FoMRHI has been resurrected for a couple of years now. Much praise
needs to go to the
new Secretary, Chris Goodwin (also Sec of the Lute Soc) for his hard
work.
Martyn
--- On Fri, 26/11/10, Anthony Hind agno3ph...@yahoo.com wrote:
From: Anthony Hind agno3ph...@yahoo.com
Dear David,
Interesting points I never heard of before.
In which way do the mss sources support your opinion of the fermata of the
first note?
What evidence do we have to play graces in pieces by Francesco?
Why is it possible that the first statement is not a real statement?
Best wishes,
Hello everyone,
I made a short video (16 MB anyway) on how I fasten gut frets:
http://www.busatolutes.com/Video%201.flv
Enjoy!
Paolo Busato lute-maker
www.busatolutes.com
_
Il contenuto di questa e-mail e dei file
Grazie Paolo!
I've propagated for this video sequence for years. You are the first to
finally make it! Good job!
G.
- Original Message -
From: Paolo Busato pa.bus...@tiscali.it
To: Lute List lute@cs.dartmouth.edu
Sent: Saturday, November 27, 2010 8:24 PM
Subject: [LUTE] Re: fret
Basically, if you look at all the sources for renaissance music,
including lute music, you will see many pieces that begin and end
with the equivalent of a longa, and that the time for these notes, as
well as those at medial cadences, can be free.
Looking again at the sources, if you look at
Susanne, David All:
I completely agree with David's thorough explanation. The intent of
the opening phase is established when the player introduces the idea of
pulse. Beginning with a longa allows you to draw the listener (even if
it's only you and your cat) into the atmosphere
