Yes both Caroso books are avaiable on the LoC site.
- Original Message -
From: Katherine Davies
[EMAIL PROTECTED]
To: Arthur Ness [EMAIL PROTECTED]
Sent: Sunday, April 01, 2007 5:41 PM
Subject: Re: [LUTE] Re: Stung Again
Make that four:
Caroso puplished two books, one in 1580
HI,
here is a video of modern dance and elizabethan music, Holborne and nor
Dowland.
http://youtube.com/watch?v=4EuqQ3CI-H4
As often in these sort of things, I tend to find that the modern elements
seem quite dated and something more HIP would have a bit more attitude. But
if you want to get
And how long have you been playing in Duluth now Ed? , frankly I think
the Minnesota ballet should be ashamed of not having heard this music
before Sting released it. Sting may have put Early music on the map
for the general population, but it still makes me sick to my stomach
that we have been
And how long have you been playing in Duluth now Ed? , frankly I think
the Minnesota ballet should be ashamed of not having heard this music
before Sting released it. Sting may have put Early music on the map
for the general population, but it still makes me sick to my stomach
that we have
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
Date: Sunday, April 1, 2007 10:46 am
Subject: [LUTE] Re: Stung Again
Painful it may be to some. But Sting has real Presence, and we
should be
grateful he used it on Dowland. i.e SOMEONE ELSE'S MATERIAL. The
album
Dear Bruno,
It is good to hear from you. In terms of recognition, the lute world, or
early music on the whole, is a small part of the field of the classical
arts, including drama, dance or the visual arts. In my small town
(population of around 100,000), there are many arts organizations,
It will be a modern dance, with music of Dowland.
To what degree are the historical dances preserved?
For example, if the ballet company wanted to stage an authentic
reproduction, what resources would be available?
To get on or off this list see list information at
I think that the dances will not preserve aspects of the authentic dance.
ed
At 01:39 PM 4/1/2007 -0500, Herbert Ward wrote:
It will be a modern dance, with music of Dowland.
To what degree are the historical dances preserved?
For example, if the ballet company wanted to stage an authentic
Around Dowland's time there were at least three major treatises on
dance: Coroso, Negri, Arbeau, the first two written in lute tab with
mensural notation for melodies and often bass lines. They explain how
to do the steps and lay out whole dances set to specific music. The
dances and steps
list lute@cs.dartmouth.edu
Sent: Sunday, April 01, 2007 3:20 PM
Subject: [LUTE] Re: Stung Again
Around Dowland's time there were at least three major
treatises on
dance: Coroso, Negri, Arbeau, the first two written in
lute tab with
mensural notation for melodies and often bass lines
Dear All,
I've read so much about this, I thought I might just contribute a
little.
As a rather prudish viol and theorbo player, who's very much into
authenticity and finding out the truth in music (if ever such thing
exists), I find Sting's attempt in Dowland really enjoyable
]
To: gary digman [EMAIL PROTECTED]
CC: lutelist lute@cs.dartmouth.edu
Subject: [LUTE] Re: Stung again
Date: Fri, 30 Mar 2007 14:56:12 -0400
On Mar 30, 2007, at 6:41 AM, gary digman wrote:
My point is not that he is good, in your girlfriend's sense
My point is not that he is good, in your girlfriend's sense of the term, but
that he is popular, more popular than your girlfriend or I will ever be, and he
is using that popularity to introduce a wider audience to the lute which is
what so many on this list say they want.
Gary
-
Dear all,
I heard a report last week that classical music
was the genre with the single largest increase in
sales over all styles last year: up 22%. This was
largely due to two performers: the ever-popular Andrea
Bocelli and Sting.
Chris
--- gary digman [EMAIL PROTECTED] wrote:
On Mar 30, 2007, at 6:41 AM, gary digman wrote:
My point is not that he is good, in your girlfriend's sense of the
term, but that he is popular, more popular than your girlfriend or
I will ever be, and he is using that popularity to introduce a
wider audience to the lute which is what
On Mar 30, 2007, at 3:57 PM, Roman Turovsky wrote:
Which empress???
You mean there's more than one?
Yesterday I taught 2 classes of 19-year olds at NYU, invited by a
poet-friend who teaches a History of Culture course which touches
on the
mystification as a literary vehicle.
Which empress???
You mean there's more than one?
I didn't know any.
Yesterday I taught 2 classes of 19-year olds at NYU, invited by a
poet-friend who teaches a History of Culture course which touches
on the
mystification as a literary vehicle.
Interesting. When I was in graduate
empress of all flowers ...
i fear david may be right in that the preconcieved
notions people carry with them can sometimes make it
.. the thing itself - seem unrecognizable.
can too much information be just as dangerous (in a
tree for the forest situation) as too little?
--- David Rastall
My point is not that he is good, in your girlfriend's sense of the
term, but that he is popular, more popular than your girlfriend or
I will ever be, and he is using that popularity to introduce a
wider audience to the lute which is what so many on this list say
they want.
It's certainly
empress of all flowers ...
i fear david may be right in that the preconcieved
notions people carry with them can sometimes make it
.. the thing itself - seem unrecognizable.
can too much information be just as dangerous (in a
tree for the forest situation) as too little?
Absolutely, for
empress of all flowers ...
i fear david may be right in that the preconcieved
notions people carry with them can sometimes make it
.. the thing itself - seem unrecognizable.
can too much information be just as dangerous (in a
tree for the forest situation) as too little?
--- David Rastall
--- David Rastall [EMAIL PROTECTED] wrote:
Because you play that thing that Sting plays. Ho!
Ho! Just
kidding. Seriously, we're all mystified by
Sting's success.
i'm mystified as well but more for the baggage that
a talented, soulful, so-called pop artist is obliged
to carry with him
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