Hi, lute listers!
I am looking for these tabs below:
REUSNER, ESAIAS. 1667 - Delitiae testudinis
French tab for 11-course Baroque lute.
BITTNER, JACQUES. 1682 - Pieces de Luth.
French tab for 11-course Baroque lute.
Does anyone know where I can get these
Both are available from www.tree-edition.com
Mathias
Marcelo F lorenciano Alonso marcelo.alo...@yahoo.com.br schrieb:
Hi, lute listers!
I am looking for these tabs below:
REUSNER, ESAIAS. 1667 - Delitiae testudinis
French tab for 11-course Baroque lute.
On Thu, May 21, 2009, angevin...@att.net said:
What the lute world
lacks is a great pedagogue.
not entirely convinced of that.
We have some folk who are paying their dues and earning my respect, Ron
McFarlane being just one. His column in the LSA Q, his videos, and his
dedication to not
I found refereneces for several baroque composers having been
Thurnermeister, but cannot find a translation.
David
--
***
David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
***
To get on or off this list see list
David van Ooijen écrit:
I found refereneces for several baroque composers having been
Thurnermeister, but cannot find a translation.
The latest edition of the Grove translates this (rather losely, it seem) as
director of instrumental music.
Dennis
To get on or off this list see list
David
I found this:
A Thurnermeister (”Master of the. Towers”) was in charge of a small
group of musicians (”Stadtpfeiffer”) who were emplyed by a city, os
less ...
http://oj.melhus.com/projects/barokkprosjekt/raum_programnotes.pdf;
regards
Anthony
Le 22 mai 09 à 17:07, David van
On Fri, May 22, 2009 at 6:24 PM, Herbert Ward wa...@physics.utexas.edu wrote:
In a multi-voice lute part, one occassionally finds a note plucked
at a time when no other notes are plucked.
Are we talking about Thomas Campion, Author of light? I don't see an
F# but a C# as last note of measure
On Fri, May 22, 2009 at 6:17 PM, howard posner howardpos...@ca.rr.com wrote:
I explained to him that pretty much all the solo renaissance lute
records made in the recent decades are in some sort of meantone, that
players don't tend to advertise their tuning systems,
I happen to have seen a
I think POD is usually in 1/4 comma meantone. IIRC, the lutes he's played at
LSA all have tastini, and the fret spacing looks like 1/4 comma (it's too
irregular for 1/6 comma, anyway).
Guy
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of
On Fri, May 22, 2009 at 7:04 PM, Guy Smith guy_m_sm...@comcast.net wrote:
I think POD is usually in 1/4 comma meantone. IIRC, the lutes he's played at
LSA all have tastini, and the fret spacing looks like 1/4 comma (it's too
irregular for 1/6 comma, anyway).
1/4 MT is just as regular as 1/6,
Dear Collective Wisdom,
as many between us, I prefer to play using (when available) a
fac-simile: it may sound a little fondamentalist, but it adds some
(hidden?) pleasure.
In the case of the excessively beautiful Capirola's book the pleasure is
partially diminished by the fact the SPES
http://www.torban.org/ruthenicae/images/239.pdf
http://www.torban.org/ruthenicae/audio/239.mp3
Enjoy,
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear Luca and all,
There is no on-line facsimile of Capirola. I have wished, for years, that
someone would publish a high quality color facsimile and I have asked
various publishers if they would be interested, but the reply was that the
cost would be very prohibitive. I recall a few years
Guy,
Paul uses the ad hoc approach mentioned by Howard. 1/4 comma is
usually the basis, but he tunes chords as needed by the key, their
frequency within a piece, context, degree of tension desired, etc. As
always on the lute, there is often some degree of compromise
Dear Rob and All,
Yes I still have it (the book) though I'm not sure where the tape is.
As I remember, the tape sounded truly dreadful (with due apologies to
Jacob, who doubtless was given an impossible job in this case) - the
first Prelude from Attaignant (now thought to be probably by
On Fri, May 22, 2009 at 10:21 PM, Martin Shepherd mar...@luteshop.co.uk wrote:
Something I have only become aware of recently is that piano tuners in the
19th/20th century who thought they were tuning ET actually modified it
slightly,
They always did and still do. But intentionally, mind you,
Dear Edward, Luca and others
On 5/22/2009, Edward Martin e...@gamutstrings.com wrote:
There is no on-line facsimile of Capirola. I have wished, for years, that
someone would publish a high quality color facsimile and I have asked
various publishers if they would be interested, but the reply
Suggested reading:
How Equal Temperament Ruined Harmony (And Why You Should Care) by
Ross W. Duffin. It seems ET has never been universally accepted.
Regards,
Leonard Williams
/[ ]
/ \
| * |
\_=_/
On 5/22/09 4:35 PM, David van Ooijen
And nether was MT.
RT
From: Leonard Williams arc...@verizon.net
Suggested reading:
How Equal Temperament Ruined Harmony (And Why You Should Care) by
Ross W. Duffin. It seems ET has never been universally accepted.
Regards,
Leonard Williams
/[ ]
/ \
| * |
i.e. neiter.
RT
And nether was MT.
RT
From: Leonard Williams arc...@verizon.net
Suggested reading:
How Equal Temperament Ruined Harmony (And Why You Should Care) by
Ross W. Duffin. It seems ET has never been universally accepted.
Regards,
Leonard Williams
/[ ]
/ \
There may be one or two of you interested in the banjo c.1860-1900 (as
I am). There was a period of squabbles and unrest as players moved from
fretless instruments to fretted ones. Many of the old (fretless) guys
complained that the new frets forced you to play out of tune. Some
This link works better: [1]http://tinyurl.com/oaeu37
Rob
2009/5/22 Rob MacKillop [2]luteplay...@googlemail.com
There may be one or two of you interested in the banjo c.1860-1900
(as
I am). There was a period of squabbles and unrest as players moved
from
fretless
On May 22, 2009, at 1:29 AM, chriswi...@yahoo.com
chriswi...@yahoo.com wrote:
Roman,
Pat is indeed a great pedagogue, but only available
regularly to
those in NYC. Word has it that he's been working on a method
book for
the past 30 years or so. No plans for release in
23 matches
Mail list logo
