I would like to know too :)
I think the answer is a partial barree with the first finger, avoiding
fouling the first string. For me this needs a generous space between
first and second courses.
Any other suggestions?
Bill
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I only ever use just the first finger for the first fret. Aim for the
middle...
Rob
On 9 September 2013 11:56, William Samson [1]willsam...@yahoo.co.uk
wrote:
I would like to know too :)
I think the answer is a partial barree with the first finger,
avoiding
. Yong
edward.y...@gmail.com
Sent: Monday, 9 September 2013, 11:56
Subject: [LUTE] Re: chord fingering
I would like to know too :)
I think the answer is a partial barree with the first finger,
avoiding
fouling the first string. For me this needs a generous space between
I do the same but for ease of mind I've positioned the second and third course
just a little bit closer to one another.
The challenge is to play it in such a way that also the empty first course
sounds clear.
Happy luting!
Lex
Op 9 sep 2013, om 13:02 heeft Rob MacKillop het volgende
Of
Lex van Sante
Sent: Monday, September 09, 2013 1:41 PM
To: lute mailing list list
Subject: [LUTE] Re: chord fingering
I do the same but for ease of mind I've positioned the second and third
course just a
little bit closer to one another.
The challenge is to play it in such a way
On 09/09/13 8:00 AM, Mathias Rösel wrote:
Hans Newsidler has no barre in his tablatures. In the 1st part of his 1536
print, he offers fingerings that would imply forefinger b2, middle b3, ring
c4, little d5 for this chord.
He must have had small fingers to manage that. Like the others, I've
petit barre avec l'index; that's the canonical way. (Leroy,...). It
works easily with a not wide spacing.
__
De : Edward C. Yong edward.y...@gmail.com
A : Lute List lute@cs.dartmouth.edu
Envoye le : Lundi 9
Besard recommends using the first finger without a mini-barré - just put
it in the middle. It helps if your first finger has a thickish/squarish
end. Mine is quite tapered, so reluctantly I have to squash the finger
sideways a bit, but it's still not a barré in the traditional sense.
M
On 9 Sep, 2013, at 8:18 PM, Geoff Gaherty ge...@gaherty.ca wrote:
On 09/09/13 8:00 AM, Mathias Rösel wrote:
Hans Newsidler has no barre in his tablatures. In the 1st part of his 1536
print, he offers fingerings that would imply forefinger b2, middle b3, ring
c4, little d5 for this chord.
Bill's got it. Adrien le Roy makes it Kosher- but I would do it anyway.
Exceptions are the very rare wide, blocky finger tips that can actually
cover both courses (FOUR strings!) on the end. When Joseph Iadone's name
came up a few weeks ago, someone said that he had such fingers could
nail
Excellent practice for jumping in and out of the E-flat chord is Luis
Milan's Pavana III. He has you jumping back and forth from E-flat to
A-flat at his tempo of Compas algo apriesa- somewhat fast.
-Just came up from the lab- tried out the Neusidler 4-finger chord
fingering pattern with the
On 09/09/2013 17:29, Dan Winheld wrote:
Far more difficult is the same partial barre done with the 2nd finger,
required for an E major chord 1/2 step higher. Dowland, Melchior
Neusidler, Bakfark, and a few other of the professional heavyweights
throw that one at us! 3-course partial barre
Of jean-michel Catherinot
Sent: 09 September 2013 13:33
To: Edward C. Yong; Lute List
Subject: [LUTE] Re: chord fingering
petit barre avec l'index; that's the canonical way. (Leroy,...). It
works easily with a not wide spacing
Excellent! Thank you, Martin. Yes, those are two good ones. I can do
them- but the first chord, a-minor, is a tad shaky. Wouldn't try it in
performance! The B-flat major chord is actually a lot easier for me;
partial barre w/ last joint of 2nd finger, 3rd finger for the 3rd course
f fret, then
__
From: Dan Winheld dwinh...@lmi.net;
To: William Samson willsam...@yahoo.co.uk;
Cc: Lute List lute@cs.dartmouth.edu; Edward C. Yong
edward.y...@gmail.com;
Subject: [LUTE] Re: chord fingering
Sent: Mon, Sep 9, 2013 3:56:03 PM
Excellent practice for jumping in and out
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