Does anyone happen to have a current e-mail address for Anthony Hind.
The one I had ([1]anthony.h...@noos.fr) through the kind offices of a
list member doesn't seem to be valid anymore. If you can forward it to
me, please do so privately. Thank you.
Sent from [2]Mail for Windows
This is just to say that some of my messages seem to be delayed. One which I
sent yesterday has just appeared.
Thank you for the link to the Lancret.
Monica
> On 18 July 2020 at 11:47 David Van Edwards wrote:
>
>
> Dear Monica,
>
> I'm sure you're right, Watteau's interest was the pose not
Dear David
Thank you for this. Seen from in front it is clearer what is happening.
Best wishes
Monica
> On 18 July 2020 at 11:47 David Van Edwards wrote:
>
>
> Dear Monica,
>
> I'm sure you're right, Watteau's interest was the pose not the instrument.
>
> Indeed the same pose was adapted
TREE EDITION New in August 2020
---
- Adriaen Valerius: Nederlandtsche Gedenck-clanck (1626)
- Ms Leiden, BPL 2792, c. 1620
- Ms Enkhuizen, 1667-1, 1659
Three Lute books from the Dutch Golden Age, edited by Jan W.J. Burgers
This book comprises an edition of three collections of
Dear Monica,
I'm sure you're right, Watteau's interest was the pose not the instrument.
Indeed the same pose was adapted several times about 25 years later
[but seen from the front] by Nicolas Lancret, an admirer of Watteau.
Dear David
Thank you for the photo. It does make it much clearer what the player is doing.
I tried to take a photo of myself with my guitar - but it didn't work as it is
a different shape and the pegs go through the back of the head.
I think Watteau must have been more interested in reproducing
