The title say it all, as lute players, which publications you see as
must have? and of course, way?
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This depends entirely on what kind of music you like.
Now days there is quite a lot of tab available on the net so which
publication takes on a new meaning and gets into the aesthetics of the
publication as well as the quality of the contents.
On Oct 18, 2009, at 4:30 PM, Omer
Pickering and LoST for english music.
dt
At 05:40 AM 10/18/2009, you wrote:
This depends entirely on what kind of music you like.
Now days there is quite a lot of tab available on the net so which
publication takes on a new meaning and gets into the aesthetics of the
publication
This depends entirely on what kind of music you like.
..and when in the lute player's life the question is asked. Right
now I'm in the worst throes of a Weiss relapse that I've ever
experienced. The London and Dresden Mss. (unpublications, by
definition) are the most must haves. If my
Oh yes, you asked why. Maybe just because. But specifically, it's
the stuff I like the most can mostly play; and since I went to the
trouble of putting some of these editions into performing/playing
versions they are easy to work with. If you are asking without quite
saying What lute music
Also Fuenllana (but I hate the edition I'm stuck with
Kindly elaborate Daniel.
G.
- Original Message -
From: Daniel Winheld dwinh...@comcast.net
To: lute@cs.dartmouth.edu
Sent: Sunday, October 18, 2009 7:33 PM
Subject: [LUTE] Re: So, what you consider a must have publication?
Siena or Capirola? Casteliano's Diversi Autori or a Francesco
facsimile? Paladino or Il Fronimo? An earlier Phalese or an
Adriaenssen? The Dowland, de Rippe or Francesco anthologies? Marsh or
Pickering? The big Besard or the Varietie? LoST or the Holmes books?
Mary Anne or Ginger?
Also Fuenllana (but I hate the edition I'm stuck with
Kindly elaborate Daniel.
It is an extract from the original that leaves out most of the
intabulations, leaving many of the fantasias based on them feeling
out of place rootless; like not having M. Neusidler's setting of
Anchor Che Col
On Sun, Oct 18, 2009 at 8:34 PM, Daniel Winheld dwinh...@comcast.net wrote:
Also Fuenllana (but I hate the edition I'm stuck with
available complete edition would actually be appreciated, thanks. Dan
Minkoff. Beautiful. Expensive.
CD-Rom with _all_ vihuela publications in jpg. Cheap and good
Oddly enough, I always seem to see those publications that I don't currently
own as must have.
All kidding aside, for beginners (like myself), I'd recommend Diana
Poulton's 'A Tutor for the Renaissance Lute'. It contains information about
the lute, various types of tablature, and lots of
For playing with a second person (a lutenist would be nice) or in
ensembles, I wouldn't want to be without Orlandus Lassus, songs without
text, opus 13-24 (two parts); Tielman Susato, Dances from 1551 (mostly
4 parts); Petrucci's Harmonice Musices Odhecaton (mostly three or four
For me without question, the Barbe Ms. is a wonderfully rich
source of
music, and for one finding his own way, an indispensible
teacher.
Damian
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I'll second that on the Barbe Manuscript for the baroque lute, and for
the Renaissance lute I am having a wonderful time working my way
through the Hortus Musicalis Novus of Elias Mertel.
- Original Message -
From: damian dlugolecki [1]dam...@damianstrings.com
To:
Damian, Stephen-
Now you've got my attention- can you please tell me a little about
the Barbe Ms, or where I can go to find out about it, and maybe
download or buy a copy?
Thanks, Dan
I'll second that on the Barbe Manuscript for the baroque lute, and for
the Renaissance lute I am
The Barbe Ms. is a facsimile edition by Minkoff, of ms.
Bibliotheque nationale, Paris ca, 1690 Rés/ Vmb.ms7
The ms. progresses by key through many of the major works of
all of the different luthiste/composers. Barres and
fingerings are notated in red ink as in the original. The
fingerings
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