[LUTE] Re: Rewarding Renaissance Lute repertoire

2017-12-07 Thread Dan Winheld 

Two thumbs up for Martin's anthology!
- I got my copy from him years ago at lute seminar, it has a wonderful 
balance of repertoire in all ways. By the way, much of Hans Newsidler's 
intabs are no push overs. He will first give you a pretty straight 
intab, then follow with an ornamented one. Timing, rhythms can be very 
tricky if you don't tweak your pace properly.  I love all of them, and 
it is especially  rewarding to learn & play his "Mille Regretz" after 
all these years of only playing the justly popular version by Narvaez. 
Both are superb examples of the art of intabulation at its best.


Dan

On 12/7/2017 1:50 AM, Martin Shepherd wrote:

Since we're talking about Newsidler:

Yes, his books are ideal for learning to read German tablature because 
the letters are very clear and distinct and he only introduces a few 
symbols at a time.


Many of the German Tenorlieder are frustrating because they have these 
huge gaps between sections - perhaps we should improvise some twiddly 
bits to fill the gaps?


You can find some nice music (56 pieces) from German prints (in French 
tab) in my anthology "Renaissance Lute Music from German Sources" 
published by the Lute Society in 2000 
(http://www.lutesociety.org/pages/catalogue#b).


Martin

On 07/12/2017 08:04, Tristan von Neumann wrote:

Well then, you are lucky!
Deciphering obscure German Tabs is one of my next projects.
I'm running out of new music, so this would be the way to go, and as 
a side effect, I might even learn to play from those tabs. I plan to 
transcribe with lute in hand.


Does anyone have any insight into which German tab books are most 
desired as transcriptions? I prefer German song intabulations to 
French chansons. Italian Madrigals are ok. Most welcome of course are 
interesting Fantasies and groovy dances.


Am 07.12.2017 um 01:44 schrieb G. C.:
    So, Hans Newsidler seems to be a good place to begin, judging 
from the
    many manuscript copies that were made of his books. He not only 
was an
    early Renaissance lutenist, but had a didactic flair which 
caught on
    and demonstrably also worked. (Both his sons Conrad and Melchior 
became
    outstanding lutenists, especially Melchior). German tablature is 
also
    made approachable for a modern player through his easy pieces. 
There is
    a wealth of (often quite virtuosic) music available in the many 
German
    tablature manuscripts, which have not yet been sufficiently 
researched

    and are still awaiting academic and performer discovery.
    G.
    On Thu, Dec 7, 2017 at 1:15 AM, Tristan von Neumann
    <[1]tristanvonneum...@gmx.de> wrote:
    THanks G.,
    I own the Poulton Lute Book, also I browse regularly through Sarge
    Gerbode's site. I have harvested literally 1000s of pieces now...
    But you never know what's out there, so that's why I asked, and 
also to

    see what people think is on the easy to intermediate side.
    Hans Neusiedler is really really good though, I practically 
learned to

    play the lute with his pieces.

    --

References

    1. mailto:tristanvonneum...@gmx.de


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[LUTE] Re: Stringing Question (German Lute)

2017-12-07 Thread Christopher Stetson 
   Hello, Tristan all.
   In my limited understanding, these instruments were originally intended
   to be tuned like a standard guitar, EADgbe at.A440, and in fact are
   often referred to in English as "guitar-lutes" or "lute-guitars"   I
   have a couple of music books for "laute" from the time, and it's clear
   that the music is interchangeable with a standard guitar, though often
   with sub-basses.   I think most people who have them just use standard
 nylon guitar string sets, though I hope with low-tension, and of
   course they would have originally been gut for the 3 treble strings,
   and silk overspun with wire, often called "metal strings" at the time,
   for the 3 bass strings..   Frequently people erroneously believe that a
   pin-style bridge indicates that an instrument was intended to have
   metal strings, but that is not necessarily the case before about 1930.
 Also, many damaged guitar-type instruments of the era appear to have
   been destroyed by people restringing them with wire at high tension. I
   have no idea why they scalloped the fingerboard between the frets,
   except to make it look old and romantic (see below)   I can't imagine
   any effect other than making the intonation shaky.
   Frankly, I think these instruments have little to do with the
   historical lute tradition except the shape of the back and the
   decorated soundhole, and these were borrowed to evoke a romantic.
   pre-Raphaelite "ancient times" appearance.
   That said, they now represent a historical moment and aesthetic in
   themselves, and deserve to be preserved on that basis.Somewhere on
   my computer I have collection, ca. 1925, of Volkslieder for voice and
   laute, complete with medievalist line-drawing illustrations, that I'd
   be happy to share.
   []^[DEL: :DEL]
   Best to all, and keep playing.
   Chris
   On Thu, Dec 7, 2017 at 4:20 PM, Tristan von Neumann
   <[1]tristanvonneum...@gmx.de> wrote:

 Thank you very much Joachim!
 I decided to string it in G (415Hz) and with the tension of a medium
 tension Renaissance Lute and see what happens. If it doesn't work,
 I'll try F.
 I can't say right now- the one rib joint that has come apart and
 became warped is now fixed bent the opposite way with an old banking
 card and gaffer tape. Hopefully the wood will reshape over some time
 so I can glue it with good old Dr. Oetker Blattgelatine ;). That way
 I don't have to dismantle the whole bowl which I wouldn't want to
 try...
 Am 07.12.2017 um 21:30 schrieb Joachim Lüdtke:

 Sorry to have you waiting! Generally: rather light, especially if
 the instrument has suffered from time and bad treatment. Like
 'Wandervogel' guitars, the lutes contemporary with them are fit for
 strings which are somewhere between the very light ones one puts on
 Early Romantic guitars and those you string your Andres Segovia
 memorial monster with... I have difficulties with defining a tension
 yet as I would have to bring out one of my calculators first.
 All best
 Joachim
 -Original-Nachricht-
 Betreff: [LUTE] Re: Stringing Question (German Lute)
 Datum: 2017-11-30T22:11:37+0100
 Von: "Tristan von Neumann" <[2]tristanvonneum...@gmx.de>
 An: "lutelist Net" <[3]lute@cs.dartmouth.edu>

   Thank you!
   This is very helpful, especially coming from you! I recently bought
   "The
   Lute in Europe 2" and I'm very awestruck by the book :)
   So I'm going to use my good old fishing wire (1150 kg/m ³). What
   tension
   would you recommend?
   Am 30.11.2017 um 21:21 schrieb Joachim Lüdtke:

   Gut â definitely â was the material of the original strings. Even with
   such a thick soundboard, don't put on metal strings. The whole
   structure of both guitars as galutes/lutars or whatchamacallits from
   about that time is not fit to withstand the pressure put on it by
   metals strings for long.
   Don't judge the soundboard thickness by what you can measure at the
   rose: these were (most?) often not cut into the soundboard, but set in
   and were sawn out of a material considerably thicker than the
   soundboard wood itself, whicht might be about 3 mm. If you really want
   to try out metal strings (your own risk, Tristan!), use a set of
   silk-and-steel strings as recommended for old American parlor guitars.
   Good luck!
   Joachim
   P.S.: you will find metal strings with old German guitars and
   instrument like your six-string lute occasionally. They were introduced
   in years when gut became rare, and nylon strings were not yet available
   (nylon strings were provided as a replacement material first and only
   later became a 'standard' for 'classical' guitars). The metal strings
   have ruined a lot of instruments ...
   Lektorat & Korrektorat
   Dr. Joachim Lüdtke
   BlumenstraÃe 20
   D-90762 Fürth
   Tel.: 0911 / 976 45 20
   Mail: [4]jo.lued...@t-online.de
  Mitglied im

[LUTE] Re: Stringing Question (German Lute)

2017-12-07 Thread Tristan von Neumann 

Thank you very much Joachim!

I decided to string it in G (415Hz) and with the tension of a medium 
tension Renaissance Lute and see what happens. If it doesn't work, I'll 
try F.
I can't say right now- the one rib joint that has come apart and became 
warped is now fixed bent the opposite way with an old banking card and 
gaffer tape. Hopefully the wood will reshape over some time so I can 
glue it with good old Dr. Oetker Blattgelatine ;). That way I don't have 
to dismantle the whole bowl which I wouldn't want to try...



Am 07.12.2017 um 21:30 schrieb Joachim Lüdtke:

Sorry to have you waiting! Generally: rather light, especially if the 
instrument has suffered from time and bad treatment. Like 'Wandervogel' 
guitars, the lutes contemporary with them are fit for strings which are 
somewhere between the very light ones one puts on Early Romantic guitars and 
those you string your Andres Segovia memorial monster with... I have 
difficulties with defining a tension yet as I would have to bring out one of my 
calculators first.

All best

Joachim

-Original-Nachricht-
Betreff: [LUTE] Re: Stringing Question (German Lute)
Datum: 2017-11-30T22:11:37+0100
Von: "Tristan von Neumann" 
An: "lutelist Net" 

Thank you!

This is very helpful, especially coming from you! I recently bought "The
Lute in Europe 2" and I'm very awestruck by the book :)

So I'm going to use my good old fishing wire (1150 kg/m³). What tension
would you recommend?


Am 30.11.2017 um 21:21 schrieb Joachim Lüdtke:

Gut – definitely – was the material of the original strings. Even with such a 
thick soundboard, don't put on metal strings. The whole structure of both 
guitars as galutes/lutars or whatchamacallits from about that time is not fit 
to withstand the pressure put on it by metals strings for long.

Don't judge the soundboard thickness by what you can measure at the rose: these 
were (most?) often not cut into the soundboard, but set in and were sawn out of 
a material considerably thicker than the soundboard wood itself, whicht might 
be about 3 mm. If you really want to try out metal strings (your own risk, 
Tristan!), use a set of silk-and-steel strings as recommended for old American 
parlor guitars.

Good luck!

Joachim

P.S.: you will find metal strings with old German guitars and instrument like 
your six-string lute occasionally. They were introduced in years when gut 
became rare, and nylon strings were not yet available (nylon strings were 
provided as a replacement material first and only later became a 'standard' for 
'classical' guitars). The metal strings have ruined a lot of instruments ...

Lektorat & Korrektorat
Dr. Joachim Lüdtke
Blumenstraße 20
D-90762 Fürth
Tel.: 0911 / 976 45 20
Mail: jo.lued...@t-online.de
   
Mitglied im Verband der freien Lektorinnen und Lektoren

www.vfll.de
www.lektoren.de/profil/joachim-luedtke
   



-Original-Nachricht-
Betreff: [LUTE] Stringing Question (German Lute)
Datum: 2017-11-30T19:58:23+0100
Von: "Tristan von Neumann" 
An: "lutelist Net" 

Hi there,

I'm currently repairing my old German Lute (6x1, 62cm), previously
decorative only. Some ribs have come apart. I managed one connection
already.
I noticed that it has very thin ribs (about 1-1.5mm), however the
soundboard is quite thick judging at the rose (about 4-5mm).
There is one leftover string attached on the 4th course, it seems
contemporary and is wound metal.
The lute has a one piece carved pegbox with ornamented back plate and
flowerhead, and mechanical pegs. The fingerboard has metal frets with
arches in between. The strings are attached with wooden pins into holes
in the bridge.
It seems about 100 years old. No maker's plate is visible inside the bowl.
After having it in ok condition I plan to string it -- what would you
suggest? Metal or nylon (in the latter case I'll use my fishing line)?
Is there a way to tell if it was metal or gut strung?
Personally I would prefer metal for more cittern-like sound, unless
anyone advises strongly against it.

Cheers
Tristan



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[LUTE] Re: Game of Thrones Theme

2017-12-07 Thread Leah Baranov 
   Here's a guitar duet I found on YouTube:
   [1]http://artofguitar.net/courses/game-of-thrones-arranged-for-classica
   l-guitar-duet/

   On Thu, Dec 7, 2017 at 3:04 PM, Tristan von Neumann
   <[2]tristanvonneum...@gmx.de> wrote:

 ..   don't laugh, but I'd like to play the Game of Thrones theme...
 Does anyone have a nice intabulation? :)
 To get on or off this list see list information at
 [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. 
http://artofguitar.net/courses/game-of-thrones-arranged-for-classical-guitar-duet/
   2. mailto:tristanvonneum...@gmx.de
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Game of Thrones Theme

2017-12-07 Thread Tristan von Neumann 

..  don't laugh, but I'd like to play the Game of Thrones theme...

Does anyone have a nice intabulation? :)



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[LUTE] Re: Mus.Hs.17706 Sammlung von Lautentabulaturen von verschiedenen Komponisten

2017-12-07 Thread Jean-Marie Poirier 
Excellent! Thank you so much for your wonderful work, David!

> Le 7 déc. 2017 à 09:08, David Smith  a écrit :
> 
>   I received a request recently about this manuscript and went ahead and
>   downloaded it. There are a LOT of blank pages and the theorbo parts
>   start at the end, upside down, and come forward. I have posted two
>   versions. The first is the complete download as posted on the
>   Österreichische Nationalbibliothek web page. The other is without the
>   blank pages and the theorbo parts rotated and put into the correct
>   order. There is a blank page between the two.
> 
> 
>   It can be found at: [1]http://www.dolcesfogato.com/Music/
> 
> 
>   I hope this is useful to someone.
> 
> 
>   Regards
> 
>   David Smith
> 
>   --
> 
> References
> 
>   1. http://www.dolcesfogato.com/Music/
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Professorship in Cologne

2017-12-07 Thread Stephan Olbertz 
https://www.hfmt-koeln.de/nc/en/aktuelles/stellenangebote.html

BTW, this Umlaut-problem seems rather new on my machine, I don't understand
this... So, it's Junghaenel... 

-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stephan Olbertz
Gesendet: Donnerstag, 7. Dezember 2017 11:53
An: lute@cs.dartmouth.edu
Betreff: [LUTE] Professorship in Cologne

   Hi all,


   this is to inform you that the Cologne Musikhochschule is looking for a
   new lute professor (50 %) in succession to Konrad Junghänel.
   Application ends on January the 15.

   Please spread the word to your worldclass friends...


   Best regards

   Stephan



   --


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[BAROQUE-LUTE] WG: Professorship in Cologne

2017-12-07 Thread Stephan Olbertz 

https://www.hfmt-koeln.de/nc/en/aktuelles/stellenangebote.html 

BTW, this Umlaut-problem seems rather new on my machine, I don't understand
this... So, it's Junghaenel... 

-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stephan Olbertz
Gesendet: Donnerstag, 7. Dezember 2017 11:53
An: l...@cs.dartmouth.edu
Betreff: [LUTE] Professorship in Cologne

   Hi all,


   this is to inform you that the Cologne Musikhochschule is looking for a
   new lute professor (50 %) in succession to Konrad Junghänel.
   Application ends on January the 15.

   Please spread the word to your worldclass friends...


   Best regards

   Stephan



   --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Professorship in Cologne

2017-12-07 Thread Stephan Olbertz 
   Hi all,


   this is to inform you that the Cologne Musikhochschule is looking for a
   new lute professor (50 %) in succession to Konrad Junghänel.
   Application ends on January the 15.

   Please spread the word to your worldclass friends...


   Best regards

   Stephan



   --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[BAROQUE-LUTE] WG: Professorship in Cologne

2017-12-07 Thread Stephan Olbertz 


   Von: Stephan Olbertz [mailto:stephan.olbe...@web.de]
   Gesendet: Donnerstag, 7. Dezember 2017 11:53
   An: 'l...@cs.dartmouth.edu'
   Betreff: Professorship in Cologne


   Hi all,


   this is to inform you that the Cologne Musikhochschule is looking for a
   new lute professor (50 %) in succession to Konrad Junghänel.
   Application ends on January the 15.

   Please spread the word to your worldclass friends...


   Best regards

   Stephan



   --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Rewarding Renaissance Lute repertoire

2017-12-07 Thread Martin Shepherd 

Since we're talking about Newsidler:

Yes, his books are ideal for learning to read German tablature because 
the letters are very clear and distinct and he only introduces a few 
symbols at a time.


Many of the German Tenorlieder are frustrating because they have these 
huge gaps between sections - perhaps we should improvise some twiddly 
bits to fill the gaps?


You can find some nice music (56 pieces) from German prints (in French 
tab) in my anthology "Renaissance Lute Music from German Sources" 
published by the Lute Society in 2000 
(http://www.lutesociety.org/pages/catalogue#b).


Martin

On 07/12/2017 08:04, Tristan von Neumann wrote:

Well then, you are lucky!
Deciphering obscure German Tabs is one of my next projects.
I'm running out of new music, so this would be the way to go, and as a 
side effect, I might even learn to play from those tabs. I plan to 
transcribe with lute in hand.


Does anyone have any insight into which German tab books are most 
desired as transcriptions? I prefer German song intabulations to 
French chansons. Italian Madrigals are ok. Most welcome of course are 
interesting Fantasies and groovy dances.


Am 07.12.2017 um 01:44 schrieb G. C.:
    So, Hans Newsidler seems to be a good place to begin, judging 
from the
    many manuscript copies that were made of his books. He not only 
was an

    early Renaissance lutenist, but had a didactic flair which caught on
    and demonstrably also worked. (Both his sons Conrad and Melchior 
became
    outstanding lutenists, especially Melchior). German tablature is 
also
    made approachable for a modern player through his easy pieces. 
There is
    a wealth of (often quite virtuosic) music available in the many 
German
    tablature manuscripts, which have not yet been sufficiently 
researched

    and are still awaiting academic and performer discovery.
    G.
    On Thu, Dec 7, 2017 at 1:15 AM, Tristan von Neumann
    <[1]tristanvonneum...@gmx.de> wrote:
    THanks G.,
    I own the Poulton Lute Book, also I browse regularly through Sarge
    Gerbode's site. I have harvested literally 1000s of pieces now...
    But you never know what's out there, so that's why I asked, and 
also to

    see what people think is on the easy to intermediate side.
    Hans Neusiedler is really really good though, I practically 
learned to

    play the lute with his pieces.

    --

References

    1. mailto:tristanvonneum...@gmx.de


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[LUTE] Re: Mus.Hs.17706 Sammlung von Lautentabulaturen von verschiedenen Komponisten

2017-12-07 Thread Markus Lutz 

As always a look to the lute music data base by Peter Steur and me:
mss.slweiss.de/index.php?id=1=ms=A-Wn17706
can be helpful.

The theorbo pieces start here:
http://mss.slweiss.de/index.php?id=1=ms=A-Wn17706=90

If someone has concordances, we always are thankful for support and 
corrections.


Best regards
Markus


Am 07.12.2017 um 09:33 schrieb Matthew Daillie:

Oh dear, I am the guilty party I'm afraid! I asked David for help in finding an 
efficient way of downloading the whole manuscript from the Austrian National 
Library in Vienna but I didn't expect him to be so kind as to do all the donkey 
work (yet again!). Many thanks David.

The end of the book (which was reversed to start afresh) contains some 
interesting theorbo pieces by Bartolotti, beautifully written out in a very 
clear hand and certainly worth playing through (there is a modern edition of 
these works by Massimo Moscardo published by the Société française de luth but 
which contains errors).

The library provides a link to a list of contents, which includes a number of 
works for baroque lute by such illustrious French composers as Gallot, Dufeaux 
(sic) and Denis Gaultier (but which I haven't had time to look at yet).

Best,
Matthew




On Dec 7, 2017, at 9:08, David Smith  wrote:

   I received a request recently about this manuscript and went ahead and
   downloaded it. There are a LOT of blank pages and the theorbo parts
   start at the end, upside down, and come forward. I have posted two
   versions. The first is the complete download as posted on the
   Österreichische Nationalbibliothek web page. The other is without the
   blank pages and the theorbo parts rotated and put into the correct
   order. There is a blank page between the two.


   It can be found at: [1]http://www.dolcesfogato.com/Music/


   I hope this is useful to someone.


   Regards

   David Smith

   --

References

   1. http://www.dolcesfogato.com/Music/


To get on or off this list see list information at
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--

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Schulstraße 11

88422 Bad Buchau

Tel  0 75 82 / 92 62 89
Fax  0 75 82 / 92 62 90
Mail mar...@gmlutz.de

[BAROQUE-LUTE] Re: help with translating French titles

2017-12-07 Thread Matthew Daillie 
Hi David,
I think this is more a question of social and historical context than of 
translation. The CNRS edition of the works of Mouton gives possible 
explanations for a number of the subtitles of the pieces, inspired by his 
encounters in the Parisian salons. I can scan the relevant pages and send them 
to you off-list if you're interested.
Best,
Matthew 



> On Dec 7, 2017, at 7:47, David van Ooijen  wrote:
> 
>   Before I start making mistakes with my poor French, or overlook
>   anything (not so) obvious, can the collected wisdom help me translate
>   these titles of pieces by Gaultier and Mouton, and possibly shed some
>   light on the quirkiness of some of them? How is Languedoc connected
>   with la pompe funèbre, or a bucentaure, what is so deliberée about
>   that courante, do we know which Madame and Belle Danceuse he was
>   writing for,  It's for programme notes, so any extra info is
>   welcome.
>   Gaultier:
>   Allemande, le languetock ou la Pompe funèbre ou bien le Bucentaure
>   Mouton:
>   La Deliberée Courant
>   La Bergère Sarabande
>   La Libertine Canarie
>   La belle Espagnole Chaconne
>   Tomeau de Madame, Pavane
>   La belle Danceuse, Gavotte
>   A grande merci in advance
>   David
>   ***
>   David van Ooijen
>   [1]davidvanooi...@gmail.com
>   [2]www.davidvanooijen.nl
>   ***
> 
>   --
> 
> References
> 
>   1. mailto:davidvanooi...@gmail.com
>   2. http://www.davidvanooijen.nl/
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Re: Mus.Hs.17706 Sammlung von Lautentabulaturen von verschiedenen Komponisten

2017-12-07 Thread Matthew Daillie 
Oh dear, I am the guilty party I'm afraid! I asked David for help in finding an 
efficient way of downloading the whole manuscript from the Austrian National 
Library in Vienna but I didn't expect him to be so kind as to do all the donkey 
work (yet again!). Many thanks David.

The end of the book (which was reversed to start afresh) contains some 
interesting theorbo pieces by Bartolotti, beautifully written out in a very 
clear hand and certainly worth playing through (there is a modern edition of 
these works by Massimo Moscardo published by the Société française de luth but 
which contains errors).

The library provides a link to a list of contents, which includes a number of 
works for baroque lute by such illustrious French composers as Gallot, Dufeaux 
(sic) and Denis Gaultier (but which I haven't had time to look at yet).

Best,
Matthew



> On Dec 7, 2017, at 9:08, David Smith  wrote:
> 
>   I received a request recently about this manuscript and went ahead and
>   downloaded it. There are a LOT of blank pages and the theorbo parts
>   start at the end, upside down, and come forward. I have posted two
>   versions. The first is the complete download as posted on the
>   Österreichische Nationalbibliothek web page. The other is without the
>   blank pages and the theorbo parts rotated and put into the correct
>   order. There is a blank page between the two.
> 
> 
>   It can be found at: [1]http://www.dolcesfogato.com/Music/
> 
> 
>   I hope this is useful to someone.
> 
> 
>   Regards
> 
>   David Smith
> 
>   --
> 
> References
> 
>   1. http://www.dolcesfogato.com/Music/
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

[LUTE] Mus.Hs.17706 Sammlung von Lautentabulaturen von verschiedenen Komponisten

2017-12-07 Thread David Smith 
   I received a request recently about this manuscript and went ahead and
   downloaded it. There are a LOT of blank pages and the theorbo parts
   start at the end, upside down, and come forward. I have posted two
   versions. The first is the complete download as posted on the
   Österreichische Nationalbibliothek web page. The other is without the
   blank pages and the theorbo parts rotated and put into the correct
   order. There is a blank page between the two.


   It can be found at: [1]http://www.dolcesfogato.com/Music/


   I hope this is useful to someone.


   Regards

   David Smith

   --

References

   1. http://www.dolcesfogato.com/Music/


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