My preference is for ballsy playing, over bollocky critiques.
RT
On 2/14/2013 6:44 PM, erne...@aquila.mus.br wrote:
horse feathers, mad cows and a very english sense of humour...
On 14.02.2013, at 21:38, "r.turov...@gmail.com" wrote:
More like horse-feathers.
RT
On 2/14/2013 8:13 AM, Moni
More like horse-feathers.
RT
On 2/14/2013 8:13 AM, Monica Hall wrote:
No - it's called "horse sense".
M
- Original Message - From:
To: "Monica Hall"
Cc: "Lutelist"
Sent: Thursday, February 14, 2013 1:01 PM
Subject: [LUTE] Re: Baroque Guitar Video
Sounds like a lot of donkey-tart
Here is an attempt at a new arrangement - as a modern piece - by Gilbert
Isbin of an ancient Flemish song, Edigius.
Gilbert says:
The 'I' figure envies his friend Egidius because he is in heaven, while
the "I" is on earth, unhappy and suffering. He or she asks Egidius to
keep a place free in
On Feb 14, 2013, at 11:44 AM, Christopher Wilke wrote:
>> There were one or two places where (dare I say it) some of the lower
> notes
>> sounded twangy...
> Yes, that is a actually special type of ornament that I have mastered
> it to perfection. I call it a "mistake." ;-) For what it
On Feb 14, 2013, at 12:33 PM, Monica Hall wrote:
> I listened to it twice with the music in front
> of me and I know the piece quite well.
>
> As far as the stringing was concerned it was impossible to tell what you had
> chosen to do, but a high octave string does create this abrasive quality
Chris
Thank-you for taking the time to reply to my comments at length. I will
reply only briefly.
I did and still do think that the strumming was crude and was completely out
of character with the rest of the piece. In fact it distracted my attention
from the punteado variations, some of whic
Monica,
Thank you for your thoughts. You clearly have strong ideas of how you
want this music to sound - as do I. I believe our differences are
primarily aesthetic rather than historical, however.
> Well - my two pennyworth. The piece does start off with three
strummed
> va
Bonjour Alain
A
il me semblait avoir un login pour ton site mais il semblerait que
non.. que doit on faire pour s'inscrire??
A
[1]http://musickshandmade.com/lute/
--
A
Bruno Cognyl-Fournier
A
[2]www.estavel.org
A
--
References
1. http://musi
Music from our CD Sfumato will be featured this week on Millenium of
Music. A short blog post reveals the details.
[1]http://wp.me/p15OyV-DZ
Ron & Donna
--
References
1. http://wp.me/p15OyV-DZ
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wb
No - it's called "horse sense".
M
- Original Message -
From:
To: "Monica Hall"
Cc: "Lutelist"
Sent: Thursday, February 14, 2013 1:01 PM
Subject: [LUTE] Re: Baroque Guitar Video
Sounds like a lot of donkey-tartare to me.
RT
On 2/14/2013 7:46 AM, Monica Hall wrote:
It's all that
Sounds like a lot of donkey-tartare to me.
RT
On 2/14/2013 7:46 AM, Monica Hall wrote:
It's all that horse meat we have apparently been consuming unawares
over here. It gives us insights not vouchsafed to lesser mortals.
M
On 2/14/2013 5:25 AM, Monica Hall wrote:
But as Murcia is concern
It's all that horse meat we have apparently been consuming unawares over
here. It gives us insights not vouchsafed to lesser mortals.
M
- Original Message -
From:
To: "Monica Hall"
Cc: "howard posner" ; "Lutelist"
Sent: Thursday, February 14, 2013 12:08 PM
Subject: Re: [LUTE] R
Chris,
Do your own thing, that way you'll always be authentic.
And don't ever ask the people on this list what they think of your playing! Are
you insane?
:-)
Rob
www.robmackillop.net
On 14 Feb 2013, at 12:08, "r.turov...@gmail.com" wrote:
> On 2/14/2013 5:25 AM, Monica Hall wrote:
>> B
On 2/14/2013 5:25 AM, Monica Hall wrote:
But as Murcia is concerned I don't think such a "in your face"
performance is what
he had in mind.
I'm sure you've had it from the horse's mouth.
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.
Well - one of the things about the strummed sections is that it is not clear
in the tablature
whether you should include all the open courses. As notated the whole
passage is in 3 parts with the occasional 4-part chord and not a single
5-part one. If you play it as written it merges into the
Dear Christopher,
You asked for observations on yr performance, and you are certainly
brave to ask for comments, here are mine:
You clearly have the necessary technical ability and virtuosity to play
plucked instruments (as we know from your lute recordings). However, I
really
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