Dear Stuart
When I replied to your mail this morning (here in France, you were hopefully
asleep at the time ;) I forgot one important link which may be of interest for
you : http://fughetta-library.blogspot.com/
It gives lots of treatises on counterpoint and harmony etc; and they can be
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From: [5]s.wa...@ntlworld.com
Subject: [LUTE] Re: Souvenir of last summer
On 07/12/2010 19:18, Jean-Marie Poirier wrote:
Thank you Dan. Much appreciated.
In fact I did quite a few arrangements (rather harmonizations
Although this has nothing to do with historical theory, I do always
look for the linear descent to the final when marking out a harmonization.
Amost all Western music has it.
In historical theory, the final itself will normally be an indicator of mode.
Some renaissance and baroque music begins
Beautiful! Bravo! I love Carolan's music- very well played too; wish
I had the time brains to arrange his music for lute, one of my old
favorites. (used to play versions on lyra viol, years ago). Nice
lute, too. One of my friends is getting a theorbo from Van Edwards.
Thanks, please record
Thank you Dan. Much appreciated.
In fact I did quite a few arrangements (rather harmonizations in fact) of
some Carolan's pieces for the recording we did last summer with my ensemble.
There are a few solos in the programme, that is one of them. The cd should be
released next mont hopefully...
On 07/12/2010 19:18, Jean-Marie Poirier wrote:
Thank you Dan. Much appreciated.
In fact I did quite a few arrangements (rather harmonizations in fact) of
some Carolan's pieces for the recording we did last summer with my ensemble. There are a
few solos in the programme, that is one of them.
...@ntlworld.com
Subject: [LUTE] Re: Souvenir of last summer
On 07/12/2010 19:18, Jean-Marie Poirier wrote:
Thank you Dan. Much appreciated.
In fact I did quite a few arrangements (rather harmonizations in
fact) of some Carolan's pieces for the recording we did last summer
Although I studied harmonization, it was geared towards Bach and
later. For earlier music, you need to look at the sources directly.
There's two things, basically, to consider. One is harmony, that is,
the chords or more complex harmonic structures.
Two is the voice-leading. You need to be aware
Dear Stuart,
I did not reply earlier because we have those 6 hours (or more if you're on the
West Coast) between France and the other side of the Ponsd ;- )! Actually Ron
and David gave exactly the answer I would have given... No gimmick or mystery
in arranging these tunes. Harmony and
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