[LUTE] Re: Amarilli

2010-03-20 Thread demery
Hello. In addition to learning the lute, I have started formal vocal training. In choosing to sing Caccini I have hit the how do you play and sing at the same time? problem. some can, others cant. I can do strumming when i sing (as for modern folk music or renaissance music I

[LUTE] Re: Amarilli

2010-03-20 Thread Christopher Stetson
And I can't even do the singing with strumming very well. It's one of the reasons that I was attracted to lute and then classical guitar (yes, the other way 'round from most!) back in 1970 instead of wanting to be a folk-singer. But perhaps some list members more talented in this

[LUTE] Re: Amarilli

2010-03-19 Thread vance wood
@cs.dartmouth.edu Sent: Friday, March 19, 2010 4:45 AM Subject: [LUTE] Re: Amarilli My trick when accompanying myself singing is to get the vocal part learnt to the point where I no longer need the music or to concentrate that hard ... and then it's just my hands (in my case on a harpsichord) I need

[LUTE] Re: Amarilli

2010-03-19 Thread David Tayler
For best results, standing is a must. I resisted this for years, but then I realized that sitting AND holding the lute is just not good for the voice. It can be done, but it can be done better standing. Sitting is perhaps a bit better for the lute, but most lute parts can be played standing.

[BAROQUE-LUTE] Re: Amarilli

2010-02-04 Thread Edward Martin
Greetings, Roland. I just dig out the old LP, and it states, The highly ornamented version sung on this record to the accompaniment of the viol, is from GB Lbm Edgerton MS 2871, pp.94-95. The popularity of this song in England is shown by its presence in several other MSS of the time. I