This evening I had the pleasure of playing Dowland's "Were every thought an eye" from his Pilgrimes Solace (1612). It seemed very familiar, and then I recognised it as Dowland's Courante in Thomas Simpson's Taffel-Consort (1621). I didn't know of this concordance. I can find no mention of it in Diana Poulton's book John Dowland, and no mention in the introduction to the Scolar Press facsimile of A Pilgrimes Solace. Have I discovered something new, or is it already common knowledge?
Stewart McCoy -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
