[LUTE] Re: Carillon de Village

[Wim Loos]

   Dear all,
   This remind me on the piece for choir from Senfl, "Das Gelaüt zu
   Speier". It sounds as random ringing bells. A wonderfull piece, but
   difficult to sing.
   Wim Loos
   Op 12 feb. 2018 18:39 schreef "Rainer" <[1]rads.bera_g...@t-online.de>:

 Simple question:
 Would you place any double bar lines anywhere?
 If so, why.
 Rainer

   On 12.02.2018 18:22, Ron Andrico wrote:

 Rainer, I'm not sure what you are asking.   The character piece
 is a
 series of variations inspired by the ringing of bells, which in
 real
 life can be rather random.   The variations are in fact derived
 from the
 bass line, which I play through by itself a few times in
 performance
 before beginning the variations and again before repeating the
 whole
 thing.   There are more thant a few instances where Vallet wrote
 strains
 that echo, particularly effective if one understands how to
 subdivide
 the phrases.
 Again, my feeling is that the variations arise from the bass
 line, grow
 in complexity and demonstrate a clever rendering of the pleasant
 cacophony that one hears in the ringing of bells.   As for
 structure, I
 hear symmetry in each of the variations, which are evenly
 divisible
 within themselves.
 RA
 RA
   
 __
 From: [2]lute-...@cs.dartmouth.edu
 <[3]lute-...@cs.dartmouth.edu> on behalf
 of Rainer <[4]rads.bera_g...@t-online.de>
 Sent: Monday, February 12, 2018 4:30 PM
 To: Lute net
 Subject: [LUTE] Carillon de Village
 Dear lute netters,
 I wonder if anybody recognizes any structure (strains?) in
 Vallet's
 "Carillon de Uillage".
 Volume II, page 25.
 Of course, the problem is that the bass "part" doesn't give any
 clue :)
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[LUTE] Re: Carillon de Village

[Rainer]

Simple question:

Would you place any double bar lines anywhere?

If so, why.

Rainer  


On 12.02.2018 18:22, Ron Andrico wrote:

Rainer, I'm not sure what you are asking.  The character piece is a
series of variations inspired by the ringing of bells, which in real
life can be rather random.  The variations are in fact derived from the
bass line, which I play through by itself a few times in performance
before beginning the variations and again before repeating the whole
thing.  There are more thant a few instances where Vallet wrote strains
that echo, particularly effective if one understands how to subdivide
the phrases.

Again, my feeling is that the variations arise from the bass line, grow
in complexity and demonstrate a clever rendering of the pleasant
cacophony that one hears in the ringing of bells.  As for structure, I
hear symmetry in each of the variations, which are evenly divisible
within themselves.

RA
RA
  __

From: lute-...@cs.dartmouth.edu  on behalf
of Rainer 
Sent: Monday, February 12, 2018 4:30 PM
To: Lute net
Subject: [LUTE] Carillon de Village

Dear lute netters,
I wonder if anybody recognizes any structure (strains?) in Vallet's
"Carillon de Uillage".
Volume II, page 25.
Of course, the problem is that the bass "part" doesn't give any clue :)
To get on or off this list see list information at
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www.cs.dartmouth.edu
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with a Subject: of "subscribe" to lute-requ...@cs.dartmouth.edu and
your name will be added to ...

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[LUTE] Re: Carillon de Village

[Tristan von Neumann]

Maybe it should sound like bells?
Their rhythm is unpredictable.


Am 12.02.2018 um 17:30 schrieb Rainer:

Dear lute netters,

I wonder if anybody recognizes any structure (strains?) in Vallet's 
"Carillon de Uillage".


Volume II, page 25.

Of course, the problem is that the bass "part" doesn't give any clue :)



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