Hello fellow music lovers around the world,
After a vey successful guitar concert featuring piece from the golden
age I was asked for another concert, this time with my lute. So I've
started to build a program fit to the modern ear, I've already several
pieces (2Xfantasy by Luis Milan, no.1 and
Yes. I forgot the most important thing and it's the time period. As
I'm going to play on my 7 course I think it should be from around 1400
to 1600 so around the late medieval and renaissance, give or take few
years)
On Mon, Dec 8, 2014 at 4:12 PM, Omer Katzir kome...@gmail.com wrote:
Hello
Why not dances?
They will certainty love Newsidler's Wascha Mesa :)
Rainer adS
On 08.12.2014 15:12, Omer Katzir wrote:
Hello fellow music lovers around the world,
After a vey successful guitar concert featuring piece from the golden
age I was asked for another concert, this time with my
What lute? You are the proud owner of the very popular Vihuela de
Flandes :-D
Dan
P.S. How do you like not retuning 7 basses every time the key changes?
On 12/6/2014 11:38 PM, sterling price wrote:
Hi all--Can someone direct me to an English translation of the
instructions in the
Dalza dances are pleasant with a bit of swing that engages the ear. And there
are a few frottole in the Dalza book for seeing early songs.
Haraytre is perhaps the easiest of Spinacino's late Burgundian settings (book
II) and is fairly short in a comfortable key.
A little later (20 years or
I agree with Rainer. For folks not used to early music, l dances make
for a very accessible introduction. Audiences enjoy things like the
Dalza suites, Attaingnant dances, etc. Even a greatest hit like
Dowland's Lachrimae is a dance. Usually, phrases are fairly regular in
dances
