Most impressive. You seem to have page through the whole book.
I tried to identify the pieces but gave up :(
Shouldn't it be Fantasia 28? At least it is number 28 in Chiesa's edition.
By the way, I still believe that Chiesa's edition is excellent.
Rainer
On 12.01.2019 13:08, Peter Martin
The so called ‘carbon’ strings are made of a material which is denser/heavier
than nylon.
Hence, for the same tension and pitch, the string will be thinner in gauge and
consequently tone. A ‘carbon’ string is likely to be a better choice to use in
the place of a string whose tone is too dull
The one string/course where a carbon fiber has never worked for me. Too
harsh is a good term.
Dan Winheld
On 1/12/2019 2:06 PM, Mayes, Joseph wrote:
My $.02
I find the carbon chanterelle to be on the "harsh" side.
Joseph Mayes
From:
My $.02
I find the carbon chanterelle to be on the "harsh" side.
Joseph Mayes
From: lute-...@cs.dartmouth.edu on behalf of Wim
Loos
Sent: Saturday, January 12, 2019 4:08 PM
To: LuteNet list
Subject: [LUTE] Chanterelle
Dear all,
I ´m looking to
Dear all,
I ´m looking to string my 7c renaissance lute, string length 60cm
(a=415) again. In this moment I use nylgut and pyramid wound strings.
Only the chanterelle is nylon while the nylgut string was broken.
I considder to use carbon for the chanterelle, does anybody know if is
" This sketchy fragment was bound as an already unused piece of paper ..."
Shouldn't this read "an already used piece of paper"?
Cheers, RalfD
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Dear Rainer,
I'm not sure that Spanish/Valencinian/Milan tablature is to be seen as a
variant of Neapolitan tab only. The Munich Denss source suggests that the
writer transformed French to S/V/M tablature, judging by the mistakes and
corrections he made.
For what it's worth, here is what I
Dear lute netters,
I seem to remember that recently somebody posted a list of sources with
Spanish/Milan tablature including Neapolitan tablature.
In an article by Michael Fink (LSAQ XLIV, No.4, 2009, pp. 29-32) there is a
list of such sources:
Pesaro, Biblioteca Oliveriana, MS 1144 (c.
Could it be a Belgian pianist?
Emile Bosquet
https://nl.wikipedia.org/wiki/Emile_Bosquet
He was the piano teacher of my great aunt and I have seen scores of renaissance
music like Attaignant edited by him
Or
Emmanuel Durlet
https://www.emmanuel-durlet.be/nl/leven.html
More than 300
Totally fascinating!
The pieces are Tento 4 (Sociedad de la Vihuela facsimile page 155) and
Fantasia 27 (page 119). Not often played even today.
The transcriptions are much more faithful than they appear at first
sight, allowing for the expansion of the texture for the piano.
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