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Why do we have this uncritical reverence for the published writer? Why does the simple fact of publication suddenly make a person, hitherto almost derided, now a proper object of our admiration, a repository of special and important knowledge about the human condition? And more interestingly, what effect does this shift from derision to reverence have on the author and his work, and on literary fiction in general?

Every year, I teach creative writing to just a couple of students. These are people in their mid-twenties in a British post-graduate course who come to me in Italy as part of an exchange program. The prospect of publication, the urgent need, as they see it, to publish as soon as possible, colors everything they do. Often they will drop an interesting line of exploration, something they have been working on, because they feel compelled to produce something that looks more “publishable,” which is to say, commercial. It will be hard for those who have never suffered this obsession to appreciate how all-conditioning and all-consuming it can be. These ambitious young people set deadlines for themselves. When the deadlines aren’t met their self-esteem plummets; a growing bitterness with the crassness of modern culture and the mercenary nature, as they perceive it, of publishers and editors barely disguises a crushing sense of personal failure.

But we’re all aware of the woes of the wannabe. Less publicized is how the same mentality still feeds the world of fiction on the other side of the divide. For the day comes when wannabes, or at least a small percentage of them, are published. The letter, or phone call, or email arrives. In an instant life is changed. All at once you’re being listened to with attention, you’re on stage at literary festivals, you’re under the spotlight at evening readings, being invited to be wise and solemn, to condemn this and applaud that, to speak of your next novel as a project of considerable significance, or indeed to pontificate on the future of the novel in general, or the future of civilization.

full: http://www.nybooks.com/blogs/nyrblog/2014/jan/11/writing-to-win/

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