Dumb question. Can't you just restring mirrored? Still playable?
G.
- Original Message -
From: Steve Ramey stevera...@sbcglobal.net
To: baroque-lute@cs.dartmouth.edu
Sent: Wednesday, January 27, 2010 4:34 PM
Subject: [BAROQUE-LUTE] 13C Baroque Lute for Sale
All,
There is a 1980
Wichever type it is, the bass rider or the swan neck will be on the
wrong side.
Mathias
G. Crona kalei...@gmail.com schrieb:
Dumb question. Can't you just restring mirrored? Still playable?
G.
- Original Message -
From: Steve Ramey stevera...@sbcglobal.net
To:
..and the strings spacing at the bridge will be wrong (also the leaning
of the neck and the internal barring -if not perfectly symmetrical-).
Regards,
Paolo Busato lute-maker
www.busatolutes.com
e-mail: paolo.bus...@busatolutes.com
Haven't seen the Ebay ad. But was thinking more in terms of 11 course, as
depicted in Giesbert, not 13 course. Sorry.
G.
- Original Message -
From: Mathias Rösel mathias.roe...@t-online.de
To: G. Crona kalei...@gmail.com
Cc: baroque-lute@cs.dartmouth.edu
Sent: Thursday, January 28,
Yes, it would do so. Giesbert's model has a treble rider. Yet even if it
hadn't, the bars under the soundboard wouldn't match. Many baroque lutes
still have the old J-bar on the bass side or something to the effect
(it's not always a J), most have distinct fan bars on the descant side.
I'm not
But playable it would be (with minor alterations), no?
- Original Message -
From: Mathias Rösel mathias.roe...@t-online.de
To: G. Crona kalei...@gmail.com
Cc: baroque-lute@cs.dartmouth.edu
Sent: Thursday, January 28, 2010 8:41 PM
Subject: [BAROQUE-LUTE] Re: 13C Baroque Lute for Sale
There is no-one to do alterations.
- Original Message -
From: G. Crona kalei...@gmail.com
To: baroque-lute@cs.dartmouth.edu
Sent: Thursday, January 28, 2010 2:59 PM
Subject: [BAROQUE-LUTE] Re: 13C Baroque Lute for Sale
But playable it would be (with minor alterations), no?
-
Hi..
I am wondering if anyone has any pointers to facsimile editions,
on-line by preference, of early French Baroque air de cours. Folk such
as Antoine Boesset, Germain Pinel, Michel Lambert, Sebastien le Camus
and, of course, M-A Charpentier (he is the easiest to find).
Any help greatly
Minkoff has the Bataille / Ballard series I (1608) to XV (1632) with
tablatures.
http://www.minkoff-editions.com/
Musica Musica from Switserland has some Moulinié et al with tablatures
I don't know their web-address.
Fuzeau has the later airs de cour with contnuo bass (e.g. De Bacilly)
On Thu, Jan 28, 2010 at 9:44 AM, David van Ooijen
davidvanooi...@gmail.com wrote:
Minkoff has the Bataille / Ballard series I (1608) to XV (1632) with
tablatures.
http://www.minkoff-editions.com/
Musica Musica from Switserland has some Moulinié et al with tablatures
I don't know their
DvO
DvO bring out your
DvO
Many thanks, David! Brilliant, as usual.
I also found
http://www.personal.utulsa.edu/~john-powell/AirsDeDifferentsCompositeurs/
Though the quality leaves something to be desired...
.. mark
To get on or off this list see list information at
I can see no reason to suppose it's an 18thC mandora (noteably neck too
short, bridge design/position wrong) but before casting it into Stygian
gloom of fakery there is just a possibility it could originally have
been one of the many 18thC Italian 6/7 course lutes so often depicted
A very suspicious looking lute, looks like someone concerted it to an oud.
Who knows, maybe there is some original wood in it, but I wouldn't
buy it on the basis of the picture.
dt
At 11:23 AM 1/27/2010, you wrote:
No, the neck profile on it was definitely of much older origin.
RT
- Original
And if also continuo songs will do, there is the wonderful page (and
facsimile) of Brunetes ou petits airs tendres / Christophe Ballard,
Paris 1703, 1704 and 1711:
http://www.cowderoy.net/brunetes/index.html
Arto
Mark Probert wrote:
DvO
DvO bring out your
DvO
Many thanks, David!
if Bataille will do, I found a while ago his 6 books is scribd! Try
http://www.scribd.com/search?cat=redesignq=bataillequery=bataillex=0y=0
this search is quicker (and more narrow):
http://www.scribd.com/search?cat=internalq=Batailleuser_id=8595
To get on or off this list see list
http://www.scribd.com/doc/19343214/Etienne-Moulinie-Airs-de-cour-3e-Livre-1629
***
modern edition, without tablature:
http://www.scribd.com/doc/6113883/Chansons-et-Airs-de-Cour-15871617-
To get on or off this list see list information at
There are a lot of free airs de cour here:
http://www.digitale-sammlungen.de/index.html?c=suchenl=de
search for instance on the keyword 'serieux' and you getnumerous
Airs serieux et a boire, which you can download as pdf.
Best wishes, Jelma van Amersfoort
On Jan 28, 2010, at 10:00 AM,
And also note that there are 3 different Bianchinis: Domenico Rosetto,
This one, Francesco (related?) and possibly Pierre Blondeau (Pietro
Bianchini?) who worked with Attaingnant. See Brown and New Grove for more
interesting info on Francesco Bianchini.
- Original Message -
From:
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
G. Crona
Sent: Thursday, January 28, 2010 1:15 PM
To: Lutelist
Subject: [LUTE] Re: Paladin
And also note that there are 3 different Bianchinis: Domenico Rosetto, This
one, Francesco
Away with these self-loving synthetics,
Whom Cupid's arrow never... err hmmm... wears cosmetics... needs
local anaesthetics?...bad poetics!
On 28 Jan 2010, at 13:13, Monica Hall wrote:
I wholeheartedly agree. The same is true for the baroque
guitar. Away with all these synthetics.
Well, call me gutless, but now having several instruments, some with
and some without gut, I'm not a convert and not rushing out to change
all my synthetic strings to gut. I certainly like the sound of gut,
especially on my 11 course lute playing pre-Weiss d minor tuning music
and
I think Joe is just going with his gut.
(I know the sound better part is only an opinion, but the
only-an-opinion thing hasn't seemed to slow down the gut advocates.)
Respectfully,
Joseph Mayes
Like some of the rest of us, I've been following the double-track
path of getting the best gut
Gut strings must have been fantastic. Isn't it a pity none survived so that no
one will never know how they actually sounded? Lucky we have these nice
synthetics...
Chris
--- On Thu, 1/28/10, Monica Hall mjlh...@tiscali.co.uk wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Subject: [LUTE]
There's no reason to use the synthetics just because Ronn McFarlane,
Paul O'Dette, and Nigel North use them
Indeed, and Francesco, Dowland and Weiss used gut.
Who would you like to follow?
David - follows himself
--
***
David van Ooijen
I think it's on the Tragicomedia CD with Suzie LeBlanc. Liner notes
somewhere ... somebody with a better organised CD collection?
David - fighting against the chaos in life. Losing.
On Thu, Jan 28, 2010 at 3:47 PM, Jeffrey Noonan jjnoo...@sbcglobal.net wrote:
Hi luters
I just had a
especially for the vegetarians, vegans and those with wet finger tips.
w.
Original-Nachricht
Datum: Thu, 28 Jan 2010 14:22:48 -0800 (PST)
Von: chriswi...@yahoo.com
An: David Tayler vidan...@sbcglobal.net, Monica Hall mjlh...@tiscali.co.uk
CC: Lutelist lute@cs.dartmouth.edu
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