Thanks to everybody. This was much more material than I would ever have
expected.
Best to all,
Jörg
Am 10.04.2011 um 22:55 schrieb Nancy Carlin:
That was c.2004 and if you want it, it is available from the LSA back
issues person
Anne Burns
l...@reasonablefax.com
Nancy
Thanks, Dan.
Normally I tune these lutes (67cm)in F (you can think of it, as I
usually do, as g' at a'=392) - but I find they are often just as happy a
semitone lower (i.e. top string e' at modern pitch).
This particular lute has gone, but I will be playing some pieces on my
old 7c lute -
Further to this below, it also occurs to me that one of the string
composers at the time Andrea Falconiero (c.1586 -1656), did in fact
often put little flourishes on final chords as generally found with
plucked instruments but unlike the majority of his contemporaries
writing
Further to this below, it also occurs to me that one of the string
composers at the time Andrea Falconiero (c.1586 -1656), did in fact
often put little flourishes on final chords as generally found with
plucked instruments but unlike the majority of his contemporaries
writing
Further to this below, it also occurs to me that one of the string
composers at the time Andrea Falconiero (c.1586 -1656), did in fact
often put little flourishes on final chords as generally found with
plucked instruments but unlike the majority of his contemporaries
writing
Further to this below, it also occurs to me that one of the string
composers at the time Andrea Falconiero (c.1586 -1656), did in fact
often put little flourishes on final chords as generally found with
plucked instruments but unlike the majority of his contemporaries
writing
Does anyone know the status of the Wemyss manuscript.
http://www.cs.dartmouth.edu/~wbc/julia/ap1/Wemyss.htm
If memory served. the manuscript was privately owned but held by in the
Edinburgh library(?). I have an old photocopy, and was wondering, if I scanned
it electronically, if it would
You would need permission from the National Library of Scotland, George
IV Bridge, Edinburgh. But don't bother, they will say no.
Rob
On 11 April 2011 19:21, [1]theoj89...@aol.com wrote:
Does anyone know the status of the Wemyss manuscript.
So go ahead, put it online for God's sake ;-)) !
Jean-Marie
=
== En réponse au message du 11-04-2011, 20:32:05 ==
You would need permission from the National Library of Scotland, George
IV Bridge, Edinburgh. But don't bother, they will say no.
Rob
Dear Lutefolk
In a recent Lute Society email there was an announcement of a lute-song
course taking place in Oxfordshire this summer. I don't know if the
information has reached this forum, but I include it below, in case it
hasn't.
Best wishes
Helen
Thank you so much to all who have watched and commented. I saw the
kids today, and they were _very_ proud.
David - one happy teacher
On 5 April 2011 12:21, David van Ooijen davidvanooi...@gmail.com wrote:
Three of my guitar kids are competing in the ensemble competition of
my Music School.
Obviously I'm not a lawyer, but my understanding is that if the copy
was made before a certain date, that there are different rules as far
as public domain. It also depends on what rights were reserved at the
time you made the copy and so on.
The downside is always the hassle, not the
Dear collective wisdom, please weigh in with your favorite Purcell
song for the tenor range for my fall set. There are so many, I would
appreciate some insight.
So far I have
Sweeter than roses
If music be the food of love (version 1)
Fairest Isle
Lord what is man
Evening hymn
I attempt from
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