In contrast to some of the early works, this is not a work for which I
would use a lute.
Personally, I find that for this work I want to play in meantone. And
meantone means big frets (major semitones) and small frets (minor
semitones).
And these tastini for pure meantone really
I think that depends on what sort of context in which you intended to replace
the theorbo with a Renaissance lute.
If you’re thinking of providing accompaniment for a singer in a domestic
context, the lute can play the notes, just not the low octaves at cadences.
Any more than that, the
Ren lute is absolutely fine. When I played in the Collegium at Eastman,
Paul (O'Dette) occasionally sat in with us continuo players. He always
used his 8 course because he said it was easier to conduct without the
long neck. In addition to this, the instrument handles modulations
On 2014-11-03, 8:18 AM, Christopher Wilke wrote:
Ren lute is absolutely fine. When I played in the Collegium at Eastman,
Paul (O'Dette) occasionally sat in with us continuo players. He always
used his 8 course
I played continuo on my 7-course renaissance lute for many years in a
...@gaherty.ca
To: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Monday, 3 November 2014, 13:42
Subject: [LUTE] Re: Ren lute as sub for theorbo
On 2014-11-03, 8:18 AM, Christopher Wilke wrote:
Ren lute is absolutely fine. When I played in the Collegium at
Eastman,
Paul
On 2014-11-03, 10:47 AM, Martyn Hodgson wrote:
If you believe the lute 'works well' and is 'quite audible' for
continuo in ensemble, such as that required for a Bach harpsichord
concerto, why do you think the theorbo was ever invented?
Oh, certainly, an archlute or theorbo is
then, too. ;-)
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Mon, 11/3/14, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
Subject: [LUTE] Re: Ren lute as sub for theorbo
To: Geoff Gaherty ge
On Nov 3, 2014, at 7:47 AM, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
why do you think the theorbo was ever invented?
Well, one clue is that the first theorbo design was commissioned in 1595 by the
Marketing Committee of the Pan-Italian Chiropractors Association.
To get on or off
] On Behalf Of
Christopher Wilke
Sent: Monday, November 03, 2014 11:41 AM
To: Geoff Gaherty; lute@cs.dartmouth.edu; Martyn Hodgson
Subject: [LUTE] Re: Ren lute as sub for theorbo
Martyn,
On Mon, 11/3/14, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
If you believe the
lute 'works well
: [LUTE] Re: Ren lute as sub for theorbo
Martyn,
On Mon, 11/3/14, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
If you believe the
lute 'works well' and is 'quite audible' for
continuo in ensemble, such as that
required for a Bach harpsichord
concerto, why do you think
Hodgson
Subject: [LUTE] Re: Ren lute as sub for theorbo
Martyn,
On Mon, 11/3/14, Martyn Hodgson [7]hodgsonmar...@yahoo.co.uk wrote:
If you believe the
lute 'works well' and is 'quite audible' for
continuo in ensemble, such as that
required for a Bach
-
From: [4]lute-...@cs.dartmouth.edu
[mailto:[5]lute-...@cs.dartmouth.edu] On Behalf
Of Christopher Wilke
Sent: Monday, November 03, 2014 11:41 AM
To: Geoff Gaherty; [6]lute@cs.dartmouth.edu; Martyn Hodgson
Subject: [LUTE] Re: Ren lute as sub for theorbo
Martyn,
On Mon, 11/3/14, Martyn
On 11/3/2014 8:57 AM, howard posner wrote:
On Nov 3, 2014, at 7:47 AM, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
why do you think the theorbo was ever invented?
Well, one clue is that the first theorbo design was commissioned in 1595 by the
Marketing Committee of the Pan-Italian
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