Dear Lute netters,
   as some of you might recall I recently decided to get a new instrument.
   My first idea was to have a copy made of the Sellas E 545 theorbo in
   Paris,
   but since my principal aim with this instrument was to use it for Basso
   Continuo,
   I discussed with my lute maker Lars Jönsson to use a bigger body than
   the Sellas original,
   with less frets (8 tied gut frets + 2 body frets) but hopefully more
   sound. We went for one of the biggest bodies
   out there, a Buechenberg model, but we kept the exact dimensions and
   string setups
   from the E 545, i.e. 6x2 @ 890mm for the fingerboard, and 8x2 @1300mm
   for the diapasons.
   I ´ve only had it for a month, but already have had the opportunity to
   use it in concert a couple of times.
   My experiences so far (these are all of course personal, and in
   comparison with my previous theorbo, which was a Tiffenbrucker 870/1650
   by the same maker), in these first steps in trying to learn to play
   this new therbo, can be summarized:
   It takes longer to tune it than a single strung instrument, but when
   tuned it is just as stable
   It is not quieter because of the double courses
   It has a very penetrating sound quality
   One must be much more careful in hitting the strings vertically with
   the left hand to avoid inconsistencies in intonation
   The ability to intonate a plucked note with alteration of the left hand
   pressure and l.h. horizontal movement is improved
   Playing long slurred tirades is more tiring than on a single strung
   theorbo
   890 mm feels big with double courses, but even with my relatively small
   hands, is no problem.
   The right hand thumb needs more than 4 weeks to find its way around in
   the basses...
   To illustrate this, the Bavarian Cultural radio funnily enough recorded
   a concert 10 days ago, which can be viewed
   here: [1]Die lange Nacht der Alten Musik: Ensemble CONTINUUM |
   BR-Klassik
   two examples (if you want to spare yourself Käptn Peng, David Foster
   Wallace and Kate Tempest arrangements)
   at 2:10 there is the second toccata from Kapsperger ´s first chitarrone
   print
   at 29.15 the Crucifixion sonata by H I F Biber

      Die lange Nacht der Alten Musik: Ensemble CONTINUUM | BR-Klassik

                            Bayerischer Rundfunk

   Best wishes,
   Magnus Andersson

   --

References

   Visible links
   1. https://www.br-klassik.de/concert/ausstrahlung-1418078.html

   Hidden links:
   3. https://www.br-klassik.de/concert/ausstrahlung-1418078.html


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