Oops, I meant this to go to the list as well...
Dear Mathias,
The comma usually means a backfall - there are lots of nice examples in
the ML (Sturt) lute book. When you have all three signs like this the
implication is that the + sign is a forefall or double forefall
(=wholefall, up two
while googling for a translation of some legal latin (mutatis mutandum) I
stumbled into the following on a new zealand site (trust the kiwi sense of
humor)
... As the law classically expresses it, a kitchen is 'camera necessaria
pro uses cookare: cum sauce-pannis, stew-pannis, scullero,
From Monteverdi's Maria Vespers. It's from a concert in 2006.
Pulchra es:
http://www.youtube.com/watch?v=55n1n6vNScM
(note the glaringly obvious tastini on the theorbo)
and Nigra Sum:
http://www.youtube.com/watch?v=94-NIURkU8I
enjoy
David
--
***
David van
Dear Mathias,
I agree with Martin. The length of an ornament (or grace) is determined
by the length of the note, so # for a short note might be an upper
mordent, but it could be a long trill if the note was long enough.
Presumably the backfall grew into the appoggiatura.
By the way, Dowland
On 3/6/2009, David van Ooijen davidvanooi...@gmail.com wrote:
From Monteverdi's Maria Vespers. It's from a concert in 2006.
Pulchra es:
http://www.youtube.com/watch?v=55n1n6vNScM
(note the glaringly obvious tastini on the theorbo)
Beautiful performances (and singers! ;-). Thanks David!
Oops,
you never should play continuo by more than one instrument! When I was
talking of the 4th string, I had a lute/archlute in G in mind. And when
I was talking of the 3rd string, I had a theorbo in A in my mind! Sorry!
;-)
And BTW this mixing of an instrument in G or in A happens also in the
David,
The g# on the 4th fret an octave higher...? Does that mean that your
second course is not re-entrant? A toy theorbo indeed.
Miles Dempster
On 6-Mar-09, at 5:11 PM, David van Ooijen wrote:
On Fri, Mar 6, 2009 at 11:05 PM, wi...@cs.helsinki.fi wrote:
On 3/6/2009, David van
On Sat, Mar 7, 2009 at 12:40 AM, Miles Dempster
miles.demps...@globetrotter.net wrote:
David,
The g# on the 4th fret an octave higher...? Does that mean that your second
course is not re-entrant?
Did I writet that??
One cannot be clear enough:
Open 4th string g is one octave higher than open
