[LUTE] Re: lute tasting, was Greenwich festival

2009-11-16 Thread David Tayler
I have worked with many musicians, and I can tell in a few moments if their instrument will record well or not, and they usually are interested, but unable to change it. By the time the recording rolls around, it is too late. And the sad thing is, that after awhile we imagine the sound to be

[LUTE] Re: lute tasting, was Greenwich festival

2009-11-16 Thread Edward Martin
David, Do you change lutes often? You are correct, in that many professional players do so. I have hung on to most of my instruments, as there are no perfect instruments, or perfect players. Ubkess there are serious issues with a particular lute, I tend to try to coax the best out of my

[LUTE] Re: lute tasting, was Greenwich festival

2009-11-16 Thread Daniel Winheld
I have had my six-course since 1976 and my 13 course Lundberg Baroque lute since about 1978. Original tops, and they still sound great. My original Hugh Gough 8 course, from 1973, has gone through very historic style conversions, first to 10 courses and now a small archlute. My only

[LUTE] Re: lute tasting, was Greenwich festival

2009-11-16 Thread Steve Ramey
-cs.dartmouth.edu lute@cs.dartmouth.edu Sent: Mon, November 16, 2009 4:28:02 AM Subject: [LUTE] Re: lute tasting, was Greenwich festival I have worked with many musicians, and I can tell in a few moments if their instrument will record well or not, and they usually are interested

[LUTE] Re: lute tasting, was Greenwich festival

2009-11-16 Thread luther maynard
lutes, maybe cheaply, if for nothing else than to hear how we actually sound. LM AKA JH Date: Mon, 16 Nov 2009 07:44:50 -0600 To: vidan...@sbcglobal.net; lute@cs.dartmouth.edu From: e...@gamutstrings.com Subject: [LUTE] Re: lute tasting, was Greenwich festival

[LUTE] Re: lute tasting, was Greenwich festival

2009-11-15 Thread David van Ooijen
On Sun, Nov 15, 2009 at 12:47 AM, nedma...@aol.com wrote:   components.  Most, if not all, of us, overestimate our ability to   remain dispassionate in judging items when we can see the item   (appearance means a lot) and have an idea of it's cost. I'm sure this Exactly why I want to see the

[LUTE] Re: lute tasting, was Greenwich festival

2009-11-15 Thread Jaroslaw Lipski
@cs.dartmouth.edu Sent: Sunday, November 15, 2009 10:52 AM Subject: [LUTE] Re: lute tasting, was Greenwich festival Or rather what the lute and I combined can do. We all want 1 and 1 to be more than 2 don't we. Lex Op 15 nov 2009, om 11:08 heeft David van Ooijen het volgende geschreven

[LUTE] Re: lute tasting, was Greenwich festival

2009-11-15 Thread chriswilke
/09, David van Ooijen davidvanooi...@gmail.com wrote: From: David van Ooijen davidvanooi...@gmail.com Subject: [LUTE] Re: lute tasting, was Greenwich festival To: vidan...@sbcglobal.net, lute@cs.dartmouth.edu Date: Sunday, November 15, 2009, 5:08 AM On Sun, Nov 15, 2009 at 12:47 AM,  nedma

[LUTE] Re: lute tasting, was Greenwich festival

2009-11-15 Thread Nedmast2
Choosing a musical instrument seems to me to be a tricky thing. For years I owned two cellos. After playing one for a few months I would switch and really like the new one. A few months later and I would rediscover the things I likes about the other one. In a way, it was a

[LUTE] Re: lute tasting, was Greenwich festival

2009-11-15 Thread Martin Shepherd
of choosing an instrument. Jaroslaw - Original Message - From: Lex van Sante lvansa...@gmail.com To: lute mailing list list lute@cs.dartmouth.edu Sent: Sunday, November 15, 2009 10:52 AM Subject: [LUTE] Re: lute tasting, was Greenwich festival Or rather what the lute and I combined can

[LUTE] Re: lute tasting, was Greenwich festival

2009-11-14 Thread Nedmast2
I agree with your advocation of blind testing, David. Having been involved with audio and audiophiles for many years, I've never agreed with the view that blind testing is not useful in evaluating audio components. Most, if not all, of us, overestimate our ability to remain