For some time I have been collecting early music related to
Scandinavia -- with an emphasis on Norway and Sweden.
There are two pieces by Gautier with alternate titles connecting them
to Sweden's famous Queen Christina.
"Cleopatre amante" is titled "Courante de Gautier pour la reine
Good job, Nancy. Keep them coming!
ed
At 05:57 PM 6/25/2010, Nancy Carlin wrote:
>Inspired by Sarge Gerbode, Martin Shepherd, Anton and others I have a
>new web site
>[1]www.groundsanddivisions.info
>My idea was to share some of the music I have been looking at and
>playing a
Thank you, Nancy!
Very nice!
-- R
On Jun 25, 2010, at 5:57 PM, Nancy Carlin wrote:
Inspired by Sarge Gerbode, Martin Shepherd, Anton and others I
have a
new web site
[1]www.groundsanddivisions.info
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~
Inspired by Sarge Gerbode, Martin Shepherd, Anton and others I have a
new web site
[1]www.groundsanddivisions.info
My idea was to share some of the music I have been looking at and
playing and the initial version is now up and ready for you folks to
looks at. I hope you will like
Herbert,
I've been playing Baroque lute for one year and my 13 course has allowed me
to approach XVII and XVIII c. repertoires, both of which I love.
IMHO, 11c French music is not necessarily a "first step" before 13c, as some
French pieces can be harder than some German music. Moreover, while y
It seems that much of the French 11c music is very idiomatic, with complex
ornaments, almost like learning a new language (in this instance, french).
Whereas, the German 13c literature is less intertwined with ornaments, more
'understandable' (?), but maybe more technically challenging in some w
Chris made a good brief summation.
I have not much more to add. I started out with 13-course
lute. Only after many years, I got a 2nd lute, 11-course. Since
that time, I have not looked back, and my current baroque interest
for the past few years has been for 11-course music.
At 11:2
Herbert
I think both options are possible. Several lutenists with whom
I am in contact, transferred directly from Renaissance lute to 13c
rider lute, without too much problem; but personally I chose the 11c
route, and haven't regretted it.
I think it may depend on what mu
Herbert,
The same answer as always: It depends on the type of music you want to
play. The 11 course lute was in use throughout the entire baroque, but you
wouldn't be able to play the late sonatas of Weiss or the generation after. If
you're only interested in 11-course rep., by all means
I've been playing Renaissance lute for 4-5 years now, and I'm
looking to begin Baroque lute. Is it OK to start with a 13-course
lute? Or should a beginner get an 11-course lute?
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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