Completely OT. Years ago I had a gig in Tehran, and when I
wasA studyingA archlute in myA hotel room I hear guitar playing in the
room next to me. It turned out to be Lily. Chance encounter.A On that
same trip I played with tar and setar players. A few more frets indeed
... I Have a
http://digitalcollections.tcd.ie/content/1373/pdf/1373.pdf
Rainer adS
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.. and why are so many pages missing?
Matteo
On 11 April 2015 at 11:27, adS [1]rainer.aus-dem-spr...@gmx.de wrote:
[2]http://digitalcollections.tcd.ie/content/1373/pdf/1373.pdf
Rainer adS
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On 11.04.2015 13:18, Matteo Turri wrote:
.. and why are so many pages missing?
Matteo
Good question - I have sent an e-mail to Head of Digital Resources Imaging
Services a few minutes ago.
Rainer
On 11 April 2015 at 11:27, adS [1]rainer.aus-dem-spr...@gmx.de wrote:
We have posted our Saturday quotes - Who owns traditional music?
[1]http://wp.me/p15OyV-19b
Ron Donna
--
References
1. http://wp.me/p15OyV-19b
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I know nothing about guitars but from lutemaking
experence it is perfectly possible to glue the
thin piece of rosewood onto an unvarnished spruce
top and then to remove it again without any
damage at all to the spruce..so long as you
use hide glue. Which of course would have been
the
While we are on the subject of golpeadores I have seen several made
from clear celluloid and the soundboard isn't hidden at all. In fact
from a few steps away it is impossible to detect the golpeadore. It
seems to me that the varnish/lacquer covers the golpeadore, too. Does
