My thanks to all who assisted me. I now have what I was looking for
plus more than I expected.
Regards,
Craig
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
You can read my review here:
http://www9.plala.or.jp/edurbrow/luteinfo.html
On Mar 5, 2006, at 1:06 PM, Roman Turovsky wrote:
Smith's book is less scientific and bit superficial in my opinion
But also covers a lot of ground within the limited space!
And some very shaky ground too.
RT
Ed
I disagree with you, Ed, when you say it is hard to criticise the book. The
facts are facts, but the interpretation is often misleading and irrelevant.
I can't accept his comments on Fuenllana, and I don't think there is one
mention of the lute in Scotland. Clearly he doesn't think Scottish lute
My disagreement is based on
1.DAS' prose: I find it wooden at best.
2. His pseudo-intellectual lyrical divagations on the subjects he
shouldn't have touched (per Witgenstein's (unheeded) famous piece of
advice): Venereal Paleochristianity, Cicero as the father of counterpoint,
conflation of
The original was probably a chanson rustique, De mon triste desplaisir. (More
elsewhere) It was a dance tune originally.
ajn
- Original Message -
From: Tony Chalkley
To: lute@cs.dartmouth.edu ; [EMAIL PROTECTED]
Sent: Friday, March 03, 2006 1:15 PM
Subject: [LUTE] Re:
You still have a chance to hear JoAnn Falletta play that piece by Camilla dei
Rossi (use the link, below). Did you know that a lutenist now conducts a
major/minor symphony orchestra, the Buffalo Philharmonic?
ajn
- Original Message -
From: Tony Morris
Newsgroups:
Dear Markus,
I'll comment below.
- Original Message -
From: Markus Lutz
To: lute@cs.dartmouth.edu
Sent: Monday, February 20, 2006 5:27 PM
Subject: [LUTE] Re: Logy
Dear Arthur,
as far as I know this manuscript is also in the Bibliotheque national in
Paris.
ajnIf it
