Hi Martyn,
Andreas tells me
It's anonymous, Galleria Doria Pamphilj in Rome. Meucci dates it on 1620
ca..
Regards,
Bill
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-Original Message-
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Sender: lute-...@cs.dartmouth.edu
Date: Sun,
I would guess a key could be devised for existing instruments but anyone with a
knowledge of the key could deliberately construct a new instrument that didn't
fit in with the taxonomy.
It shouldn't be too hard to create a key for mainstream instruments but of
course there have always been
Bob was a charming man and a great scholar but not an 'aristocrat' in the usual
sense of the word.
Bill
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-Original Message-
From: Lex van Sante lvansa...@gmail.com
Sender: lute-...@cs.dartmouth.edu
Date: Thu, 18 Oct 2012 10:13:13
To:
Dear Anton,
I, for one, enjoy your intabulations and am planning to work on one of your
duets with a fellow lutenist. Please keep up the good work. I personally am
grateful for your email reminders.
Bill
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-Original Message-
From:
Thanks, Martin. An excellent summary and all in one place too. This, I
venture to say, would be a very nice addition to your own website or even the
beginnings of a Wikipedia article.
Of course much of this can be gleaned from string makers' websites but of
course they are less likely,
They would be for a perfectly thin flexible string - but string stiffness
sharpens the higher harmonics.
Bill
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-Original Message-
From: David van Ooijen davidvanooi...@gmail.com
Sender: lute-...@cs.dartmouth.edu
Date: Mon, 25 Jun 2012
I have an H2, too.
Thank you for the tip about 24-bit recording.
It's probably worth pointing out that the volume control on the left is for
playback through speakers/headphones. The recording level can be set with the
double arrow buttons either side of the red 'record' button, on a scale of
Thanks very much for sharing, Louis! These are exactly the kinds of ideas I
was hoping to get. :)
Bill
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-Original Message-
From: Louis Aull aul...@comcast.net
Sender: lute-...@cs.dartmouth.edu
Date: Fri, 18 May 2012 15:43:22
To:
Thanks David. That makes sense. I suppose we still have a relic of that
system with the B flat clarinet where the notation is usually written as if it
is in C?
Bill
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-Original Message-
From: David Tayler vidan...@sbcglobal.net
This is a good discussion inasmuch as it demonstrates a fair diversity in what
we look for in a lute.
I think it's tough for us compared to classical guitarists who can go to a shop
and spend a day or two trying out a range of guitars, playing and comparing
before deciding which one to buy.
As
It is interesting that you should be the one to respond when your youtube
contributions show that your own rh technique is second to none in terms of
looking just like the iconography! Your sound is entirely convincing to me.
My teacher, Diana Poulton played with pinky on bridge and produced
Sorry. I don't know anything else. It might be worth trying to contact his
publisher.
Bill
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-Original Message-
From: Grzegorz Joachimiak gjoachim...@wp.pl
Sender: lute-...@cs.dartmouth.edu
Date: Wed, 22 Feb 2012 17:38:24
To: William
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