There's no one answer to that as I play the Maria Vespers often, and
under many different conductors. But in short, yes, I've played the
bassus generalis part of the Et Misericordia on theorbo, also in the
sections when only the cantus, sextus and altus sing, both in original
pitch
: Monteverdi 1610 Vespers Et Misericordia
On Dec 29, 2014, at 11:20 PM, David van Ooijen davidvanooi...@gmail.com
wrote:
6-part polyphony, that's rather modern for Medieval music.
But mostly three parts at a time...
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On Tue, 12/30/14, Monica Hall mjlh...@tiscali.co.uk wrote:
Subject: [LUTE] Re: Monteverdi 1610 Vespers Et Misericordia
To: howard posner howardpos...@ca.rr.com
Cc: Lutelist lute@cs.dartmouth.edu
Date: Tuesday, December 30, 2014
On 2014-12-30 9:27 AM, Christopher Wilke wrote:
The Kurtzman edition of the Vespers includes a keyboard realization in this
style that may (or may not) serve as a
I've found most keyboard realizations useless for lute. The way
keyboards play chords is completely different from the way lutes
On Dec 29, 2014, at 11:20 PM, David van Ooijen davidvanooi...@gmail.com wrote:
Usually I'm tacet there, but the occasional conductor does asks for uncle
Theo.
And does that include avuncular accompaniment in the parts that are for higher
voices only?
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6-part polyphony, that's rather modern for Medieval music. Usually I'm
tacet there, but the occasional conductor doesA asks for uncle Theo.A
On Tuesday, December 30, 2014, howard posner
[1]howardpos...@ca.rr.com wrote:
Has anyone ever played theorbo in this part of the
On Dec 29, 2014, at 11:20 PM, David van Ooijen davidvanooi...@gmail.com wrote:
6-part polyphony, that's rather modern for Medieval music.
But mostly three parts at a time...
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
