Dear ones,
I announced last night that I received a new set of nylgut for my
13-course baroque lute. I did put them on yesterday, and I let them
set overnight.
I already reported that the new color is very good, and the feel is
very good, as well.
Now that I can tune the new strings, I can
Was it Poulton who first suggested the duet
theory? I would be interested to know that.
I always assumed it was Harwood. It was be nice
to have a direct citation, does the CC
specifically say who's idea the duet was?.
My conjecture was that it was connected to it to
similar tuneless pieces in
On Dec 6, 2010, at 5:22 AM, [1]...@heartistrymusic.com wrote:
I have no problem with people moving to music
while performing, if it is genuinely felt. It's when these motions
and
expressions seem contrived to impress an audience that I have to
stop
looking.
I was recently at a harp convention (wife is a harpist), and a harp repairman
told me about a new advance in strings from Savarez,
that they have produced a nylon string (NOT carbon fibre, nor other synthetic)
that has fibres of some sort imbedded within,
The fibres apparently lend both
Dear Stuart
When I replied to your mail this morning (here in France, you were hopefully
asleep at the time ;) I forgot one important link which may be of interest for
you : http://fughetta-library.blogspot.com/
It gives lots of treatises on counterpoint and harmony etc; and they can be
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It seems that I remember hearing something of this but little more
than you have mentioned here. I would be interested in finding out
more. Being primarily a harpbuilder, I know most of the harp repair
people likely to have been at this convention. (If it was the
convention in St.
On 08/12/2010 03:06, Ron Andrico wrote:
Hello Stuart:
I'll take a stab at answering your question since the rest of the
world seems quiet at present.
Harmonizing a melody is a skill informed by training but, much more
importantly, gained through experience. Those of
Dear Dan
I spoke to Wolfgang Fruh, here in Paris, and he tells me he
has the New Nylgut in stock. I am sure it must be the same in the US.
$
Ed Martin spoke well of its appearence and feel, on the Baroque lute
list, as you probably saw.
$
I would have picked some
Although this has nothing to do with historical theory, I do always
look for the linear descent to the final when marking out a harmonization.
Amost all Western music has it.
In historical theory, the final itself will normally be an indicator of mode.
Some renaissance and baroque music begins
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