I've read it's the 20th century and german version of what we know as style
brisé (just in case nobody else has already mentioned).
Thomas
- Original Message -
From: David Tayler [EMAIL PROTECTED]
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Thursday, October 02, 2008 4:58
i guess any one already have his favorite, and i want to discover my
own...
sssoo
Any recommendation? i want it for my nice little 7c...but i might try
something new with my guitar :-D
thank you
again
Omer
To get on or off this list see list information at
Hello Omer
I've been tackling this issue myself recently. I started by trying
some historical instructions for fret placement (found on the The
Lute Society of America Fret Placement Spreadsheet):
http://www.cs.dartmouth.edu/~lsa/download/index.html
I found, after a lot of trial and error, that
I suppose this question has already been asked umpteen times, but here goes
again: do we know how the ow in Dowland's name was pronounced? As in know
or as in how?
Thanks,
Dennis
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
And spit-clang is when you got too much oomph to it, no?
M.
David Tayler [EMAIL PROTECTED] schrieb:
I thought Spaetklang was when you can't keep the tempo.
d
At 02:08 AM 9/30/2008, you wrote:
And Splatklang is when you don't quite manage to play that difficult
chord
Lemme try to clarify this. Split sound is when the sounds of different
ensemble members do not blend, that's all. I think we can all agree by
and large with the following:
The medieval hofkapelle at the Burgundian court consisted of single
musicians who would do their best to get heard distinctly
Dear Gernot,
I would suggest for another edition, why?? simply
because some months ago I was in Lubeck for a concert and while I was
there I called them for some music and they were just
rude. Fortunatelly we have nice people such as Minkof or S.P.E.S and
many
Thanks Mathias,
This subject is very interesting and you explained it very well.
2008/10/2 Mathias Roesel [EMAIL PROTECTED]
Lemme try to clarify this. Split sound is when the sounds of
different
ensemble members do not blend, that's all. I think we can all agree
by
howard posner [EMAIL PROTECTED] schrieb:
The medieval hofkapelle at the Burgundian court consisted of single
musicians who would do their best to get heard distinctly (the lute
being played with quills therefore). That's split sound (spaltklang).
But there's no evidence of such a sound
Bruno Fournier wrote:
Does anyone know the equivalent of the following woundPyramid strings
but in SAVAREZ instead?
1007
1008
1009
1011
1015
1021
1023
1025
1027
I have ordered these strings from Pyramid, but they have not replied to
me.
- Original Message -
From: Mathias Rösel [EMAIL PROTECTED]
To: Arthur Ness [EMAIL PROTECTED]
Cc: Daniel Shoskes [EMAIL PROTECTED]; Lute Net
lute@cs.dartmouth.edu
Sent: Wednesday, October 01, 2008 4:31 PM
Subject: [LUTE] Re: New Paul O'Dette CD
| Arthur Ness [EMAIL PROTECTED] schrieb:
|
Dennis, and Jurek
Perhaps Diana Poulton assumed this from the play on Dowland/Dolens,
Semper Dowland Semper Dolens (and isn't that the vowel sound in
her own name?).
However, don't forget that the diphthongs at the time of Dowland were
undergoing the process often called the Great Vowel
I really like his John Johnson edition. It's a very nice collection of
music, with really good notes.
Nancy Carlin
At 01:58 PM 10/2/2008, Edward Martin wrote:
I second that statement, Guy. I ran the bookstore this past summer
at the LSA seminar, and I had to deal with Mr.
Maybe we're talking nonsense because we haven't defined our terms.
Or maybe you assume a clear dichotomy between blending and not
blending; the world is a more complicated place than that.
Indeed, I think the whole notion of a single sound ideal for all of
Europe for a century or more is
Which would explain why renaissance lutenists' propensity of playing
near the rose, and the shift from 1600 onward to the bridge.
Was there really a shift? I seem to recall instructions on where to
plant you little finger, rather than where to actually play the strings,
so perhaps it
howard posner [EMAIL PROTECTED] schrieb:
Maybe we're talking nonsense because we haven't defined our terms.
Or maybe you assume a clear dichotomy between blending and not
blending; the world is a more complicated place than that.
I'm too simple a listener, probably. IMHO it's a dichotomy,
16 matches
Mail list logo
