There's no question that this shows something, but I'm not sure the
conclusion is valid.

First, if he had been playing "Over the Rainbow" on a tenor sax, I'm
pretty sure he'd have had more attention and more 'donations'. Busking
is more the art of making things appeal to passersby than demanding
long-term attention, which the Bach and Bell do.

So clearly, this inserts program material into a venue where it fits
like a square peg in a round hole. Complaining because it doesn't fit
is...kinda stating the obvious.

Secondly, the people who bought $100/ticket made time in their lives
for sitting and listening to the music, just like the people who
passed through the station did not. Does this prove anything? Yes:
people tend to get themselves into a flow, and that's about it. Does
this prove that Bach is unable to draw? No, Bell filled the Hall, even
at $100/seat. Does it prove that people aren't interested in Bach if
they're not Children? No, just that parents and adults keep to their
plans and schedules.

For instance, my wife and daughter are both pianists, and both
interested in piano works, especially played by talented
professionals. Between plains in a North Carolina airport, they were
passing through a public area, and there was a pianist, a grand piano,
and Debussey: beautiful! Hope even remarked on the matter, as they
passed. The pianist heard her, flashed them a smile, but her hands
were busy, so she couldn't even wave back. My wife and daughter were
hop-skippity to get to the next plane in time, and so, with all their
personal interest and the value of the performance (which they spoke
of in glowing terms) they couldn't and didn't stop.

They didn't leave a tip, either.

For a real comparison, they should have checked to see how many
commuters walked into Symphony Hall and bought $100 tickets on impulse
to sit and listen to Bell and Bach. After all, that's just as
inaccurate a measure of how important real music is to normal people
as monitoring the hat and passers-by in a train station.

While it is cute that one of our leading violinists couldn't actually
stop subway commuters for 15 minutes with Bach and a
3.5-million-dollar violin, it isn't actually indicative of much of
anything that I can tell.

On Tue, Jan 6, 2009 at 12:08 PM, Ron Fletcher <ron.fletc...@ntlworld.com> wrote:
[on Joshua Bell playing in the Metro]



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