does he still take orders?
Nico is still going strong, moved to Germany recently and is still
taking orders. A pupil of mine just
Thank you Eugene,
I use pen and paper copies now but, since so many collegues seem to be
producing computer set parts these days, thought that using the
appropriate software might not be as time consuming as I feared (I
can't quite believe that it takes less time to enter a note
The sizes (and therefore pitches) of lutes around 1600 is still a
matter of debate. VERY briefly: Wirth ( 2005) and Nurse (1986) looked
at surviving Venetian and Paduan lutes and on this evidence proposed an
average string length of around 66/67cm for a G lute which would
suggest
Clearly all this is subject to considerations of local pitch
standards
and national preferences...
There you go. Proclaim A to be 392 (or 377) for the south eastern
seaboard of the US and treat yourself to the nice new larger lute you
so royally deserve. The
If you tune some of the notes to 415 and some to 370 and some to 465
you can get baroque tuning.
dt
At 02:33 AM 2/14/2009, you wrote:
Clearly all this is subject to considerations of local pitch standards
and national preferences...
There you go. Proclaim A to be
On Sat, Feb 14, 2009 at 11:44 AM, David Tayler vidan...@sbcglobal.net wrote:
If you tune some of the notes to 415 and some to 370 and some to 465
you can get baroque tuning.
ROTFLOL!
Actually, this is what I do on my bass lute. No change of strings
needed, who cares about well-balanced string
Oh dear! - I took it as read that the reference to local pitch and
national preferences did not require the pedantic adjective 'historic'
as in historic local pitch..
MH
--- On Sat, 14/2/09, Sean Smith lutesm...@mac.com wrote:
From: Sean Smith lutesm...@mac.com
If saving the time is at issue, by all means - computer way. I used pen
(actually - pencil - much faster) - paper - copier for years and years. To
produce a one average 12 stave page simple part with a fair number of 16ths
than someone else besides self will be able to read took about 30
I think amongst those who use notation software with somewhat professional
intent, some manner of keystroke entry is key and certainly key to efficiency.
Point and click entry is too slow and too toy-like.
Eugene
- Original Message -
From: alexander voka...@verizon.net
Date: Saturday,
Thank keyboard concept of yours sounds really interesting, can you
post a picture of that keyboard?
Thanks!
On Feb 14, 2009, at 3:30 PM, alexander wrote:
If saving the time is at issue, by all means - computer way. I used
pen (actually - pencil - much faster) - paper - copier for years and
I have all the most needed symbols right under the fingers, plus the usual
outlay under a modifier key (left Alt), to be able to type up markups. Don't
know about a picture of the keyboard, but here is my .xmodmap file ( c-d-e-f
instead of z-x-c-v; r [for the rest] -g-a-b instead of a-s-d-f;,
[somenotes a=415, others...]
actually, mixed tuning is not such an odd idea - harpists sometimes tune
part of the harp with accidentals the rest normal and switch octaves to
change keys.
--
Dana Emery
To get on or off this list see list information at
To be productive with tex I needed to use an editor like kile so I
don't have to use a text console constantly. With lilypond I found
frescobaldi which is similar to the editors you use with tex, It
really just gets you out of the console.
When using kile with tex you get a
Alexander,
Nice! Presumably somewhere you execute something like
xmodmap $HOME/.xmodmap
to remap your keyboard, but how do you go back to the default? Or can you
live with this remapping at all times? I should be able to answer that
question for myself by looking at the details of your
For those who live in or near Toronto -
Taras Kompanichenko - kobza and starosvitska bandura
and
Yuri Fedynsky - starosvitska bandura
The program includes examples of authentic kobzar repertoire and lute music
from Ukraine played on the kobza and early bandura.
Saturday 14th February 2009 - 7
My advice is to pick xemacs as your text editor. You will never have to
learn another in your life: either it is cut short climbing the learning
curve, or you reach the Elysian Fields.
Peter.
On Sat, 14 Feb 2009, Kenneth M Berry wrote:
To be productive with tex I needed to use an editor
I have all the needed xmodmaps (xmodmap-ly, xmodmap-fr, xmodmap-ru etc) in
HOME, and the default one is xmodmap-x (it has a few keys differently mapped
from the usual). They are linked to keys combinations (in my case i use Fluxbox
and just have this lines in the keys: F16 :ExecCommand xmodmap
History marches ever onward, Martyn. While I don't expect her to start
a movement to change local standard pitch I see no reason not set G or
A at whatever necessary to ensure the success of her concert. Loosening
the tyranny of a standard pitch is well within our rights of historical
For ensemble playing, computer generated staff notation is a major time
saver (Finale, in my case). It's not just the time it takes to enter the
notes. I've obtained a number of pieces from Werner Icking for our loud
band, and discovered that they didn't quite fit on one or more instruments.
Sean Smith wrote:
History marches ever onward, Martyn. While I don't expect her to start
a movement to change local standard pitch I see no reason not set G or
A at whatever necessary to ensure the success of her concert.
Loosening the tyranny of a standard pitch is well within our rights
On Sat, Feb 14, 2009 at 5:08 AM, Martyn Hodgson
hodgsonmar...@yahoo.co.uk wrote:
Clearly all this is subject to considerations of local pitch standards
and national preferences...
Oddly, no one seems to have settled on the most obvious solution:
Caroline merely needs
*sigh*. Correction: At A=494, a G lute (at previous A=440) is now in F.
On Sat, Feb 14, 2009 at 6:48 PM, William Brohinsky tiorbin...@gmail.com wrote:
On Sat, Feb 14, 2009 at 5:08 AM, Martyn Hodgson
hodgsonmar...@yahoo.co.uk wrote:
Clearly all this is subject to considerations of local
what gram strength of hide glue should i use, for a bridge, or neck
mount, thanks. i read some where 251?
__
Windows Live Messenger. [1]Multitasking at its finest. --
References
1.
Dowland transposed all the time--except he put the music into a MORE
difficult key.
dt
At 02:00 PM 2/14/2009, you wrote:
Hi all,
I think Dowland himself would not have objected to transposing a lute
song to suit the tessitura of a particular singer.
Most of his songs can quite comfortably be
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