At 05:57 PM 2/9/2008, Mathias Rösel wrote:
"Stuart Walsh" <[EMAIL PROTECTED]> schrieb:
> Even a modern guitar is
> virtually inaudible. An English guitar (guittar, Baroque cittern) has
> far less volume. The continuo section gives the music a certain gravity
> even though you can't actually hear
"Stuart Walsh" <[EMAIL PROTECTED]> schrieb:
> Even a modern guitar is
> virtually inaudible. An English guitar (guittar, Baroque cittern) has
> far less volume. The continuo section gives the music a certain gravity
> even though you can't actually hear the soloist!
>
> http://www.youtube.com/
D]>
Cc: "Lutelist"
Sent: Saturday, February 09, 2008 5:19 PM
Subject: Re: [LUTE] Re: Brescianello (was) Re: mandora/gallichon music
Roman Turovsky wrote:
Geminiani guitar pieces display pretty much the same set of sensibilities
as his violin and cello sonatas.
I don't think th
re of post-Baroque, early classical music, especially the fast movements.
RT
- Original Message - From: "Stuart Walsh" <[EMAIL PROTECTED]>
To: "Arthur Ness" <[EMAIL PROTECTED]>
Cc: "Lute Net"
Sent: Saturday, February 09, 2008 4:29 PM
Subject: [L
al Message -
From: "Stuart Walsh" <[EMAIL PROTECTED]>
To: "Arthur Ness" <[EMAIL PROTECTED]>
Cc: "Lute Net"
Sent: Saturday, February 09, 2008 4:29 PM
Subject: [LUTE] Re: Brescianello (was) Re: mandora/gallichon music
Magnatune have released an album
Magnatune have released an album by the Polish ensemble, Nova Casa and
they play some Brescianello. The tracks are here:
http://magnatune.com/artists/albums/novacasa-leclair/
I've just been listening to the Concerto Terzo - and I've been plonking
through the 18 Sonatas for gallichon, on a mode
On Jan 30, 2008, at 6:53 PM, Arthur Ness wrote:
> Surely examples in
> Beethoven are the Battle Symphony, or as he himself admitted the
> Amenda string quartet.
There's the famous story of someone telling Beethoven that everyone
was playing his Septet, and Beethoven responding that he wished
1:48 AM
Subject: [LUTE] Re: Brescianello (was) Re: mandora/gallichon
music
Roman Turovsky wrote:
My 8 cents: "Brescianello" gallichon sonatas don't
demonstrate any similarity of character to the real
Brescianello's music.
The scale ans scope aside- the latter is very serious
> His library of music, the largest to survive intact from the 18th
> century, has some 300 pieces for lute, alone. The library was inherited
> by his daughter Princess Luise Frederica, an accomplished lutenist and
> coloratura, who brought the collection to Rostock (it is now in
> the University
My 8 cents: "Brescianello" gallichon sonatas don't demonstrate any
similarity of character to the real Brescianello's music.
The scale ans scope aside- the latter is very serious and well-wrought
music, and the former is neither
RT
- Original Message -
From: "Arthur Ness" <[EMA
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