One that comes to mind - Robert Dowland: A Varietie of Lute Lessons.
Dmitry
On 8/3/2020 6:56 PM, Sean Smith wrote:
Dear all,
There's a long tradition of scribing the cipher 'r' in place of 'c' in
manuscripts of lute tablature. It's quick and easy and serves to
differentiate a
The most recent on web.archive.org seems to be this one (Last
updated: 02/09/2006)
[1]https://web.archive.org/web/20070310021428/http://www-bnus.u-strasbg
.fr/smt/sommaire.htm
There is also a PDF copy of the same version (I think...)
Here. But as Matthew pointed out, there isn't much in it.
http://www.musicaparavihuela.com/#/10/1
Dmitry
On 1/17/2020 12:59 PM, Tristan von Neumann wrote:
Does anyone have a scan of this vihuela manuscript?
I'd love to have a look at it.
:)
T*
To get on or off this list see list
Dear Antonio,
Just to make clear what I meant by similarities: for example, compare
the bass line for the first phrase ("Madonna per voi ardo") in
Verdelot's madrigal with the bass line in Milan's piece; also the alto
parts for the second phrase ("Et voi non me'l credete"). Like I said
Petrarch and Sannazaro, but to his music.
Cheers
Antonio
On Thursday, 2 January 2020, 14:24:08 GMT-6, Dmitry Medvedev
wrote:
Ah, sorry, should have read more carefully about sonadas :)
On 1/2/2020 2:51 PM, Dmitry Medvedev wrote:
Fair enough, but should we then assume that, f
Ah, sorry, should have read more carefully about sonadas :)
On 1/2/2020 2:51 PM, Dmitry Medvedev wrote:
Fair enough, but should we then assume that, for example, "Madonna per
voi ardo", both text and music, were written by Luis Milan?
Cheers,
Dmitry
On 1/2/2020 1:48 PM, Antonio Co
Fair enough, but should we then assume that, for example, "Madonna per
voi ardo", both text and music, were written by Luis Milan?
Cheers,
Dmitry
On 1/2/2020 1:48 PM, Antonio Corona wrote:
You would do well not to assume that I would state something without basis.
About authorship:
Libro
From RISM (somewhat ordered):
f.1 Ce n'est rien que de fuir (Anonymus)
f.1v-2 Super flumina Babylonis (La Fage, Jean de)
f.2 Je ne me confesseray point (Arcadelt, Jacques)
f.2v Si Dieu vouloit pour chose (Janequin, Clément)
f.2v-3 Plût à Dieu que fusse arondelle
Have you checked at [1]josquin.stanford.edu?
Dmitry
On Thu, Oct 4, 2018 at 5:16 PM Martin Shepherd
<[2]mar...@luteshop.co.uk> wrote:
Hi All,
I don't have access to a library. Can anyone provide me with
(modern
edition) vocal scores for three works by Josquin?
Not really answering your question, but for the vihuela repertoire (~700
works) the percentage is roughly this:
Intabulations and songs: ~60%
Fantasias: ~30%
Variations, dances, tientos, glosas etc: ~10%
The numbers are taken from an article by John Griffiths "At Court and at
Home with the
A recording of English lute songs by Charles Daniels and Nigel North
comes to mind. But, interestingly, there are certain differences between
Daniels' pronunciation and David Crystal's theory. For example, 'love'
is sung as [lu:v], and 'move' / 'remove' are sung close to modern
pronunciation
I have seen the vihuela before. It's an instrument made by Clive
Titmuss. There is an old posting on ebay with the same picture:
http://www.ebay.com/itm/Vihuela-early-6-course-guitar-new-for-sale-by-Kelowna-luthier-Clive-Titmuss-/301568244999
Dmitry
On 3/15/2017 1:15 PM, wbc wrote:
Hi Lute
OK, I know this is not strictly in accordance with copyright and all
that, but I did try to contact the original publishers about it with no
result...
I have recently created a web-based "remake" of the old vihuela books
CD, which has all the original catalog information plus the updated
Hi all,
Does anyone by any chance have tablature for Hopkinson Smith's
reconstruction - Plus de tristesse, prends ta maitraisse? He plays
it on his Francesco da Milano CD. I doubt that the original tablature
exists (at least it has not been published yet, as far as I know), but
to persuade the
authorities that Mr. Faria was indeed using legally obtained Brazilian
Rosewood for his instruments. I would be very grateful if you could
send me the copies of these documents or offer any advice on how to get
a new CITES certificate in this situation.
--
Dmitry
PM, Tobiah [1]t...@tobiah.org wrote:
On 03/24/2014 11:57 AM, Dmitry Medvedev wrote:
Hello,
I own a vihuela made by Luciano Faria in 2006. Unfortunately,
its back
and sides are made from Brazilian Rosewood, and the previous
owner had
lost
, 2014 at 3:40 PM, Tobiah [1]t...@tobiah.org wrote:
On 03/24/2014 12:29 PM, Dmitry Medvedev wrote:
Well, I can use it as much as I like, as long as I don't take it
across
the border. As far as I understood, CITES is concerned only with
international import/export
17 matches
Mail list logo
